The above album is not so good in mono, just fine in stereo.
These are just some of the recordings by Ella Fitzgerald that we’ve auditioned and found wanting. Without going into specifics we’ll just say these albums suffer from poor performances, poor sound, or both, and therefore do not deserve a place in your collection, and may even belong in our Hall of Shame.
A Free Service provided to the Audiophile Public, courtesy of Better Records.
White Hot sound on side two of this original copy – shockingly good. Ella sounds rich, Tubey Magical and breathy — this is a real Demo Disc. Side one is very good as well, nicely warm and rich by track two. Nelson Riddle’s arrangements are especially interesting and artful throughout.
It is our opinion that the mono takes all the fun out of the Nelson Riddle’s deliberately wide, spacious orchestral presentation surrounding Ella. Which is too bad: the mono pressings are five times as common as the stereo ones.(more…)
This is a very good sounding live album, recorded when Ella Fitzgerald could still sing. Most of her stuff for Pablo which followed this leaves much to be desired in my opinion. This album is certainly not the equal of her best work from the ’60s, but I’m guessing it’s better than anything she did after this.
WOW! Triple Plus (A+++) sound on ALL FOUR SIDES for this Ella & Louis classic. This copy sold for $850 and we think it was worth every penny — it blew our minds!
The sound is big, open, rich and full, with the performers front and center. Ella and Louis are no longer representations — they’re living, breathing persons. We call that “the breath of life,” and this original stereo pressing has it in spades.
Their voices are so rich, sweet, and free of any artificiality, you immediately find yourself lost in the music, because there’s no “sound” to distract you.(more…)
This is the best of Ella’s Decca material recorded between 1938 – 1955, the songs that made her a star.
For those of you who don’t know what Deccalite is, Deccalite is a material that Decca invented as an alternative to vinyl. It’s quieter than vinyl as a rule — and these pressings are extremely quiet — but it is not unbreakable. If you wack this record against a chair, it will shatter into pieces like an old 78. But most audiophiles takes good care of their records, so the risk of breaking an album like this is extremely small.
Exceptionally lovely All Tube sound from 1958, with a huge, rich orchestra conducted by our man, Marty Paich. Grammy Award for Best Improvised Jazz Solo – these were the days when Ella was on top of the world.
When you are lucky enough to find a album that sounds as good as this one, full of standards from the Great American Songbook, you cannot help but recognize that this era for Ella will never be equaled, by her or anyone else.(more…)
The first Harold Arlen Song Book to hit the site, and with sound like this it’s going to be very hard to beat. White Hot on side two, Super Hot on side one, Ella is especially rich, Tubey Magical and breathy throughout. Look at the great songs on Volume 2: Come Rain Or Come Shine, It’s Only A Paper Moon, One For My Baby, Get Happy, I Gotta Right To Sing The Blues, Over The Rainbow and more.
The vinyl is about as quiet and scratch-free as we ever come across on these early stereo pressings. Even with us hitting multiple stores every week we have trouble finding even one clean copy of an album like this a year.
But we found this one, and it won our shootout.(more…)
The huge, rich orchestral sound captured so beautifully by Val Valentin is always one of the many highlights to be found on the songbook series. By the time this album came out in 1964 Ella had already recorded 18 LPs worth of songbooks – this was the last, going out on a high note. Some of the Mercer Classics here are Too Marvelous For Words, Day In – Day Out, Laura, Skylark, Midnight Sun, I Remember You.
When you are lucky enough to find a album that sounds as good as this one, full of standards from the Great American Songbook, you cannot help but recognize that this era for Ella will never be equaled, by her or anyone else.
The recording is outstanding, with huge amounts of space and midrange richness that might just take your breath away.(more…)
This is a very nice looking Verve Strobe Label Double LP. The quality of the sound changes here not only from side to side but from track to track. We dropped the needle on various songs on each side and side three had the best sounding songs we heard. Every side had some great sounding songs, some with tubey magic and breathy vocals. How About Me and Cheek to Cheek on side two sound particularly good.
These selections are perfectly suited for Fitzgerald’s voice and her romantic sensibility; they are happy, occasionally sad, and full of swinging rhythm. A few of these songs — “Cheek to Cheek,” “Puttin’ on the Ritz,” and “Blue Skies” — will be most familiar; others, “Top Hat, White Tie, and Tails,” “Russian Lullaby,” and “All By Myself” are as memorable but perhaps less known… For fans who have enjoyed other songbook recordings, this is a must-have; for those unfamiliar with Fitzgerald’s songbook work, this is an excellent place to start.