We got hold of a minty original pressing of the first Love album back around 2007, so in preparation for the commentary I pulled one of the Sundazed pressings off the shelf, (Forever Changes, the only one we ever bothered to sell), cracked it open and threw it on the turntable.
Gag, what a piece of crap. When I had auditioned them all those years ago (2002) it was — I’m not kidding — the best of the bunch.(more…)
Back around 2000 I spent a fair amount of time comparing this pressing with both an RCA 1S Black Label original, two different RCA Orange Label reissues, and the DCC 180 gram pressing. To make a long story short, if you’re willing to buy this record for the songs that really sound amazing on it, like “Today”, then you should try one. (more…)
This is probably the best of all the new  Sundazed mono reissues. I never thought I would hear a Sundazed record with this kind of richness and sweetness. It reminds me of a good 360 pressing, and that has virtually never happened before. Side one is a tad better than side two, which is slightly brighter than it should be. But both sides are exceptionally good considering the modern mastering.
This album also has my favorite Byrds song of all time: I’ll Feel A Whole Lot Better. (Notice that Gene Clark’s vocals all sound better than Roger McGuinn’s. For some reason they tend to brighten up his vocals, and the last thing you ever want to do with a Byrds recording is make it brighter. But having said that, almost all the reissues are too bright compared to these good originals.)
None of the mono pressings of The Byrds’ albums that we’ve played in shootouts over the course of the last ten years or so has ever impressed us much, none that I can recall anyway.
Congested and compressed, with no real top, who in his right mind could possibly tolerate that kind of sound on modern equipment?
Although, to be fair, we’ve stopped buying them, so there may actually be a good copy or two out there in used record land that we haven’t heard. In our defense, who really has the time to play records with so little potential for good sound?(more…)
The best sounding of the Lovin’ Spoonful records I’ve heard on Sundazed, which means that the others would get an F for sound. Don’t waste your money. I’d be surprised if the CDs weren’t better sounding. (Many Sundazed CDs are actually quite good.)
The best stereo copies are rich, sweet and Tubey Magical — three areas in which the Sundazed reissues are seriously lacking. (If anyone still cares; we can’t be bothered with mediocrities such as this.)
And none of the Columbia monos we’ve played did much for us either. Congested and compressed, with no real top, who in his right mind could possibly prefer that sound?(more…)
Although it’s been many years since I last played it, I’m fairly confidant that the Sundazed only hints at the real sound of the best copies. Most Sundazed records would end up in our Hall of Shame if we ever bothered to audition them.
Being in the “record business,” such as it is, I’ve played my share and more of awful sounding Heavy Vinyl.
Even back in the (embarrassing) days when we were selling them we carried only about one out of ten that were in print. A big portion of the nine we didn’t stock were just awful as I recall.(more…)