_Composers – Herrmann

Listening in Depth to The Fantasy Film World

More of the Music of Bernard Herrmann

Reviews and Commentaries for the Music of Bernard Herrmann

Music like this taxes the limits of LP playback itself, with deep organ notes (listen for the famous Decca rumble accompanying the organ if you have the deep bass reproduction to hear it); incredible dynamics from every area of the stage; masses of strings playing at the top of their registers with abandon; huge drums; powerful brass effects everywhere — every sound an orchestra can produce is found on this record, and then some.

You will hear plenty of sounds that defy description, that’s for sure. Some of the time I can’t even imagine what instrument could possibly make such a sound!

TRACK LISTING

Side One

Journey to the Center of the Earth

All those lovely harps! You can practically feel the cool air of the cave as you descend into the blackness.

The Seventh Voyage of Sinbad

Side one boasts some wonderful material from Jason and the Argonauts, including the fight with the skeletons that we all remember from our Saturday matinee movie days. Who else could have orchestrated such a film?

Side Two

The Day the Earth Stood Still

Astonishingly powerful deep bass and drum sounds!

Fahrenheit 451

One of our key tests for side two is the string tone on the Fire Engine sequence here. The best copies had wonderfully textured and tonally correct strings, with just the right amount of sheen — not glossy, not gritty, not blurry, but just right.

Any orchestral recording without good string tone is a lost cause. (Almost all Classic Records fail miserably in this regard. They may be on the TAS List but that sure doesn’t mean they sound any good!)

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Satie / Parade – The Eccentric Erik Satie

More Recordings on the London Phase IV Label

This contains various works by Satie as performed by Camarata, Bernard Herrmann, London Philharmonic and The London Festival Players.

Obviously these were Phase 4 recordings which have been compiled on this album from 1973. The sound is quite good: very transparent and lively. It does not have the tubey magic that the best of the Golden Age recordings so often have in abundance, but the tonal balance is correct and the overall sound is quite good.

This album contains many of Satie’s most famous works on one LP. I can’t imagine that you will find this music easy to come by on other pressings.

Satie, Ravel, Debussy / The Impressionists – Phase 4, its Strengths and Shortcomings

More Bernard Herrmann

Presenting an exceptionally rare and very good sounding Decca Phase IV pressing (with the textured cover, ooh!), the first to ever hit the site. We have been on the lookout for this album for years and somehow cannot find any clean copies, other than this one of course.

Not to worry; this one will do nicely. Three of the six works here have SUPERB better than Super Hot Stamper sound. We went through them one by one and were rather surprised that the sound quality varied so much from track to track.

One might conclude from the variation in the sound that the album must be a compilation — so many of Herrmann’s albums are — but that is not the case, assuming the liner notes are to be believed.

Here’s what we heard, taken directly from our notes.

Side One

Satie / Gymnopedies I & II

A++ or better. Rich, smooth, sweet, big, natural, clear and very ANALOG. I don’t know when I’ve heard these famous works sounding better than they do here.

Debussy / Clair de Lune

A+, rich but a bit smeary, strings need more texture.

Debussy / Valse ‘la Plus Que Lente

No grade – Too murky.

Ravel / Five O’Clock Fox-Trot

A++ to A+++, with Demo Disc sound! So lively and clear, the sound will jump out of your speakers when you play this track!

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Herrmann – Conducts Psycho and Other Film Scores

More Bernard Herrmann

Bernard Herrmann Records We’ve Reviewed

More Recordings on the London Phase IV Label

  • An incredible sounding copy of this London Phase 4 title with both sides earning Shootout Winning Triple Plus (A+++) grades
  • Especially noteworthy is the ’Psycho Narrative For Orchestra’, at 14 minutes the longest piece here – written purely for string orchestra, the string tone is Right On The Money, with biting violins and cellos that growl like the real thing
  • This London recording is yet another brilliant showcase for one of the great orchestral colorists, Bernard Herrmann
  • The London Phase IV recording approach allows powerful orchestral works such as these to explode right out of your speakers and into your listening room
  • Features works from Citizen Kane, Snows of Kilimanjaro, North by Northwest, Mysterious Island, Vertigo, The 7th Voyage of Sinbad, Jason and the Argonauts, The Three World of Gulliver, Journey to the Centre of the Earth, The Devil and Daniel Webster, and Psycho

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Sibelius, Liszt, Dukas et al. – A Lousy London Phase 4 LP

More of the Music of Jean Sibelius (1865-1957)

Reviews and Commentaries for the Music of Jean Sibelius

Sonic Grade: F

While preparing for a Finlandia shootout recently, we happened to drop the needle on this album, a 1977 Phase 4 recording made in Kingsway Hall and engineered by Arthur Lilley. We could hardly believe how bad it sounded. The multi-miking is the worst I have ever heard!

We like lots of Phase 4 recordings — especially those of Bernard Herrmann — but this is definitely not one of them. 

Are they all bad? Who can say? We sure aren’t going to be wasting any more time and money on the album in order to find out, I can tell you that.

The Obsession soundtrack is a dog as well. Audiophiles looking for good sound are best advised to avoid them both.