grungy-guitars

Badfinger – Straight Up Is Back!

More Classic Rock

  • With outstanding Double Plus (A++) grades from top to bottom, this early Apple pressing is guaranteed to blow the doors off any other Straight Up you’ve heard
  • The sound here just jumps out of the speakers, which is exactly what the better copies of the album are supposed to (but rarely) do
  • If you like your Rock and Pop with minimal audio processing and the most natural, raw and real sound, the hottest of the Hot Stamper pressings we offer will sound exactly the way you want them to
  • If you’re a fan of the band – or Power Pop in general – this is the Straight Up you’ve been waiting for
  • Straight Up is one of the hardest albums to find with audiophile-quality playing surfaces (as these sides can attest to), which is the main reason our last shootout was more than ten years ago (!)
  • Problems in the vinyl are sometimes the nature of the beast with these vintage LPs, but once you hear just how superb sounding this copy is, you might be inclined, as we were, to stop counting ticks and pops and just be swept away by the music
  • 4 1/2 stars: “…Here, there’s absolutely no filler and everybody is in top form. Pete Ham’s ‘Baby Blue’ is textbook power-pop — irresistibly catchy fuzz riffs and sighing melodies — and with its Harrison-esque slide guitars, ‘Day After Day’ is so gorgeous it practically aches. ‘Perfection’ is an unheralded gem, while ‘Name of the Game’ and ‘Take It All’ are note-perfect pop ballads.”
  • If I had to compile a list of my Favorite Rock and Pop Albums from 1971, this album would definitely be on it

This is Power Pop, plain and simple. The basics are what count: punchy drums, grungy guitars, present vocals, clear but full bass lines — just the meat and potatoes of rock, no fancy sauces.

For this music to work, all the elements need to be in balance, with correct timbre for the relatively few instruments that make up the arrangements.

Opacity, smear or grit instantly destroy the whole point of having a straightforward production, which is to be able to have all the parts laid out cleanly and clearly.

The idea is to get the production out of the way and just let the music speak for itself.

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Derek and the Dominos – Layla

More of the Music of Eric Clapton

  • A Layla like you’ve never heard, with INSANELY GOOD Shootout Winning Triple Plus (A+++) grades on all FOUR sides of these vintage Polydor pressings
  • Many of our favorite Clapton songs are here: “Bell Bottom Blues,” “Tell The Truth,” “Little Wing,” “Layla” and “Have You Ever Loved A Woman?”
  • One of the most difficult albums to find great sound for, but the music makes it worth all the time and trouble we spent finding this amazing copy
  • We guarantee there is dramatically more richness, fullness, vocal presence, and performance energy on this copy than most others you’ve heard, and that’s especially true if you own whatever Heavy Vinyl pressing is currently on the market, made from who-knows-what tapes, or an original Atco pressing, or an original British import, or… you get the idea
  • 5 stars: “What really makes Layla such a powerful record is that Clapton, ignoring the traditions that occasionally painted him into a corner, simply tears through these songs with burning, intense emotion.”

Sound this good simply means that you will more than likely hear these songs sound better than you ever imagined they could. We guarantee it.

Look at all these classics:

“I Looked Away”
“Bell Bottom Blues”
“Keep On Growing”
“Nobody Knows When You’re Down and Out”
“Tell The Truth”
“Why Does Love Got To Be So Sad?”
“Have You Ever Loved A Woman”

We rarely get around to this shootout because clean copies with potential for good sound are very hard to come by. After not having spent much quality time with the album for many years, we were pleasantly surprised at just how much fun we were having and at how well the music holds up 55 years after its recording.

On the better copies the sound is amazingly lively and rockin’ and, more importantly, completely engrossing. On this copy you’ll find yourself swept up in tracks like “Bell Bottom Blues,” “Tell The Truth,” “Little Wing,” “Layla” and at least a good half dozen more.

If you could only have one Clapton album, wouldn’t it have to be this one?

