Top Artists – Fleetwood Mac

Fleetwood Mac – Rumours – Listening in Depth

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  • A KILLER copy with Triple Plus (A+++) sound or close to it on both sides
  • Tubey Magical Analog – The sound is open, spacious and transparent, with a huge three-dimensional soundfield 
  • When you hear it sound as good as it does here, you’ll know why we consider Rumours a Better Records Top 100 Demo Disc
  • 5 stars: “Each tune, each phrase regains its raw, immediate emotional power—which is why Rumours touched a nerve upon its 1977 release, and has since transcended its era to be one of the greatest, most compelling pop albums of all time.”

When you hear a good copy of Rumours, it’s very easy to understand why this is one of the best-selling pop music albums of all time. Just about everyone knows how great these songs are, but I bet you didn’t know they could sound like this!

It’s tough finding Hot Stamper copies of this album. With over 75 sets of stamper numbers for each side, it’s an extremely taxing project, even for us! We know some of the better stampers and have been acquiring them since then in preparation for this shootout.

Demo Disc Sound

This is a rock album — it needs to be played LOUD and it needs to be played on a DYNAMIC system. Case in point: consider how quietly The Chain starts out and how loud it is by the end. Those kinds of macro-dynamics are very rare on a pop recording. Rumours has the kind of dynamics you just don’t hear anymore, which is why the killer copies are a such a THRILL to play on a big dynamic system fitted with a top-notch turntable! (more…)

Fleetwood Mac – Rumours – Nautilus’s Digitally Remastered Half Speed Junk Vinyl

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Sonic Grade: D

 Hall of Shame pressing and another Half Speed debunked.

Compressed and thin, for all I know the CD might be better than this barely passable audiophile pressing. 

Fleetwood Mac – Tusk – Some of Our Favorite Twisted Melodic Pop

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  • A MONSTER pressing that simply cannot be beat – all four sides (well, almost) earned our highest sonic grade of Triple Plus (A+++)
  • Staggering Demo Disc Quality sound on the more highly produced tracks, of which there are plenty spread across these two discs
  • The power of the bottom end is especially impressive on all the sides (and John McVie kills it on bass as usual)
  • 5 stars: “Because of its ambitions, Tusk failed to replicate the success of its two predecessors … yet it earned a dedicated cult audience of fans of twisted, melodic pop.” Twisted melodic pop? Sign me up!

This copy is absolutely KILLER, with the kind of transparency, space and openness you simply cannot find on most copies. When the soundstage is as wide and three-dimensional as it is here, it’s amazing how much more SENSE the music starts to make.

And the clarity is not the phony “audiophile” kind that’s the result of too much treble. The tonality is correct throughout, and there’s no lack of richness or warmth to the sound. They just don’t get any better. (more…)

Spencer & Kirwan, Lost Guitar Heroes

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More on Kiln House

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Kiln House is one of the all-time great Fleetwood Mac albums. It’s the first album they recorded after Peter Green left. With Green gone Jeremy Spencer’s influence came to the fore. Apparently he was quite a fan of Buddy Holly. His songs are excellent: straightforward and unerringly melodic.

The co-leader for Kiln House is Danny Kirwan, and he rocks the hell out of this album. Three of the best songs Fleetwood Mac ever did, regardless of incarnation, are here: Tell Me All The Things You Do, Station Man and Jewel Eyed Judy, all written by Kirwan (with the help of others). His guitar work on these three songs is blistering.

Any Fleetwood Mac greatest hits collection would be a joke without these tracks. Of course they are consistently missing from all such compilations, at least the ones with which I am familiar. The sad fact is that few people miss them because few people have ever heard them.

The closest thing I can think of to the kind of music the new Mac plays is moody rock of the middle-period Beatles. Kiln House is similar to Beatles ’65 in its dual concerns with vintage rock ‘n’ roll and muted, romantic pieces.Jeremy Spencer took care of the former area, while Danny Kirwan extended the style best represented by McCartney’s “I’ll Follow the Sun.”

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Peter Green’s Fleetwood Mac – A Simply Vinyl Winner

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Sonic Grade: B

160 gram Simply Vinyl pressing of this EXCELLENT LP. This is the early, BLUESY Mac, about as far from Rumours as you can get. The sound here is excellent — dark and smooth like a good British Blues album should be.  Simply Vinyl did a superb job here.

Correction: an unnamed mastering engineer at the label that owns the tape did a superb job. Simply Vinyl isn’t in the business of mastering or remastering ANYTHING. They leave that up to the pros at the record labels.

Sometimes those guys screw it up and sometimes they get it right.

Buckingham Nicks and the British Rock Sound


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  • A wonderful sounding copy with two superb sides: Triple Plus (A+++) on the second and Double Plus (A++) on the first
  • The sound is excellent throughout – super rich and full-bodied yet still clean, clear and open with a massive bottom end
  • This is an album we almost never find and very rarely have on the site — don’t miss this one!
  • Features the early version of Crystal that they later brought with them to Fleetwood Mac

British Sound from Yanks

Those of you who read our commentary for Commoner’s Crown will recognize this bit, lifted practically whole from the listing. The British Sound? This record has it in spades: (more…)

Listening in Depth to Fleetwood Mac’s Self-Titled Album from 1975

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Listening in Depth

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

So few copies we ran across in our shootout had that “jump out of the speakers” sound we knew was possible from our previous shootouts of the album. When finally one did, boy did it ever. What a knockout. Hot Stampers? The best copies are on fire!

