Columbia/Epic

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Michael Jackson – Off The Wall

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Reviews and Commentaries for Off the Wall

  • A vintage pressing of this MJ classic with some of the most heartfelt, emotional and powerful music he ever recorded, here with solid Double Plus (A++) grades or close to them – exceptionally quiet vinyl too
  • Believe it or not, no copies in our most recent shootout, aside from the shootout winner and Nearly White Hot, had even Super Hot stampers on both sides, which was surprising since we know the right stampers and there were plenty of them in the shootout
  • If you need top quality sound, and assuming it takes as long to get our next shootout going as it did this last one, please check back with us in late 2025
  • The sound is lively, punchy, and powerful (particularly on side one) – with all due respect, it should murder whatever copies you may have
  • We’re constantly blown away by just how good the best copies of Off The Wall sound – what a recording!
  • 5 stars: “This was a visionary album … part of a colorful tapestry of lush ballads and strings, smooth soul and pop, soft rock, and alluring funk.”
  • This is our pick for MJ’s best sounding album. Roughly 150 other listings for the best recording by an artist or group can be found here on the blog

As consistently brilliant as Thriller may be musically — it is the biggest selling album of all time, after all [scratch that, the Eagles Greatest Hits took the top spot away from Thriller in 2018] — speaking strictly in terms of sonics, the sound of the better copies of Off The Wall are substantially sweeter, tubier, more natural, richer, and more analog than Thriller.

Thriller is clearly more aggressive and processed-sounding than Off The Wall. “The Girl Is Mine” or “Human Nature” from Thriller would fit just fine anywhere on Off The Wall, but could the same be said for “Beat It” or “Thriller”? Just thinking about them you can hear the artificiality of the sound of both those songs in your head. Think about the snare that opens “Beat It.” I’ve never heard a snare sound like that in my life. Practically no instrument on Off The Wall has that kind of overly processed EQ’d sound.

Normally when you have a copy with plenty of presence, it can be somewhat sibilant in places. Sibilance is hardly a problem here. For some reason this copy has all the highs, but it’s cut so clean it practically doesn’t spit at all. Even on the song “I Can’t Help It,” which normally has a problem in that respect. Since that’s my favorite song on this album, and probably my favorite MJ song of all time, hearing it sound so good was a revelation.

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Duke Ellington / Ellington Indigos on Six Eye from 1958

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More Records with Exceptionally Tubey Magical Sound

  • With solid Double Plus (A++) grades or BETTER throughout, this wonderful late-50s pressing (the first copy to hit the site in close to four years) has the magic of analog in its grooves
  • Side one was sonically very close to our Shootout Winner – you will be amazed at how big and rich and tubey the sound is
  • Our 6-Eye Stereo Columbia here impressed us with its superbly well-recorded large group jazz, in the romantic style Ellington refined to an art form – never more sublime than on this very album
  • A near-perfect demonstration of just how good 1958 All Tube Analog sound can be – no modern record can hold a candle to a pressing as good as this one
  • If you like your jazz ballads performed with deep feeling, by a road-tested group of virtuoso players, this record is going to be hard to beat

If you like the sound of relaxed, tube-mastered jazz, you can’t do much better than Ellington Indigos. Many of the other 6-Eye copies we played suffered from blubbery bass and transient smearing, but the clarity and bass definition here are surprisingly good. The warmth and immediacy of this sound may just blow your mind.

We played a handful of later pressings that didn’t really do it for us. They offer improved clarity, but can’t deliver the tubey goodness that you’ll hear on the best early pressings. We won’t be bothering with them anymore. It’s tubes or nothing on this album.

The key for vintage super-tubey recordings is balancing clarity with richness. The easiest way to test for those two qualities on this album is to find a track with clear, lively, loud trumpets that also includes rich trombones and other low brass. On side one that track is “Where or When.” If your copy has clear, lively trumpets and rich, full-bodied, Tubey Magical low brass, it is definitely doing something right.

