Alive Rock, Pop, Etc.

These 170+ rock, pop and soul titles can only come to life at loud levels on big speakers. We know because we played them on our big speakers at loud levels and heard them do it.

They cannot be reproduced with much more than minimal fidelity using small drivers, small speakers or screens, and they definitely won’t sound their best unless the volume is up good and high.

Foreigner – Agent Provocateur

More Foreigner

More Rock Classics

  • You’ll find outstanding Double Plus (A++) sound from first note to last on this copy of Foreigner’s fifth studio album – quiet vinyl too
  • Exceptionally open, clear, and resolving, this pressing presents the music as it was meant to be heard
  • With the band’s biggest hit single, “I Want To Know What Love Is,” this is a vital addition to any Foreigner fan’s collection
  • “It would be difficult to find a band that had more success from 1977 to 1981 than Foreigner, as all four albums released during that time frame would chart Top 5, with the album 4 becoming the band’s first Number One album… Even now, more than 30 years after [Agent Provocateur] was released, I think there are several tracks that stand up pretty well with the rest of the band’s best material… “

What to Listen For (WTLF)

Smoother and sweeter sound with less of the grit and congestion that plagues the average copy. (more…)

Deep Purple / Who Do We Think We Are! – Our Shootout Winner from 2011

More Deep Purple

More British Blues Rock

This British Import Purple Records pressing has a GREAT side one, and AMAZING A+++ side two, and VERY QUIET VINYL throughout! I don’t think you could find a better sounding side two no matter what you did. The sound here is BIG, BOLD and LIVELY with real weight down low and excellent presence. It really JUMPS out of the speakers and fills up the room! Side one is very good as well, with all of the qualities described above. It doesn’t fully open up the way side two does, but it still slaughtered most of the copies we played it against.

The big hit song from this one was Woman From Tokyo and it sounds excellent on this copy — very natural with real texture to the guitars and lots of WHOMP down low. (more…)

Jellyfish – Bellybutton

Reviews and Commentaries for the Music of Jellyfish

One of the very best copies we’ve ever heard! Both sides earned top honors in our shootout, with side one even surpassing our reference copy to earn a FOUR plus A++++ grade. It goes far beyond anything we’ve heard before.

Out of the thousands of Hot Stampers we’ve listed over the years, less than twenty have earned Four Pluses. That alone makes this a very special copy indeed. (more…)

AC/DC – Highway To Hell

  • Superb sound for Bon Scott’s final outing with the band, with solid Double Plus (A++) grades throughout this vintage copy (only the second to hit the site in years)
  • These sides have plenty going on down low, real meat on the bones, and all the life, energy and richness that’s missing from the average copy
  • Forget the dubby domestic pressings, forget the later imports and other reissues, only the right UK pressings have the potential to sound the way this copy does
  • Angus Young’s guitar jumps out of the speakers here like almost no other copy we played in our recent shootout
  • 5 stars: “Filtered through Mutt‘s mixing board, AC/DC has never sounded so enormous, and they’ve never had such great songs, and they had never delivered an album as singularly bone-crunching or classic as this until now.”

(more…)

Squeeze – Cosi Fan Tutti Frutti

Records We Only Sell on Import Vinyl

  • This British original earned excellent sonic grades of Double Plus (A++) on both sides – the band sounds great here
  • This has long been a favorite album of mine, a desert island disc if you will, with some of the most powerfully produced, intelligently written and passionately performed songs in the entire Squeeze canon
  • The domestic pressings are obviously made from dubs, and only the best of the Brits have sound even approaching this copy 
  • “”By Your Side,” “I Learnt How to Pray,” and “Last Time Forever” are all darker tunes than just about any Squeeze had done so far but they carry an emotional punch.” Boy, do they

If you’re a fan of Elvis Costello, Graham Parker, Nick Lowe, Joe Jackson and even quite a few other lesser-knowns from this era, Squeeze is the band for you. I put them right up there with Elvis Costello and Peter Gabriel in the pantheon of Best British Pop Music of All Time.

The Sound

There’s plenty of Tubey Magical richness and smoothness on the best British pressings — such as this one — qualities the domestic pressings are sorely lacking. If you want to hear this music right, on vinyl it’s British or nothing, and with one of our Hot Stamper pressings it’s British and everything — everything that’s good about this recording is captured on these sides. (more…)

Elvis Costello – This Year’s Model

Hot Stamper Pressings of Elvis’s Albums Available Now

Reviews and Commentaries for Elvis Costello

  • WOW — an incredible Triple Plus (A+++) side two backed with an excellent Double Plus (A++) side one for this Elvis Costello classic!
  • You’re gonna love the sound here – full-bodied and punchy with a solid low end and excellent presence for Elvis’s vocals
  • The bass is right – the moment-to-moment rhythmic changes in the songs are clear and the band swings the way it’s supposed to
  • 5 stars on Allmusic: “The most remarkable thing about the album is the sound — Costello and the Attractions never rocked this hard, or this vengefully, ever again.”

PUMP IT UP! This British Import Radar LP has TWO AMAZING SIDES that brilliantly and powerfully convey the energy of this hard rockin’ music.

The overall sound is punchy, lively, and dynamic with plenty of tight, note-like bass. This is key to the best copies.

The Low End Theory

A correct bottom end is absolutely CRITICAL for this album. Like Trust and Armed Forces, there’s a TON of low-end on this record; regrettably, most copies suffer from either a lack of bass or a lack of bass definition. I can’t tell you how much you’re missing when the bass isn’t right on this album. (Or if you have the typical bass-shy audiophile speaker, yuck.)

It’s without a doubt the single most important aspect of the sound on this album. When the bass is right, everything falls into place, and the music comes powerfully to life. When the bass is lacking or ill-defined, the music seems labored; the moment-to-moment rhythmic changes in the songs blur together, and the band just doesn’t swing the way it’s supposed to. (more…)