This Shaded Dog LP has DEMONSTRATION QUALITY SOUND, if what you’re demonstrating is not a Hi-Fi spectacular, but rather a sublime presentation of an exceptionally sweet and natural string section in an orchestra, presented here on analog disc pressed more than sixty years ago.
I can’t imagine a more beautiful record, both in terms of the program and the sound. This record is a wonderful example of what the Decca recording engineers were able to capture on tape, and the RCA mastering engineers were able to master from that tape.
Even though the album was recorded by Decca, it’s a superb example of Living Stereo Tubey Magic at its best. There will never be a reissue of this record that even remotely captures the space, transparency, sweetness and richness of the sound here.
A++ to A+++ or better! Without more copies in hand it’s hard to know how good the sound can get, but we found it Hard To Fault (HTF).
A++, although it starts out a bit weaker than that and only really gets good a few minutes into the side. (We hear this effect fairly often on the records we play. Noticing things like this is what we do for a living.)
You will hear what we mean when you flip it over and those two problems disappear.
The music is superb on this side. One could play this record every day for a month and never tire of it.
Performed by the London Proms Symphony under the direction of Raymond Agoult. This performance also includes works by Massenet, Faure, Bach, Tchaikovsky and Gluck.
The record you see to your left is a budget reissue produced by Decca in 1970 of the same recording, and on the best pressings it sounds even better than the pricey and rare Shaded Dogs we have played over the years.