Debut Albums

Chicago – Chicago Transit Authority

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  • A killer 360 Stereo copy with roughly Nearly Triple Plus (A++ to A+++) grades on all FOUR sides, just shy of our Shootout Winner
  • These sides boast some of the best sounding, boldest arrangements for a horn-based rock band we’ve ever heard
  • “Does Anybody Really Know What Time It Is?,” “I’m A Man,” and “Questions 67 and 68” are simply incredible here
  • 4 stars: “In April of 1969, the four sides of Chicago Transit Authority unleashed a formidable and ultimately American musical experience… an unheralded synthesis of electric guitar wailin’ rock & roll to more deeply rooted jazz influences and arrangements.”
  • Chicago’s debut is a Must Own album from 1969, as well as our pick for the band’s best sounding
  • Roughly 150 other listings for the Highest Quality Recording by an Artist or Group can be found here

It’s difficult to find copies that do this big production music justice, but we got hold of a hot one here. If you’re a fan (and we think you should be, of the early band at least) you won’t believe how good this album can sound on the right pressing. All four sides here are rich and full, punchy and solid, with great energy and dynamics. This is a Truly Killer Copy from start to finish

Huge Sound Can Be Yours

We love this album here at Better Records. It’s amazing that this hard-rockin’ band from 1968 could be the same band that gave us “You’re The Inspiration” and other power-schlock ballads in the ’80s. Have they no shame?

Fortunately, this isn’t your Mom’s Chicago. Here, with their freshman effort, the band stands on the threshold of becoming True Rock Legends. Even today the album still sounds fresh. Who can argue with the brilliance of tracks such as “Beginnings,” “I’m a Man” and “Questions 67 and 68”? This is as good as the band ever got, man! It’s all here.

All four sides boast some of the boldest arrangements for a horn-based rock band ever. These boys have no problem standing toe to toe with the likes of Blood Sweat And Tears. If you don’t find yourself turning the stereo up during “Beginnings,” this music is not for you. The energy they bring to their cover of Spencer Davis’ “I’m A Man” positively puts the original to shame. They jam its rock and roll groove, then take it places nobody else would even think to go.

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Queen – Self-Titled

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  • With two seriously good Double Plus (A++) sides, we guarantee you’ve never heard Queen’s debut album sound this good – fairly quiet vinyl too
  • Both sides here are big, full-bodied, super clear and spacious with a huge bottom end and tons of rock energy
  • “Almost every one of Queen’s signatures are already present, from Freddie Mercury’s operatic harmonies to Brian May’s rich, orchestral guitar overdubs and the suite-like structures of ‘Great King Rat’… It showcases the band in all their ornate splendor yet it’s strangely lean and hard, revealing just how good the band was in their early days as a hard rock band.”

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Paul McCartney – McCartney

More of the Music of Paul McCartney

  • With seriously good Double Plus (A++) grades or close to them on both sides, we guarantee you’ve never heard McCartney’s Apple debut sound this good
  • It’s practically impossible to find copies of this album that sound this good and play this quietly
  • The musicality, energy and presence are right on the money (particularly on side one), not to mention that the studio space is huge
  • A Top 100 pick and Paul McCartney’s One and Only Masterpiece
  • Record Collector highlighted “Every Night,” “Junk,” and “Maybe I’m Amazed” as songs that “still sound absolutely effortless and demonstrate the man’s natural genius with a melody.”
  • This is our pick for Paul McCartney’s best sounding album. Roughly 100 other listings for the Best Sounding Album by an Artist or Group can be found here.
  • This is a Must Own Title from 1970, a great year for Rock and Pop music

The best tracks here have the quality of live music in a way that not one out of a hundred rock records do. The music jumps right out of the speakers and fills up the room.

The album sounds like it’s recorded live in the studio, but of course that’s impossible, because Paul plays practically all the instruments himself! It just goes to show how good a multi-track studio recording can sound when done well.

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The Who – My Generation

More of The Who

More Debut Recordings of Interest

  • A My Generation like you’ve never heard, with outstanding Double Plus (A++) sound throughout this vintage Mono import pressing
  • Both of these sides were bigger and richer, and with more rock energy, than most of what we played
  • If you want to hear this music EXPLODE out of the speakers and come to life the way The Who wanted you to, this record will do the trick
  • The right stampers make all the difference on this title – the average copy of this later pressing is hardly worth the vinyl it’s pressed on (we know, we’ve learned about them the hard way)
  • “An explosive debut, and the hardest mod pop recorded by anyone. [T]he Who never surpassed the pure energy level of this record”

We recently finished a shootout for this record and this copy was a solid step up over most of what we played. Some tracks do sound better than others, but that’s par for the course with this kind of material. On the best songs, it had all the top-end, bass and presence that was missing from other copies. I’ve rarely heard these songs sound better than they do here.

