
- Rock ‘N’ Roll is back on the site after a ten month hiatus, here with INCREDIBLE Shootout Winning Triple Plus (A+++) grades on both sides of this early Apple pressing – exceptionally quiet vinyl too
- And if you think the better sounding pressings would be UK imports, you’ve got another thing coming – they’re usually made from dubs, and they have the dubby sound to prove it
- When we say usually, we don’t mean always, as this excellent UK pressing proves
- These sides are rich, full-bodied, present and spacious with plenty of extension on both ends
- Lennon’s voice sounds just right with lots of texture and startling immediacy – you’re going to have a hard time finding better sounding versions of these songs anywhere else
- 4 stars: “Rock ‘n’ Roll, in fact, stands as a peak in his post-Imagine catalog: an album that catches him with nothing to prove and no need to try… Today, Rock ‘n’ Roll sounds fresher than the rock & roll that inspired it in the first place. Imagine that.”
We just finished a shootout for this fun album, and no other copy we played sounded remotely as good as this one. It’s got exactly the kind of sound we’d want for these old Rock & Roll classics — super lively, clean and clear, tonally correct, and natural. Most copies are edgy and gritty, but this one is smooth, sweet and very enjoyable.
You’re going to have a hard time finding better sounding versions of these songs anywhere else — excepting, of course, Be-Bop-A-Lula, which can sound amazing on McCartney Unplugged.
Credit must obviously go to the man behind the console, Shelly Yakus, someone who we freely admit, now with a sense of embarrassment, has never been one of our favorite engineers. After hearing a White Hot Stamper pressing of Damn the Torpedoes and a killer copy of Crack the Sky’s Animal Notes, as well as amazing sounding pressings of Moondance (his first official lead engineering gig) and Twelve Dreams of Dr. Sardonicus, we realize that we have seriously underestimated the man.
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