Top Artists – The Rolling Stones

The Rolling Stones – Emotional Rescue

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  • This amazing copy of the Stones’ 1980 release boasts Shootout Winning Triple Plus (A+++) sound throughout  
  • Dance (Pt. 1) and She’s So Cold sound out of this world on this copy, and the title track, Emotional Rescue, is every bit as good
  • An underrated Stones album — too good to call a guilty pleasure — and very well-recorded by Chris Kimsey
  • Maybe it’s good because “Mick Jagger sounds like he’s having a great time…”

This amazing pressing delivers the kind of killer sound you surely did not expect from this underrated Stones album.

We had a great time shooting this one out — we had forgotten how good the music was and were pleasantly surprised by how good the best copies can sound. It’s tough to get great Stones sound, I’m sure most of you know that, but there’s lots of it here and a bunch of good songs. She’s So Cold, Summer Romance, Dance, the title track… not a bad line-up, and probably the last great album these guys put out.

As you might expect, we heard lots of dry, grainy, thinned-out sound on the copies that didn’t make the cut. When you get a Hot copy with a punchy bottom end and some richness, it’s an entirely different story. It lest a song like the leadoff track Dance come to life, giving you bigger, livelier, fuller sound than you ever expected to hear on this record. (more…)

The Rolling Stones – No. 2

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A distinguished member of the Better Records Rock and Roll Hall of Fame. 

The best word I could use to sum up both the sound and the music on this record is HONEST. If you want to hear how early Rolling Stones records sound when they sound right, this is the ticket. This is the real sound of the early, early Stones.

Probably what any modern engineer would want to do to the album would only end up making it worse. It is what it is and that’s good enough for us.

Some tracks do sound quite a bit better than others, recorded as they were in three different locations (including Chess studios) by two different engineers (Ron Malo and Dave Hassinger). (more…)

The Rolling Stones – Let It Bleed

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A distinguished member of the Better Records Rock Hall of Fame.

This is, IMHO, the second or third best record the Stones ever made. (Sticky Fingers is Number One, and either this or Beggar’s Banquet comes in a strong second.) With this pressing we can now hear the power and the beauty of this superb recording.

Love In Vain on a copy like this is one of the best sounding Rolling Stones songs of all time. In previous listings I’ve mentioned how good this song sounds — thanks to Glyn Johns, of course — but on these amazing Hot Stamper copies it is OUT OF THIS WORLD.

This is, IMHO, the second or third best record the Stones ever made. (Sticky Fingers is Number One, and either this or Beggar’s Banquet comes in a strong second.) With this pressing we can now hear the power and the beauty of this superb recording.

Love In Vain on a copy like this is one of the best sounding Rolling Stones songs of all time. In previous listings I’ve mentioned how good this song sounds — thanks to Glyn Johns, of course — but on these amazing Hot Stamper copies it is OUT OF THIS WORLD. This vintage London Stereo pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

The Rolling Stones – Exile On Main Street – Our Shootout Winner from 2010

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A distinguished member of the Better Records Rock Hall of Fame.

Another HUGE double album conquered! This shootout was a MAJOR struggle, an uphill battle all the way. Stones fans and Hot Stamper die-hards are going to flip out over this one — here’s the Exile On Main Street you’ve been waiting for. You’d have to find, clean and play a ton of copies to come up with four sides that would come even close to the sound here.

Of course, Hot Stampers can only give you what’s on the tape. In this case, it’s some rude, crude, dirty rock & roll. That’s clearly what the Stones were going for here. In terms of audiophile appeal, Tea For The Tillerman this ain’t. This is no Demo Disc by any means; it may have some of The Rolling Stones best music on it, but those looking for the best sounding Stones album should look in the direction of Sticky Fingers or Let It Bleed. They’re better recordings.

But this album is no slouch. It can be a bit gritty and grainy at times, but you gotta believe that’s kind of the sound the Stones heard in the booth. (more…)

The Rolling Stones – Get Yer Ya-Ya’s Out! – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock Hall of Fame.

UNBELIEVABLE! The sound on this Decca Blue Label British Import pressing went far beyond our expectations and far beyond that of any copy we played it against — on BOTH sides. And the music? It’s the Stones at their best, baby — we love it!

The credit must of course go to GLYN JOHNS, who happens to be one of our favorite producers and recording / mixing engineers. It’s albums with sound like this that make us such big fans of his work.

