Top Artists – Dave Brubeck

Dave Brubeck – Countdown – Time In Outer Space

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A distinguished member of the Better Records Jazz Hall of Fame.

Clean and Clear, Yet Rich and Sweet. This copy managed to find the perfect balance of these attributes.

You want that rare copy that keeps what is good about a Tubey Magical analog recording from The Golden Age of Jazz while managing to avoid the pitfalls so common to them: smear, lack of top end extension, opacity and blubber. To be sure, the fault is not with the recording (I guess; again, not having heard the master tape) but with the typically mediocre pressing. 

Bad vinyl, bad mastering, who knows why so many copies sound so thick, dull and veiled?

Full-bodied sound, open and spacious, bursting with life and energy — these are the hallmarks of our Truly Hot Stampers. If your stereo is cookin’ these days this record will be an unparalleled Sonic Treat. We guarantee that no heavy vinyl pressing, of this or any other album, has the kind of analog magic found here. (more…)

Dave Brubeck – Countdown – Time In Outer Space

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  • A KILLER 6-Eye original stereo pressing of this wonderful recording, with Shootout Winning Triple Plus (A+++) sound on the first side and Double Plus (A++) sound on the second
  • Both sides are incredibly Tubey Magical as befits a Brubeck recording from 1962 produced by Teo Macero
  • Superb 1962 All Tube sound courtesy of the extraordinary engineering skills of Fred Plaut
  • 4 Stars: “One of Dave Brubeck’s more adventurous albums… Highly recommended along with Brubeck’s other Time recordings.”

Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These vintage Brubeck recordings are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here.

Getting The Balance Right

Clean and clear yet rich and sweet, this copy managed to find the perfect balance of these attributes so essential to the sound of vintage jazz recordings. You want to find that rare copy that keeps what is good about a Tubey Magical analog recording from The Golden Age of Jazz while managing to avoid the pitfalls so common to them: smear, lack of top end extension, opacity and blubber. (more…)

In the Market for New Speakers?

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See How Well They Handle the Energy of Far More Drums

The drum solo Joe Morello lets loose on Far More Drums is one of the best on record. I was playing that very song recently and it occurred to me that it is practically impossible for a screen or panel speaker of any nature to reproduce the sound of those drums properly, regardless of how many subs you have.

Most of the music is not in the deeper bass anyway. It’s the whack of instruments whose energy is in the lower midrange and midrange that a screen speaker will struggle with, while a good large-driver dynamic speaker seems to handle the energy in that range with ease.

This is precisely the right album to take with you next time you head to your local stereo store to audition speakers. It will help clarify the issues. Screen speakers do many things well, but drums are not one of them in my experience.

If drums are important to you, do yourself a favor and buy a dynamic speaker, the bigger the better.


Further Reading

…along these lines can be found below.

We have a section for Audio Advice of all kinds.

And finally we’ll throw in this old warhorse discussing How to Become an Expert Listener, subtitled Hard Work and Challenges Can Really Pay Off.

Because in audio, much like the rest of life, hard work and challenges really do pay off.

See all Dave Brubeck albums in stock

 

Dave Brubeck – Time Out

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  • An exceptional pressing – Nearly Triple Plus (A++ to A+++) on side one, an excellent Double Plus (A++) side two, big and open, with note-like bass and huge amounts of studio space
  • Original Six Eye stereo LPs in playable condition are getting tough to find nowadays – even this one has issues
  • 5 stars on Allmusic, an audiophile favorite and a great example of what’s phenomenally good about 1959 All Tube Analog recordings
  • “Dave Brubeck’s defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time.”

Spacious and transparent, this copy has the big three-dimensional soundstage that makes this record such a joy to listen to. The piano has weight and heft, the drums are big and dynamic, and everything is relaxed and sweet — in short, this copy is doing pretty much everything we want a top quality Time Out to do.  (more…)

Dave Brubeck Trio Featuring Gerry Mulligan – Compadres – What to Listen For

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album, or any live album for that matter.

As is the case with most live albums, the sound of the crowd tells you a lot about the recording, and on this copy the crowd sounded exceptionally clear and natural.

