More Badfinger
More Classic Rock
- Straight Up is finally back on the site after what seems like an eternity, here with INCREDIBLE Shootout Winning Triple Plus (A+++) Master Tape sound or close to it throughout this early domestic Apple pressing
- The sound here just jumps out of the speakers, which is exactly what the better copies of the album are supposed to (but rarely) do
- If you like your rock and pop with minimal audio processing and the most natural, raw and real sound, the hottest of the Hot Stamper pressings we offer of Straight Up will sound exactly the way you want them to
- If you’re a fan of the band – or Power Pop in general – this is the Straight Up you’ve been waiting for
- Straight Up is one of the hardest albums to find with audiophile-quality playing surfaces, which is the main reason our last shootout was about 13 years ago (!)
- 4 1/2 stars: “…Here, there’s absolutely no filler and everybody is in top form. Pete Ham’s ‘Baby Blue’ is textbook power-pop — irresistibly catchy fuzz riffs and sighing melodies — and with its Harrison-esque slide guitars, ‘Day After Day’ is so gorgeous it practically aches. ‘Perfection’ is an unheralded gem, while ‘Name of the Game’ and ‘Take It All’ are note-perfect pop ballads.”
- If I had to compile a list of my Favorite Rock and Pop Albums from 1971, this album would definitely be on it
This is Power Pop, plain and simple. The basics are what count: punchy drums, grungy guitars, present vocals, clear but full bass lines — just the meat and potatoes of rock, no fancy sauces.
For this music to work, all the elements need to be in balance, with correct timbre for the relatively few instruments that make up the arrangements.
Opacity, smear or grit instantly destroy the whole point of having a straightforward production, which is to be able to have all the parts laid out cleanly and clearly.
The idea is to get the production out of the way and just let the music speak for itself.
The truly Hot Stampers remind you of the kind of basic rock and roll record that really knows how to rock. Back in Black comes instantly to mind. Black Dog off Zep IV. This is the sound you want your Straight Up to have. The title of the album is the key to the sound. No fancy packaging, just the band, Straight Up.
In 2007 we wrote: “Having played more than half a dozen copies of this record during the shootout I can tell you that the most common problem with Straight Up is grainy, gritty sound. Most copies of this record are painfully aggressive and transistory.”
With improvements to cleaning and playback, I would say that’s not actually true anymore.
There is some grit to the sound to be sure, but like most records from the era, veiling and smearing are what really hold most copies back.
Good copies of this record, ones that are mastered properly and pressed on “good” vinyl, sound a lot like a stripped down version of Abbey Road, which is what they’re supposed to sound like. That’s clearly the sound Badfinger and their producers George Harrison and Todd Rundgren (with some help from the Beatles’ engineer Geoff Emerick) were aiming at.
You will also hear some influences from All Things Must Pass and McCartney’s first. The music owes a lot to both The Beatles as well as Harrison and McCartney as individuals.
What’s not to like? Catchy pop songs with grungy guitars — it’s ear candy when the sound is good, and the sound is very good here.