If you have a big speaker system and have taken advantage of the audio revolutions we discuss throughout the site, this is the kind of record that shows just how much progress you’ve made.

When a record like this blows everything you’ve ever heard out of the water, you are definitely on the right track!

In-Depth Track Commentary

Side One

Monday Morning

This copy is so transparent that it revealed a quality of the recording that we were never aware of before. The songs that Lindsey sings, which tend to be the rockers, have a certain gritty quality to the vocals which is not on any of the other songs, those sung by Stevie Nicks or Christine McVie. It’s not a pressing problem. It HAS to be the way they wanted his vocals to sound. There’s a certain rawness and bite that he seems to be going for, so don’t expect the smoothness and sweetness of the other tracks when playing his.

Warm Ways

Folks, it doesn’t get any better than this. This song is PURE POP PERFECTION. This is our favorite test track for side one. Christine’s voice needs to be present and immediate, while at the same time completely free from grain or artificial EQ. On the best copies she is breathy and sweet. In case you haven’t noticed, these are not qualities you hear often in the songs Christine sings lead on. Most of her vocals are veiled and farther back in the mix. Stevie Nicks tends to get better sound for some reason, don’t ask me why. Just listen to the sound of the vocals on Landslide; McVie never gets that kind of presence and immediacy. (more…)

The Fleetwood Mac You Don’t Know – Kiln House

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Rock and Pop Classics

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The Fleetwood Mac You Don’t Know – Kiln House

A distinguished member of the Better Records Rock Hall of Fame, a Forgotten Classic, and another in the long list of recordings that really comes alive when you Turn Up Your Volume.

Kiln House is one of the all-time great Fleetwood Mac albums. It’s the first they recorded after Peter Green left. With Green gone Jeremy Spencer’s influence came to the fore. He was apparently quite a fan of Buddy Holly. His songs are straightforward and unerringly melodic.

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The co-leader here is Danny Kirwan and he rocks the hell out of this album. Three of the best songs the band ever did, regardless of incarnation, are here: Tell Me All The Things You Do, Station Man and Jewel Eyed Judy, all written by Kirwan (with the help of others). His guitar work on these three songs is blistering. Any Fleetwood Mac greatest hits collection would be a joke without these tracks. Of course they are consistently missing from all such compilations, at least the ones with which I am familiar. The sad fact is that few people miss them because few people have ever heard them.

And Let’s Not Forget Christine McVie

It’s amazing to realize that this album was made by just four guys. Actually that’s not true. Christine McVie (known as Christine Perfect at the time) not only did the lovely artwork for the cover, but she sings uncredited background vocals on some of the songs. Her contribution to Station Man is especially lovely. She would officially join the band on their next album, a personal favorite of mine, Future Games. (more…)

The Fleetwood Mac You Don’t Know – Future Games

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Rock and Pop Classics

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The Fleetwood Mac You Don’t Know – Future Games

This is another one of Fleetwood Mac’s Forgotten Classics from 1971.

Danny Kirwan is the guy who really takes control on Future Games. Some of the best songs this band ever did are here, many of them written by Kirwan. The opening track on side one, Woman Of A Thousand Years, and the opening track on side two, Sands Of Time, are both his and set the tone for the whole side, which is folky, ethereal and extended. The best of these pop songs don’t seem to follow any of the standard pop conventions of verse verse chorus. They seem to wander on a journey of discovery. In that way they remind me a little bit of 20th century French classical music, or some of the longer tracks from Neil Young’s Zuma.

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Any Fleetwood Mac greatest hits collection would be a joke without those tracks. They are of course missing from most of the compilations I am familiar with. Sadly, few people miss them because few people have ever even heard them.

This period Fleetwood Mac, from Kiln House through Mystery to Me (both are records I would take to my Desert Island) has always been my favorite of the band. I grew up on this stuff, and I can tell you from personal experience, having played a dozen (or more, I lose track there are so many) copies of Future Games practically all day at some pretty serious levels that it is a positive THRILL to hear it sound this good!

 

The Fleetwood Mac You Don’t Know – The Self-Titled First Album & English Rose

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Rock and Pop Classics

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The Fleetwood Mac You Don’t Know

A distinguished member of the Better Records Rock and Pop Hall of Fame and a Forgotten Classic from 1971.

You just can’t write better songs than Love That Burns or Black Magic Woman, both of which can be found here. And Albatross, the mellow instrumental that closes out side four, was a Number One hit in the UK in 1969, can you believe it? It was backed on some releases by Need Your Love So Bad, another one of our all time favorite Fleetwood Mac songs. The band was on fire back when Peter Green was at the helm. These two LPs are proof enough.

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The material found on this American-only compilation is tough to come by on vinyl; their early albums barely charted in the states and are anything but plentiful. The Peter-Green-led blues band that performed this music was huge in England however, and for me, personally, I would take Fleetwood Mac as a blues band over any other blues band from the period.

Keep in mind that some of these recordings are engineered to sound like old blues songs from the thirties and forties. Don’t expect audiophile sound on those tracks because it’s just not on the master tapes that way.

But it’s easy enough to tell when the material sounds right, and that’s all we are after here — the right sound. (more…)