Radio-Friendly Pop

A lot of great music got played on the radio, and we don’t hold that against them.

10cc – Self-Titled

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More Debut Albums of Interest

  • An early UK Records pressing with seriously good (A++) grades throughout – exceptionally quiet vinyl too
  • We shot out a number of other imports and this one had the presence, bass, and dynamics that were missing from most other copies we played
  • The sound is big, lively, clear and present, and probably as close to what the band was going for as you can hope to experience
  • 4 stars: “Displaying a command of pop styles and satire, 10cc showed that they are a force to be reckoned with on their first album. Hooks abound, harmonies shine, and instrumentation is dazzling without being overdone. Whether doing loving parodies of the music they grew up with or satirizing contemporary issues, 10cc show themselves to be top-level purveyors of pop on their debut recording.”

One interesting finding from this, our most recent shootout, was that some of the domestic pressings could actually sound quite good, something we would not have expected to be true for this album (or Sheet Music for that matter).

Good, but clearly not as good as the better UK pressings.

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The Beach Boys – Endless Summer

More of The Beach Boys

More Sixties Pop

  • This 2-LP compilation set from 1974 boasts excellent Double Plus (A++) sound or close to it on all FOUR sides of these vintage Capitol pressings – fairly quiet vinyl too
  • A copy like this is a rare audiophile treat – here are The Beach Boys’ marvelous harmonies sounding as rich, warm, clear, natural and lively as you could ever hope to hear them (particularly on sides one, two, and four)
  • 5 stars: “Endless Summer, which was assembled in consultation with Mike Love, soared to number one and charted high over two subsequent summers (spending three years on the charts, the longest of any of the group’s albums).”

Like any compilation, some tracks sound better than others, but the best sounding tracks on here easily rank with any Beach Boys vinyl we’ve ever played. And the material on here is so good and so comprehensive that for most of you this and Pet Sounds should be all the Beach Boys you’ll ever need.

The sound here is big, open, rich and full, with the performers front and center (as well as left and right). The highs are extended and silky sweet. The bass is tight and punchy. And this copy gives you more life and energy than others by a long shot. Very few Beach Boys records offer the kind of realistic, lifelike sound you get from these pressings.

Fresh Tapes

These vintage LPs also have the Midrange Magic that’s no doubt missing from whatever 180g reissue has been made from the 50+ year old tapes. As good as that pressing may be, we guarantee that this one is dramatically more real sounding. It gives you the sense that all the boys (and the Wrecking Crew) are right in the room with you.

They’re no longer a representation — they’re living, breathing persons. We call that “the breath of life,” and this record has it in spades. Their voices are so rich, sweet, and free of any artificiality, you immediately find yourself lost in the music.

As any record collector knows all too well, Capitol pressings are all over the map. When you find a good one, you can be pretty sure it’s the exception, not the rule. That’s been our experience, and we’ve played them by the hundreds.

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Barbra Streisand / Guilty – Bab’s Best and Most Underrated Album

More Pure Pop Recordings

  • Streisand’s Pop Masterpiece returns to the site on this original pressing with killer sound on both sides, just shy of our Shootout Winner – exceptionally quiet vinyl too
  • You get lovely extension up top, good weight down low, as well as exceptional transparency in the midrange, all qualities that were much less evident on the average copy we played
  • This is Barbra and The Bee Gees at the peak of their Pop Powers – it just doesn’t get any better
  • 4 1/2 stars: “The biggest selling album of Barbra Streisand’s career is also one of her least characteristic. The album was written and produced by Barry Gibb in association with his brothers and the producers of the Bee Gees, and in essence it sounds like a post-Saturday Night Fever Bee Gees album with vocals by Streisand. Still, the record was more hybrid than compromise, and the chart-topping single ‘Woman in Love’ has a sinuous feel that is both right for Streisand and new for her.”

This ain’t no zombie audiophile BS, the kind of sleep-inducing, reverb-drenched trash that passes for “female vocals” in bad audio showrooms around the globe. (Paging Diana Krall.)