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Lionel Hampton – Silver Vibes on Six Eye Columbia

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More Vintage Columbia Pressings

  • Here is an original Stereo 6-Eye pressing of Hampton’s superb 1960 release (only the second copy to hit the site in three and a half years) with solid Double Plus (A++) sound or close to it from first note to last
  • Three-dimensional space and ambience, Tubey Magic by the boatload (particularly on side two) – this All Tube recording shows just how good Columbia’s engineers were back then
  • Comprising mostly standards (“Skylark,” “What’s New,” “Speak Low”) performed in a mellow mood, Hampton, his bandmates, and the engineers provide an immersive, enchanting listening experience of very high quality
  • “Although a number of prominent musicians are present, the focus is almost exclusively on the leader in each of the ten brief arrangements… While this record may be a bit low-key, it is still very enjoyable.”

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Kenny Burrell – Weaver of Dreams

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More Recordings on Vintage Columbia Vinyl

  • With two excellent Double Plus (A++) or BETTER sides, this original 6-Eye Stereo pressing of Burrell’s 1961 vocal release will be very hard to beat
  • Exceptionally spacious and three-dimensional, as well as relaxed and full-bodied – this pressing was a big step up over most of the other copies we played
  • ANALOG at its Tubey Magical finest – you’ll never play a CD (or any other digitally sourced material) that sounds as good as this record as long as you live
  • If you have the Classic Records pressing from 1995, you were probably as unimpressed by the sound of it as we were, but not to worry, our Hot Stamper pressing murders that Heavy Vinyl wannabe
  • These are the Top Titles from 1961 we’ve reviewed to date. From an audiophile perspective, depending on your taste in music, most should be worthy of a place in your collection
  • Here is the complete list of titles from 1961 that we’ve reviewed (which overlaps quite a bit with the group above). Just about any of these, depending on how much you like the artist(s) or music, are worth seeking out

This original 6-Eye Stereo pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

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Sade – Diamond Life

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More Titles We Only Offer on Import LP

  • Both sides of this original UK import have stunning sound for Sade’s debut LP, earning Shootout Winning Triple Plus (A+++) grades or close to them – fairly quiet vinyl too
  • Here are just a few of the things we had to say about this killer copy in our notes: “big and rich and breathy”…”silky and focused vox”…”really solid and weighty drums”…”natural and roomy”…”HTF! [hard to fault] (side two)”
  • The key to the best copies is Tubey Magical richness and sweetness, and this vintage analog import has plenty of both
  • 4 1/2 stars: “[Sade] projects a wised-up sensuality, and the record neither creaks with the revivalism of Harry Connick nor the sterility of Simply Red, to name but two of Sade’s neo-cocktail rivals.”

This copy gives you the kind of present, breathy vocals absolutely critical to this music. There’s no denying the power of Sade’s sultry voice when you can actually hear it. All it takes is a top copy such as this to make her talents — and those of her bandmates — abundantly clear. (more…)

Al Stewart – Past, Present & Future

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More British Folk Rock

  • With INSANELY GOOD Shootout Winning Triple Plus (A+++) grades from top to bottom, we guarantee you’ve never heard Past, Present & Future sound this good – exceptionally quiet vinyl too
  • Both sides of this original UK pressing are rich and Tubey Magical, with powerful, note-like bass, incredible transparency and plenty of energy
  • We shot out a number of other imports and the midrange presence, bass, and dynamics on this outstanding copy placed it head and shoulders above the competition
  • Don’t waste your money on the sub-generation domestic pressings, they are clearly made from dubbed tapes
  • “…the record where Al Stewart truly begins to discover his voice [and] finally found his muse, focusing his songwriting and intent to a greater extent than ever before.”

It took us ages to track down copies of this album that didn’t sound flat, boring, and stuck in the speakers. We played a large number of Brit and domestic copies, and while both versions can sound lovely on the best pressings, there are certainly plenty of bad sounding versions out there from both countries.

This is the album that comes before Modern Times, Year Of The Cat and Time Passages in the Al Stewart discography, so if you’re a fan of any of those albums we imagine you’ll find a lot to like here.

