Top Artists – The Rolling Stones

The Rolling Stones – Between The Buttons on Decca

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  • An excellent copy with Double Plus (A++) sound from start to finish – one of the better copies from our recent shootout
  • This is classic ’60s Stones sound, courtesy of Dave Hassinger, working in L.A. (RCA) and London (Olympic + Pye) 
  • If you’re looking for the ideal combination of Tubey Magical richness and transparency, this copy is one of the few that will show it to you
  • 5 Stars: “… one of their strongest, most eclectic LPs, with many fine songs that remain unknown to all but Stones devotees.”

This LP has the British track listing, so don’t pick this one up if you’re looking for great sounding versions of Let’s Spend The Night Together or Ruby Tuesday. A bummer, but the domestic copies sound AWFUL, so what can you do? (more…)

Genesis Nursery Cryme – Another Misfire from Classic Records

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Sonic Grade: F

Hall of Shame pressing and another Classic Records LP debunked.

The Classic Heavy Vinyl pressing is a smeary lifeless mess next to the better British pressings.   

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The Rolling Stones – Out of Our Heads – Mono or Stereo?

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On this London LP, even though it says the record is electronically re-processed stereo, the songs we heard on side one were dead mono.

So much for believing what you read on album covers. (more…)

The Rolling Stones – Get Yer Ya-Ya’s Out! – Our White Hot Shootout Winner for 2018


Our White Hot Shootout Winner for 2018

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  • Triple Plus (A+++) or close to it for both sides of this stunningly good sounding copy
  • This shootout winning copy gives you superb energy and presence, plus full-bodied tonality and lots of punch down low
  • An essential Stones album — live rock and roll doesn’t get much more fun than this
  • Allusic 4 1/2 stars: “Often acclaimed as one of the top live rock albums of all time”

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From the moment we dropped the needle on side one, we were SHOCKED by the presence, the clarity, and the energy — and that’s just talking about the sound of the audience! About a minute after the music got going, we had to collect our jaws off the floor. No other copy we had heard could have led us to believe we would hear this album sound THIS amazing. (more…)

Listening in Depth to The Rolling Stones – Let It Bleed

 

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Listening in Depth

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

Love In Vain on a copy like this is one of the best sounding Rolling Stones songs of all time. In previous listings I’ve mentioned how good this song sounds — thanks to Glyn Johns, of course — but on these amazing Hot Stamper copies it is OUT OF THIS WORLD. It’s also our favorite test track for side one. The first minute or so clues you into to everything that’s happening in the sound.

Listen for the amazing immediacy, transparency and sweetly extended harmonics of the guitar in the left channel. Next, when Watts starts slapping that big fat snare in the right channel, it should sound so real you could reach out and touch it. (more…)

Ramping Up the Horsepower of The Cars Like Crazy

The Cars

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The best copies must have one key ingredient that we’ve discovered is absolutely essential if this groundbreaking New Wave album is to come to life — a huge, spacious soundstage.

Some copies are huge; others, not so much. The effect of these size differentials is ENORMOUS. The power of the music ramps up like crazy — how could this recording possibly be this BIG and POWERFUL? How did it achieve this kind of scale? You may need twenty copies to find one like this, which begs the question: why don’t the other 19 sound the way this one does? The sound we heard has to be on the master tape in some sense, doesn’t it? Mastering clearly contributes to the sound, but can it really be a factor of this magnitude?
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The Rolling Stones – Their Satanic Majesties Request – Our White Hot Shootout Winner for 2018


Our White Hot Shootout Winner for 2018

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  • This elusive Rolling Stones classic returns to the site after a long absence, with two insanely good sides each rating a Triple Plus (A+++) or very close to it
  • You get some great rockers here – Citadel, 2000 Man, and 2000 Light Years From Home, to name a few
  • Relatively quiet, Mint Minus to Mint Minus Minus throughout (w/ caveats, see below)
  • The Stones at their most psychedelic, a lot of fun on a pressing like this

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This is the Stones at their most experimental, so there are plenty of strange effects and trippy arrangements. Only the best copies manage to make sense of it, but when you find one this music is a lot of fun.

One Tough Album

Not only is it hard to find great copies of this album, it’s hard to play them when you do find them. You’re going to need a hi-res, super low distortion front end to play this properly, but if you’ve got the goods this is one hot record! Play this with a budget cart / table / arm and you’ll hear very little of the magic that we heard. (more…)

Listening in Depth to Aftermath – The First in a String of Must Own Stones Albums

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Listening in Depth

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Lady Jane, Under My Thumb and Mother’s Little Helper are three of the best sounding tracks on side one — all three are lively and solid here. On side two Out of Time and I Am Waiting are especially well recorded.

DAVE HASSINGER rightly deserves the credit for the best sounding early Stones album — this one.

Although some songs sound amazing, not every track is well recorded. We just have to accept that the Stones are not The Beatles when it comes to the consistent quality of the earliest recordings. That said, a strong copy like this one paired with the great music on this album will certainly deliver a lot of pleasure to audiophile Stones fans.

Although some songs sound amazing, not every track is well recorded. We just have to accept that the Stones are not The Beatles when it comes to the consistent quality of the earliest recordings. That said, a strong copy like this one paired with the great music on this album will certainly deliver a lot of pleasure to audiophile Stones fans.

In-Depth Track Commentary

Side One

Mothers Little Helper

Superb! On the best copies this track is so transparent you can feel the cool air of the studio.

Stupid Girl

Somewhat dark and compressed as a rule. (more…)

The Stones Jazz with Joe Pass and Bruce Botnick

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With two Triple Plus (A+++) shootout winning sides, this original stereo World Pacific copy simply could not be beat

  • Huge and rich, here is the kind of Tubey Magical presentation that lets this big group of musicians (four trombones!) come alive
  • The engineering by none other than Bruce Botnick is brilliant in all respects, as good as his work with The Doors
  • This is FUN West Coast Pop Jazz built around the superb arrangements of Bob Florence and the great songs of the Stones
  • We’re so sure you’ll like this music that if for any reason you are unhappy the domestic return shipping is on us!

Another undiscovered gem, brought to you by the folks at Better Records who know a good sounding record when they hear one. And the music is interesting and fun from first song to last. With Joe Pass on guitar how could it not be – the guy’s a genius.

This copy is spacious, sweet and positively dripping with ambience. Talk about Tubey Magic, the liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it. (more…)