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Procol Harum – Broken Barricades

More Art Rock

  • With INCREDIBLE Shootout Winning Triple Plus (A+++) grades on both sides, this copy (the first to hit the site in over three years) is certainly as good as we have ever heard
  • Looking for some Proggy music that falls somewhere between Jethro Tull and Supertramp, with sonic credentials to match the recordings of those very well-recorded bands? Well, look no further
  • This original UK pressing is full of the Tubey Magic and studio space that makes the band’s recordings the joy they are to play on a heavily-tweaked audiophile rig
  • 4 stars: “‘Simple Sister’… is truly glorious, with Robin Trower’s frightening lead guitar work juxtaposed nicely against a wonderful string arrangement.”
  • If you’re a Prog Rock or Art Rock fan, this is a classic from 1971 that belongs in your collection.
  • This is best sounding recording by the band we have ever heard. Other albums of that nature can be found here.

We loved playing this album, both for the music and the sound. These guys don’t get the respect they deserve among audiophiles, but we’re doing our best to try to change that.

Side one kicks off with the hit track “Simple Sister,” and you won’t believe how hard it rocks. Some copies are overly clean — they have the kind of clarity you might hope to find, but lacked the richness and fullness that makes 70s analog so involving. Those ‘clean’ copies simply do not earn very high grades from us. We leave that sound to the Heavy Vinyl and CD crowd; they seem to like it.

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The Rolling Stones – Exile On Main Street

  • With roughly Nearly Triple Plus (A++ to A+++) sound on all FOUR sides, this copy is close to the BEST we have ever heard, right up there with our Shootout Winner – remarkably quiet vinyl too
  • This is Exile raw and real the way it should be – with full-bodied, immediate vocals and plenty of hard-rockin’ energy
  • The better copies are also much less gritty and hard, but manage to keep the raw, grungy, heavily tube-compressed sound the Stones and their exceptionally talented engineer, Glyn Johns, were going for
  • 5 stars: “Few other albums, let alone double albums, have been so rich and masterful as Exile on Main St., and it stands not only as one of the Stones’ best records, but sets a remarkably high standard for all of hard rock.”
  • If you’re a Classic Rock fan, this Must Own from 1972 surely belongs in your collection.
  • Exile on Main Street is a founding member of our prestigious none rocks harder club.
  • The sound may be too grungy for some, making Exile fairly difficult to reproduce, but the best sounding pressings — played at good, loud levels on big dynamic speakers, in a large, heavily-treated room — are a blast.

The harder you work to get distortion out of your system and room, the more enjoyable you will find this album, which is exactly the reason you want to do all that work in the first place — in order to get the most out of difficult-to-reproduce albums like Exile.

All four sides here have the kind of bass, energy, and presence that is essential for this music to rock the way it wants to. A copy like this conveys the emotional power of The Stones’ performances in a way that most pressings simply fail to do.

This shootout is always a struggle, an uphill battle all the way. You’d have to find, clean and play a ton of copies to come up with four sides that can do this music justice. We’re sure that Stones fans and Hot Stamper die-hards are going to be very pleased with this copy.

This vintage Artisan mastered pressing (the only ones that have any hope of sounding good) has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Paul McCartney – McCartney

More of the Music of Paul McCartney

  • With seriously good Double Plus (A++) grades or close to them on both sides, we guarantee you’ve never heard McCartney’s Apple debut sound this good
  • It’s practically impossible to find copies of this album that sound this good and play this quietly
  • The musicality, energy and presence are right on the money (particularly on side one), not to mention that the studio space is huge
  • Top 100 pick and Paul McCartney’s One and Only Masterpiece
  • Record Collector highlighted “Every Night,” “Junk,” and “Maybe I’m Amazed” as songs that “still sound absolutely effortless and demonstrate the man’s natural genius with a melody.”
  • This is our pick for Paul McCartney’s best sounding album. Roughly 100 other listings for the Best Sounding Album by an Artist or Group can be found here.
  • This is a Must Own Title from 1970, a great year for Rock and Pop music

The best tracks here have the quality of live music in a way that not one out of a hundred rock records do. The music jumps right out of the speakers and fills up the room.

The album sounds like it’s recorded live in the studio, but of course that’s impossible, because Paul plays practically all the instruments himself! It just goes to show how good a multi-track studio recording can sound when done well.

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