From the moment we dropped the needle on side one, we were SHOCKED by the presence, the clarity, and the energy — and that’s just talking about the sound of the audience! About a minute after the music got going, we had to collect our jaws off the floor. No other copy we had heard could have led us to believe we would hear this album sound THIS amazing. The sound is both tubey magical and clear, and the energy and immediacy are off the charts. Turn it up loud and you are in the middle of the Stones’ concert of a lifetime! I’m sure I don’t have to tell you what kind of money Stones’ tickets go for these days, but I think it’s safe to say you’ll get better sound for your dollars on this White Hot Stamper LP. (more…)

The Rolling Stones – Between The Buttons

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A distinguished member of the Better Records Rock and Pop Hall of Fame. 

An insanely good pressing with Triple Plus (A+++) sound from first note to last – one of the best copies to hit the site in many years. This is classic ’60s Stones sound, courtesy of Dave Hassinger, working in L.A. (RCA) and London (Olympic + Pye). If you’re looking for the ideal combination of Tubey Magical richness and transparency, this copy is one of the few that will show it to you.

This LP has the British track listing, so don’t pick this one up if you’re looking for great sounding versions of Let’s Spend The Night Together or Ruby Tuesday. A bummer, but the domestic copies sound AWFUL, so what can you do? (more…)

The Rolling Stones – It’s Only Rock ‘N’ Roll

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  • A KILLER early pressing of this Rolling Stones classic of Stripped Down Rock and Roll, with Shootout Winning Triple Plus (A+++) sound on both sides
  • What earned this pressing Top Grades was its extraordinarily textured, practically grain- and grit-free midrange – the bad copies tend to be smeary and gritty in the midrange (where the music is) and that’s just not our sound
  • The superbly talented Andy Johns engineered, so you can be sure that this is the sound the Stones were aiming for
  • “Throughout, the Stones wear their title as the “World’s Greatest Rock & Roll Band” with a defiant smirk, which makes the bitter cynicism of “If You Can’t Rock Me” and the title track all the more striking, and the reggae experimentation… all the more enjoyable.”

It’s Only Rock ‘N’ Roll is a consistently good, straight-ahead, no-frills rock album from the Stones with Mick Taylor still in the band. It was the last of its kind for a while; their next release was the reggae-influenced Black and Blue. The sound can be a bit gritty and grainy at times, but you gotta believe that that’s precisely the sound the Stones heard in the booth and were totally cool withAndy Johns engineered and he’s made as many super-tubey, super-rich and super-smooth recordings as anybody this side of Bill Porter.

The Stones didn’t want that sound this time around. The Stones wanted this sound.

This album may have some of best The Rolling Stones music, but those looking for top quality sonics for the Stones should head in the direction of Beggars Banquet, Sticky Fingers or Let It Bleed. They’re simply more audiophile-friendly recordings. (more…)

The Rolling Stones – Stripped – Reviewed in 2009

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A distinguished member of the Better Records Rock and Roll Hall of Fame.

The best record The Rolling Stones made in the last 20 years! Superb (but very modern) sound. 

All tracks recorded in performance at The Paradisco Club, Amsterdman, Holland; The Olympia Theatre, Paris, France; and rehearsals in Tokyo, Japan, Lisbon and Portugal.

The Rolling Stones – Out of Our Heads

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A distinguished member of the Better Records Rock and Pop Hall of Fame. 

This is the first truly killer copy to ever hit the site, quite possibly the best we’ve ever heard, A+++ on both sides. It’s a problematical recording, but these British sides impressed us with their better balance, more bass, and least amount of grit and edge. With top engineers like Dave Hassinger and Glyn Johns one would hope for better sound, but this, folks, is about as good as it gets as far as we know.

Like the really good Decca version of Aftermath, this record has amazing transparency, rich bass and relatively little distortion compared to other versions we have played. Also, like Aftermath some songs sound much better than others. That’s just the way old Stones record are. Part of this album was recorded in Hollywood and part of it was recorded in Chicago — that may explain some of the variation in the quality.

By the way, stick with stereo on this album; the mono pressings — at least the ones we played — aren’t worth anybody’s time (scratch that: any audiophile’s time). (more…)

The Rolling Stones – Goats Head Soup

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A distinguished member of the Better Records Rock Hall of Fame.

The impossible has happened – we found a good sounding copy of Goats Head Soup, only 53 years after it was first released. 

Why did it take us so long to find a killer copy? Let’s just say the pressing is somewhat “off the beaten path” and leave it at that. We ran into it by accident during an attempted shootout not long ago, and it was so much better than the other records we were playing at the time that we had to postpone the shootout until we could find more of these specific pressings. It took some months but we managed to get a big pile of “happy accidents” together and the result was a gamechanging White Hot copy. (more…)