- A great copy with Double Plus (A++) sound from start to finishi
- If all you know are the originals you will be surprised at just how rich, natural and Tubey Magical the sound here can be
- Guaranteed to handily beat the Nautilus Half-Speed as well as the TAS List-approved MoFi (which is awful by the way)
- Five Stars: “…the real hit was the title track, a self-penned masterpiece and… her finest moment as a songwriter…”
Wonderful sound — rich, full, warm, and sweet. The vocals are full-bodied and breathy. The acoustic guitars are fairly natural for a pop recording from 1975.
Play Jesse on side two to hear the lovely space of the studio, as well as more harmonic extension on the acoustic instruments. Watch out for track two; the EQ on the vocal is always a problem.
What to Listen For (WTLF)
This copy has the kind of sound we look for in a top quality Singer Songwriter album. A few qualities to listen for:
Immediacy in the vocals (so many copies are veiled and distant);
Natural tonal balance (most copies are at least slightly brighter or darker than ideal; ones with the right balance are the exception, not the rule);
Good solid weight (so the bass sounds full and powerful);
Spaciousness (the best copies have wonderful studio ambience and space);
And last but not least, transparency, the quality of being able to see into the studio, where there is plenty of musical information to be revealed in this sophisticated Folkie Pop recording from 1975.
The sound varies quite a bit from track to track, no doubt a result of each recording having to be tailored to the different groups of studio cats and the necessity for various overdubs — strings, pedal steel guitars, even some tasteful(!) synths. (more…)