Records that Sound Best on the Right Domestic Pressing

Bryan Ferry – Boys and Girls

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  • You’ll find excellent Double Plus (A++) sound on both sides of this classic Ferry album from 1985 
  • This copy was super big, full and lively with plenty of presence and bottom end weight
  • On this record, bigger bass and punchier drums make all the difference in the world
  • “Instead of ragged rock explosions, emotional extremes, and all that made his ’70s work so compelling in and out of Roxy, Ferry here is the suave, debonair if secretly moody and melancholic lover, with music to match…”

Excellent sound and quiet vinyl on both sides! If you’ve spent any time with this album, you will be blown away by how great both sides of this copy sound.

Key Listening Test

The song Valentine, the second track on side two, is a key test for that side. Note how processed Ferry’s vocals are; on the best copies they will sound somewhat bright. The test is the background singers; they should sound tonally correct and silky sweet. If Ferry sounds correct, they will sound dull, and so will the rest of the side. That processed sound on his vocal is on the tape. Trying to “fix” it will ruin everything. (more…)

Eagles – Desperado

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  • Wonderfully rich and smooth throughout – both sides earned Double Plus (A++) grades for their crazy good Tubey Magical sound
  • Clean, clear and dynamic, this copy has huge amounts of bass and tremendous space around the guitars and voices
  • Play this pressing against the average copy for a good laugh – the differences will be anything but subtle 
  • An outstanding Glyn Johns recording (with TAS List credentials) that is nothing less than jaw-dropping on a copy as good as this one

This early pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Pink Floyd – Wish You Were Here

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  • An excellent sounding copy with solid Double Plus (A++) grades on both sides and vinyl that is as quiet as any vintage copy out there 
  • Demo Disc Quality Floyd Magic — big and present with life, clarity and richness like you have never heard for WYWH before
  • 5 stars on Allmusic, Top 100 and RIDICULOUSLY tough to find with the right sound and surfaces
  • “Showcasing the group’s interplay and David Gilmour’s solos in particular… the long, winding soundscapes are constantly enthralling.”

*The intro to Wish You Were Here is always going to be a little noisier than the overall play grade you see above. (more…)

Elvis Costello – My Aim Is True – More 180g Trash from Rhino

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Sonic Grade: D

I’m embarrassed to say we used to like the Rhino Heavy Vinyl version, and in our defense let me tell you why: it was (for the most part) tonally correct, fairly low distortion, and had tight punchy bass.

Boy, was we wrong. Now it sounds positively CRUDE and UNPLEASANT next to the real thing — if by “the real thing” you mean an honest to goodness Hot Stamper copy. The average copy of this record is aggressive and unpleasant. The British pressings are mud. You either have to work very hard to find a good one (which means buying, cleaning and playing lots and lots of them), or you have to luck into a good one by accident.

 

The Rolling Stones – Beggars Banquet – Critical Listening Exercise

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Another in our series of Home Audio Exercises with specific advice on What to Listen For (WTLF).

Want a good test for Transparency and Resolution? Try this one. There is a sound on this album’s side one that’s unlike any I can recall hearing before. Listen to No Expectations and see if you don’t hear something quite strange going on in the general area of the left rear of the studio. It took me a while to figure out what it was, and on the bad British pressings and all of the domestic copies you can hardly hear it all. 

You should be able to hear it provided:

  • You have a good copy of the record.
  • You cleaned it properly.
  • You played it on high quality equipment in a good room, and
  • You listened to it critically.

You really need all four. It’s what this commentary is all about. (more…)

The Rolling Stones – Beggars Banquet on London

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  • A killer vintage copy of this exceptionally well-recorded Stones album from ’69, with superb Double Plus (A++) sound from first note to last
  • Clear, rich and lively throughout – the Tubey Magic of the best pressings is what has them sounding the way they should
  • One of a select group of Rolling Stones Must Own records which we prize above all others – Sticky Fingers and Let It Bleed round out the trio
  • 5 stars: “Basic rock & roll was not forgotten, however: ‘Street Fighting Man’… was one of their most innovative singles, and ‘Sympathy for the Devil’… was an image-defining epic.”