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Muddy Waters – I’m Ready

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More Soul, Blues, and R&B

  • This vintage copy (only the second to hit the site in nearly four years) boasts two INCREDIBLE Shootout Winning Triple Plus (A+++) sides or close to them
  • If you’re looking for a Hot Stamper Blues album to add a little variety to your collection, you can’t do much better this copy of I’m Ready
  • “Waters and band provide these well-worn gems with a little new studio polish, but it is with the newer songs that the performers really shine… For new listeners trying to get a feel of what the blues is all about, I’m Ready and its bookends are the albums to start with. Once you experience a taste of Muddy Waters, you’ll be ready for more.”

*NOTE: On side one there is a mark that plays lightly ten times at the start of the first track.

Waters made three albums with Johnny Winters in the ’70’s, including this one. Muddy was still in great form, and the sound can be fantastic on the right copy. It’s not easy to find blues recordings that sound natural and honest while still giving you the energy, presence and clarity needed to bring the music to life, but this bad boy has exactly the sound we were looking for. (more…)

Cheap Trick – Heaven Tonight

More of the Music of Cheap Trick

  • This vintage pressing of Cheap Trick’s third studio LP boasts solid Double Plus (A++) grades from top to bottom
  • Huge rock sound – the guitars and drums are positively jumping out of the speakers with dynamic energy, presented on a stage that’s remarkably wide and tall – which means the monster hit “Surrender” rocks like crazy, with more bottom and top end extension than on most other copies we played
  • 5 stars: “Heaven Tonight, like In Color, was produced by Tom Werman, but the difference between the two records is substantial. Where In Color often sounded emasculated, Heaven Tonight regains the powerful, arena-ready punch of Cheap Trick, but crosses it with a clever radio-friendly production that relies both on synthesizers and studio effects.

“Heaven Tonight is the culmination of the group’s dizzying early career, summing up the strengths of their first two albums, their live show, and their talent for inverting pop conventions.”

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Dave Brubeck Quartet – Time Further Out on 360

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Reviews and Commentaries for Time Further Out

  • Excellent sound throughout this black print 360 Stereo pressing, with both sides earning Double Plus (A++) grades – exceptionally quiet vinyl too
  • It’s bigger, richer, more Tubey Magical, and has more extension on both ends of the spectrum than most other copies we played
  • This copy demonstrates the big-as-life Fred Plaut Columbia Sound at its best – better even than Time Out(!)
  • 4 1/2 stars: “The selections, which range in time signatures from 5/4 to 9/8, are handled with apparent ease (or at least not too much difficulty) by pianist Brubeck, altoist Paul Desmond, bassist Eugene Wright, and drummer Joe Morello on this near-classic.”

Time Further Out is consistently more varied and, dare we say, more musically interesting than Time Out.

If you want to hear big drums in a big room, these Brubeck recordings will show you that sound better than practically any record we know of. These vintage recordings are full-bodied, spacious, three-dimensional, rich, sweet and warm in the best tradition of an All Tube Analog recording.

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Stevie Ray Vaughan – Couldn’t Stand The Weather

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More Electric Blues

  • Boasting two excellent Double Plus (A++) sides, this vintage copy (one of only a handful to hit the site in ten months) is doing just about everything right
  • The bass is big, the overall presentation is huge, and the energy is jumpin’ on this early pressing – this is the right sound for SRV’s hard-chargin’ Electric Blues
  • 4 stars: “Stevie Ray Vaughan’s second album, Couldn’t Stand the Weather, pretty much did everything a second album should do: it confirmed that the acclaimed debut was no fluke, while matching, if not bettering, the sales of its predecessor, thereby cementing Vaughan’s status as a giant of modern blues.”

Superb sound for this Stevie Ray classic! Just picture yourself in a blues club. Now imagine the volume being about ten times as loud. This is the kind of music you would hear and it would tend to sound pretty much like this: a bit messy but also real. If you’re one of those audiophiles who likes pinpoint imaging, forget it. They were going for the “live in the studio” sound with this one, which means it’s a bit of a jumble image-wise. But that’s the way you would hear it in a blues club, so where’s the harm?

This copy has excellent presence to the vocals and guitars, keeping in mind that the vocals are usually well back in the mix compared to the guitars, which for a guitarist of SRV’s skills is probably a good thing.

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