This is the best album Babs ever made, and you can take that to the bank. It’s also one of the best sounding, if not the best sounding of her later Monster Pop Productions. Can’t say for sure as I haven’t played all that many. Her first album is a true Demo Disc as well, but that one’s all about the Tubey Magical ’60s Columbia era, the Golden Age of Natural Sound, a world away from Guilty and its layers and layers of tracks. Having said that, there are multi-tracks and then there are multi-tracks.

The engineers and producers here pull it off brilliantly.

If you don’t feel something deep inside when playing this record, open up a vein and let some of the ice water in your system that passes for blood run out.

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Burt Bacharach – Make It Easy On Yourself

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More Pure Pop Recordings

  • Boasting INSANELY GOOD Shootout Winning Triple Plus (A+++) grades from top to bottom, this vintage A&M pressing is the BEST we have ever heard
  • The sound is big, tubey, balanced and above all, natural, with brass that is rich and full with the right amount of bite, not to mention lively and dynamic
  • With engineering by the legendary Phil Ramone, this is an exceptionally well-recorded album, as this pressing makes clear
  • “‘I’ll Never Fall in Love Again,’ and ‘Do You Know the Way to San Jose?’ are great songs that solidify Bacharach as a master of quirk.”

If you’re a fan of the Casino Royale soundtrack, you should definitely check out this crazy album. The best material on here is loads of fun, and when you get a great copy like this one the sound is wonderful.

This pressing is Tubey Magical — what A&M pressing from 1969 wouldn’t be? — but also highly resolving of subtle musical information, the kind you notice when you play a pile of copies one after another. Listen to the orchestra on “Do You Know The Way To San Jose” — you can really hear the sound of the rosiny bows being pulled across the strings.

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Blondie – Eat To The Beat

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More Women Who Rock

  • Outstanding sound for the band’s followup to Parallel Lines, with both sides of this original pressing earning Double Plus (A++) or BETTER grades – fairly quiet vinyl too
  • Turn it up as loud as you want – the top end and vocals are balanced, smooth and tonally correct, not gritty or edgy
  • The drums and bass of “Die Young Stay Pretty” are as real sounding as if you were standing five feet from the band
  • It’s an amazingly punchy, lively Demo Disc for Big Speakers that Play at Loud Levels
  • 4 1/2 stars: “The British… made Eat to the Beat another chart-topper, with three major hits, including a number one ranking for Atomic and almost the same success for Dreaming.”

This is Mike Chapman’s Big Beat Sonic Masterpiece — yes, the sound is actually bigger and better than the sound on Parallel Lines — akin to the debuts of The Knack and The Cars, and every bit as huge and punchy as either.

Eat to the Beat lives and dies by its energy, its bass and above all by its transient snap. The drums and bass of “Die Young Stay Pretty” are amazing. On the best copies it’s hard to imagine that song sounding any better. The drums and bass are massive in their attack. It’s the very definition of punch.

If you’re a fan of big drums in a big room, with jump out of the speakers sound, this is the album for you.

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The Beach Boys – Spirit of America

More of The Beach Boys

More Sixties Pop

  • The Beach Boys compilation follow-up to Endless Summer finally arrives on the site with two Shootout Winning Triple Plus (A+++) sides mated with two outstanding Double Plus (A++) sides – exceptionally quiet vinyl too
  • This copy get the midrange right, and since that is where The Beach Boys’ voices are, that puts it well ahead of the other pressings we played n the first two sides
  • “Spirit of America was downright refreshing in its succinct, bracing brevity, singles and album tracks alike.”
  • If you’re a fan of the Beach Boys, this 1975 release surely belongs in your collection

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Petula Clark – These Are My Songs

More Petula Clark

More Sixties Pop

  • An original WB Gold Label pressing with outstanding Double Plus (A++) grades from start to finish – fairly quiet vinyl too
  • Both of these sides offer huge space with lots of lovely analog reverb swirling around Pet’s vocals – with all due respect, it should MURDER whatever copies you may have
  • The big hit is “Don’t Sleep in the Subway” and it sounds Tubey Magically awesome here
  • For this era of recording, 1967, and for such a big production, the sound in these grooves is glorious

Not many original copies survived in clean enough condition to be played on today’s modern audiophile equipment, but we’re glad to report that this one did.