Good pressings are certainly not easy to come by — this kind of rich, full-bodied, musical sound is the exception, not the rule. And there’s actual space and extension up top as well, something you certainly don’t hear on most pressings. This is a fantastic album, and excellent sides like these give it the kind of sound it deserves.

Raw Rock & Roll Sound

Of course, Hot Stamper Sound still only gets you what’s on the tape. In this case, it’s some rude, crude, dirty rock & roll. That’s clearly what the Stones were going for here. In terms of audiophile appeal, Tea For The Tillerman this ain’t. Nor does it want to be!

What sets the best copies apart from the pack is a fuller, richer tonal balance, which is achieved mostly by having plenty of bass and lower midrange energy. The copies that are bass shy — most of them, that is to say — tend to bring out more of that midrangy shortcoming. (more…)

Paul McCartney and Wings At the Speed of Sound – Our Mindblowing Four Plus Copy

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This is a classic case of Live and Learn. We were wrong about At the Speed of Sound as a recording. As to whether or not there are great sounding pressings of it, having just done a big shootout for the album in 2016 we now know there most certainly are. 

Previously we had written:

I can’t even begin to convey to you what a rough shootout this was. Copy after copy bored us to tears and most of them were too noisy. It was one of those shootouts that almost just defeated us, but we persevered and managed to find a few Hot Stampers. They didn’t do miracles and turn Speed Of Sound into a stunning Demo Disc, but they sounded musical, correct and enjoyable, and that seems to be all you can ask for on this album. 

This is not true. We played a copy that we awarded our very special grade of Four Pluses to (on one side, two sides would be too much to ask for) because it showed us an At the Speed of Sound that we had no idea could possibly exist, this after having played them by the dozens for years.

It was DRAMATICALLY bigger and more transparent, with no sacrifice in richness or smoothness. (more…)

David Bowie – Young Americans – Listening in Depth

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Presenting another entry in our extensive Listening in Depth series.

This is one of my favorite Bowie albums. Nobody seems to care about it anymore. They dismiss it as disco junk, but it actually has some of his best music on it. I especially like the song Win. David Sanborn’s saxophone sounds like it’s coming from 60 feet behind Bowie, a nice effect.

In-Depth Track Commentary

Side One

Young Americans  
Win

My favorite track on the album, an undiscovered gem in the Bowie catalog. (more…)

Mona Bone Jakon – A Forgotten Classic

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  • You’ll find outstanding Double Plus (A++) sound on this original copy of Cat Stevens’ brilliant third album 
  • The sound is so transparent, open, and spacious that nuances and subtleties that escaped you before are now front and center 
  • When you hear I Wish I Wish and I Think I See The Light here you will understand why we say that this is one of the greatest popular recordings in the history of the world 
  • The original A&M LPs we like are nearly impossible to find with good sound and quiet vinyl – this copy plays quieter than any we currently have in stock
  • “Mona Bone Jakon is a delight, and because it never achieved the Top 40 radio ubiquity of later albums, it sounds fresh and distinct.”

Right off the bat, I want to say this is a work of GENIUS. Cat Stevens made three records that belong in the Pantheon of greatest popular recordings of all time. In the world of Folk Pop, Mona Bone Jakon, Teaser and the Firecat and Tea for the Tillerman have few peers. There may be other Folk Pop recordings that are as good but we know of none that are better. (more…)

The Wall Sounds Terrible on this Japanese “Audiophile” Pressing

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Sonic Grade: F

Presenting an old member of our Hall of Shame.

This Japanese Import is one of the dullest, muddiest, worst sounding copies of The Wall we have ever played. It is clearly made from a dub tape. 

And somehow this pressing, or one very much like it, ended up as a TAS List Super Disc. I would hope that the copy Harry played sounded a whole lot better than this one.

And the CBS Half-Speed is every bit as bad! Two Hall of Shame titles for the price of one.