More of the Music of Bernard Herrmann
- This vintage pressing of the National Phil’s performance of selections from three of Herrmann’s classic “phantasmagorical” film scores boasts solid Double Plus (A++) grades from first note to last
- A superb recording with a huge three-dimensional stage, open, clear, extended up top and down low — the sound on this pressing is nothing short of amazing
- 4 stars: “The sound glitters, some of the brightest and richest audio of its period (attested to by the album’s being part of Decca/London Phase 4 Stereo), and the performances have a dignity and intensity that makes the music — drawn from the key parts of Herrmann’s scores for the Ray Harryhausen-created fantasy films The Three Worlds of Gulliver, Mysterious Island, and Jason and the Argonauts — seem even more serious and profound than it originally did.”
- If like us you’re a fan of blockbuster orchestral recordings, this is a killer album from 1975 that belongs in your collection.
Side one boasts some wonderful material from Mysterious Island and Jason and the Argonauts. Who else but Herrmann could have orchestrated such phantasmagorical goings on?
The Three Worlds Of Gulliver Suite takes up all of side two. The complete score from which the suite is taken can be found on the original Herrmann album The Three Worlds of Gulliver, a long-time and extremely rare member of the TAS Super Disc List.
This vintage London Phase 4 Stereo pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for —this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds. (more…)