Many live albums have crowds that are either too bright, or too loud between tracks, both of which can be very off-putting. When the crowd is recorded and mixed right — again, these are pros from Columbia Records who really know their jazz — you feel as if you are immersed right there with them in the audience. (more…)

Dave Brubeck Quartet Time Further Out – What to Listen For

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The best copies such as this one demonstrate the big-as-life Fred Plaut Columbia Sound at its best (better than even Time Out in our opinion). These vintage recordings are full-bodied, spacious, three-dimensional, rich, sweet and warm in the best tradition of an All Tube Analog recording. If you want to hear big drums in a big room these Brubeck recordings will show you that sound better than practically any record we know of. The Engineering tab below has much more on that subject. 

The one standout track on this album for audiophiles is surely Unsquare Dance, what with its uncannily real sounding handclaps in 7/4. The copies that did the best job of reproducing that “flesh on flesh” sound of actual human hands clapping scored very well in our shootout.

More to Listen For

For starters listen for a fat snare and rich piano on the first track of side one. When you hear that, assuming you do, you should know you are in for a treat. Our best copies captured those two sounds brilliantly.

On the second track the clarity of the brushed snare is key to how resolving and transparent any copy is. The rich, smooth sound of Desmond’s sax balanced against the clarity of the brushes will help you make sure that the overall sound is tonally correct from top to bottom. (more…)

Dave Brubeck – A Cut Above – An Awful Direct to Disc Recording (with synths!)

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Sonic Grade: D

Hall of Shame pressing.

This Direct Disk Labs Double LP is an exceptionally WELL-RECORDED Direct-to-Disc. The bass is punchy, the piano sounds tonally Right On The Money (ROTM) and the overall sound is lively and immediate. It’s one of the better sounding Direct-to-Discs we’ve played lately.

The music goes nowhere however, hence the grade.  

Dave Brubeck Quartet – Time Further Out

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  • With two seriously good Double Plus (A++) sides, this 360 label stereo copy was one of the better pressings we played in our recent shootout – it’s on quiet vinyl too
  • These early sides are incredibly tubey – rich, full-bodied and warm – yet clear, lively and dynamic
  • This copy demonstrates the big-as-life Fred Plaut Columbia Sound at its best – better even than Time Out(!)
  • “Brubeck treats the fifth, sixth, seventh, eighth, and ninth tunes in corresponding meters, to particular effect on the 7/4 hoedown of “Unsquare Dance,” the 8/8 barrelhouse changes of “Bru’s Boogie Woogie” and the engaging dissonances of his 9/8 mood piece “Blue Shadows in the Street.””

Time Further Out is consistently more varied and, dare we say, more musically interesting than Time Out.

If you want to hear big drums in a big room these Brubeck recordings will show you that sound better than practically any record we know of. These vintage recordings are full-bodied, spacious, three-dimensional, rich, sweet and warm in the best tradition of an All Tube Analog recording. 

The Piano

If you have full-range speakers, some of the qualities you may recognize in the sound of the piano are WEIGHT and WARMTH. The piano is not hard, brittle or tinkly. Instead the best copies show you a wonderfully full-bodied, warm, rich, smooth piano, one which sounds remarkably like the ones we’ve all heard countless times in piano bars and restaurants. (more…)

Dave Brubeck – Time In from 1966

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  • You’ll find excellent Double Plus (A++) sound or BETTER on both sides of this pressing of Time In, the last album recorded in Brubeck’s “Time” series
  • This 360 Stereo pressing boasts the clean, clear, solid, lively piano sound we love about Brubeck’s records from this era
  • The best vintage pressings of Brubeck’s Columbia albums from the ’50 through the ’60s are exceptionally natural, with unerringly correct sound from top to bottom
  • 4 stars: “The last of pianist and composer Dave Brubeck’s “Time” recordings, and one of his most musically adventurous. Though it is seldom celebrated as such, this is one of Brubeck’s finest moments on Columbia.”

This vintage Columbia 360 stereo pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the audience at the live show, this is the record for you. It’s what Live Jazz Recordings are known for — this sound. (more…)

Dave Brubeck – Time Out on Classic Records

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Sonic Grade: D

When we did a shootout for this record way back in October of 2007 we took the opportunity to play the Classic Records 200 gram pressing. Maybe we got a bad one, who knows, but that record did not sound remotely as good as the real thing (6 eye or 360, both can be quite good). The piano sounded thin and hard, which was quite unexpected given the fact that we used to consider the Classic LP one of their few winners and actually recommended it.

As we said in our shootout: “We dropped the needle on the Classic reissue to see how it stacked up against a serious pressing. Suffice it to say, the real Time Out magic isn’t going to be found on any heavy vinyl reissue!”