The better copies are huge, rich and Tubey Magical. They were definitely not going for AM Radio sound on These Are My Songs the way they did on some of her albums, and thank god for that. We’ve probably auditioned close to a dozen of Miss Clark’s releases from back in the day and this one seems to us the best sounding of the bunch.

It’s rare for the loud vocal parts not to strain a bit from compressor or limiter distortion, but the really good pressings hold up through the sections where the chorus and the orchestra are their biggest and loudest.

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Jimmy Buffett – Changes In Latitudes, Changes In Attitudes

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  • Boasting two excellent Double Plus (A++) sides, we guarantee you’ve never heard Buffet’s 1977 Pop Masterpiece sound this good – fairly quiet vinyl too
  • Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of this wonderful album, a vintage pressing like this one is the way to go
  • 4 stars: “…one reason Changes… is his best record yet is simply the sound… The main reason it’s Buffett’s best is the songs, most of which he wrote. Buffett has always been a good songwriter when he had the time to apply himself, and he’s been developing a persona that reaches its culmination here.”

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Linda Ronstadt – Hasten Down The Wind

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Hot Stamper Pressing on the Asylum Label

  • A vintage Asylum pressing that earned outstanding Double Plus (A++) grades or close to them from first note to last
  • This copy is doing pretty much everything right, particularly on side two — huge, rich and lively, with Linda’s vocals reproduced to near perfection
  • “Her big but pretty voice is a stunning instrument for expressing feelings, particularly intense feelings that require a slightly understated delivery… a fine album that begs closer inspection than, I fear, many of us are willing to give to Linda Ronstadt’s art. Like the best moments of the preceding nine, though, the best moments of Hasten Down the Wind will be with us a long, long time.”
  • If you’re a fan of the lovely Ms Ronstadt, her 1976 release is surely one that belongs in your collection
  • The complete list of titles from 1976 that we’ve reviewed to date can be found here

The sound is rich, smooth, full-bodied and natural on both sides. In other words, this is Classic Analog from the ’70s, recorded by none other than Val Garay, one of our favorite engineers.

Most pressings of this album have quite obvious problems. If you own the record see if you don’t notice some of them on your own copy.

Some have a phony boosted top end, a subject we have discussed on Linda’s records before.

Some are just too fat and Tubey. Perhaps the result of too much Aphex Aural Excitement?

Some are thick, some are thin, some are too clean, some are not clean enough, every sonic issue you can imagine can be heard on this album if you have enough copies to play, and we had plenty.

We know that this copy is about as correct as can be. We know because we cleaned and played it and listened to it critically in comparison to other copies, and we did it all by ourselves. (Of course we did. There’s really no other way to do it.)

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America / History: America’s Greatest Hits

More America

More Hippie Folk Rock

  • With excellent grades from start to finish, this early Warner Bros. Palm Tree pressing is doing just about everything right
  • These sides are BIGGER and RICHER and have more of the rock solid energy that’s missing from the average copy
  • “Master Tape” sound lets this compilation of gems hold its own against the originals
  • 4 1/2 stars: “History: Greatest Hits perfectly spotlights both the polished and layered production of British studio legend George Martin and the West Coast tones of the band’s folk-pop style. An essential collection for fans who like their ’70s folk with a pop sheen, loads of hooks, and top-drawer arrangements.”
  • If you’re a fan of the band, and what audiophile wouldn’t be?, this classic from 1975 belongs in your collection.
  • The complete list of titles from 1975 that we’ve reviewed to date can be found here.

THE BIG SOUND on both sides lets this Greatest Hits compilation hold its own against the originals. They have plenty of bottom end that drives these songs with energy and life. Listen for the bells on ‘Tin Man‘; they have the correct transients and harmonics.

You never quite get back all of the Tubey Magic of the originals, but the detail and richness should be enough to make you fall in love with this high quality George Martin (re)production.

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