This vintage-but-far-from-original UK Mono pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

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Jim Croce – You Don’t Mess Around With Jim

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  • This early pressing boasts outstanding Double Plus (A++) sound from start to finish – the ’70s ABC vinyl is also about as reasonably quiet as we can find it
  • We guarantee there is dramatically more space, richness, presence, and performance energy on this copy than others you’ve heard or you get your money back – it’s as simple as that
  • “Croce’s debut ABC album was also his commercial breakthrough, topping the charts for five weeks, largely due to the comic, up-tempo title tune, a story song about competing pool hustlers, although Croce also reached the Top 20 with the change-of-pace ballad ‘Operator (That’s Not the Way It Feels)’.”

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Country Joe & The Fish – Electric Music For The Mind and Body

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More Psych Rock

  • This outstanding pressing on the early Stereolab label boasts Double Plus (A++) sound or very close to it on both sides
  • The overall sound here is rich, full-bodied and lively, with solid and present vocals, as well as excellent clarity all around
  • A very difficult record to find with good sound and clean surfaces, which is why we rarely have them on the site
  • 4 1/2 stars: “Their full-length debut is their most joyous and cohesive statement and one of the most important and enduring documents of the psychedelic era …”
  • If you’re a fan of Country Joe, a Hot Stamper pressing of their classic release from 1967 might just belong in your collection.

Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.

First, a little background on the general sound of Electric Music For The Mind and Body, the band’s debut and an album that is widely considered a true psych masterpiece. Most copies of the album have an unfortunate tendency to be boosted in the midrange, and on top of that they are often veiled and lack space.

Both sides here do a much better job in these areas than most of what we played, which, frankly, was not too good. These sides may not be perfect but they communicate the music well and that counts for a lot in our world.

And to be fair some of the album is actually quite well-recorded, “Not So Sweet Martha Lorraine” being probably the best sounding (and best arranged) track on the record.

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Paul Simon – Self-Titled

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  • Boasting seriously good Double Plus (A++) sound from start to finish, this copy of Simon’s sophomore album will be very hard to beat – fairly quiet vinyl too
  • Balanced, musical, present and full-bodied throughout – this pressing was a big step up from every other copy we played
  • Roy Halee handled the engineering and as usual he did a great job for the time – thankfully it was recorded in 1972, not 1982
  • A member of our Top 100 and rated 5 stars on AMG: “It was miles removed from the big, stately ballad style of Bridge Over Troubled Water and signaled that Simon was a versatile songwriter as well as an expressive singer with a much broader range of musical interests than he had previously demonstrated.”
  • Simon’s first solo is our pick for his best sounding album. Roughly 150 other listings for the Best Recording by an Artist or Group can be found here.

I don’t think any Paul Simon solo album was recorded better. Once you get to Graceland there is a world of difference between this album’s sound quality and that one’s. This record has the wonderful sound of analog in its grooves. Graceland sounds more like a CD (and the CD of Graceland really sounds like a CD.)

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Gram Parsons – GP

More Country and Country Rock

  • A KILLER sounding copy and the first to hit the site in many years; both sides have Shootout Winning Triple Plus (A+++) sound or very close to it
  • This copy is doing just about everything right — clean, clear, full-bodied and present with tons of energy and a nicely extended top end
  • “… his first solo album, 1973’s G.P., is probably the best realized expression of his musical personality. Working with a crack band of L.A. and Nashville’s finest, he drew from them a sound that merged breezy confidence with deeply felt Southern soul… this album remains a haunting reminder of Parsons’ talent and influence, and has only gotten better with the passing years.” 

If you’re a fan of country rock, this is some of the finest you’ll ever hear. James Burton, Ron Tutt and Byron Berline all play on here and quite well I might add. The harmonies between Gram and Emmylou are absolutely breathtaking, just drop the needle on ’We’ll Sweep Out The Ashes In The Morning’ to hear what I’m talking about.

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Jules and the Polar Bears / Got No Breeding – A Forgotten Classic from 1978

Hot Stamper Pressings of Albums from 1978 Available Now

More of Our Favorite Titles from 1978

We dropped the needle on this one and heard EXCELLENT SOUND, which is not always what you hear when you play the average copy of this album.

And the music is GREAT. I’m a giant fan of this band, which never got the public acclaim they deserved, although they were critic’s darlings from day one. If you like adventurous pop, this should be right up your alley. If you’re the kind of person that was into the Talking Heads in the ’70s, this band is every bit as original and compelling. 

This album checks off a few of our favorite boxes:

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Rod Stewart – An Old Raincoat Won’t Ever Let You Down

More of the Music of Rod Stewart

  • This UK Vertigo pressing of Rod Stewart’s debut solo album boasts seriously good Double Plus (A++) sound from first note to last
  • Rich, smooth, full-bodied and Tubey Magical, this copy has a lovely musical quality that was missing from most others we played
  • Released as The Rod Stewart Album in the states, this is Rod the Mod’s acclaimed debut, but don’t waste your money on the domestic pressings, they are clearly made from dubbed tapes
  • Marks in the vinyl are sometimes the nature of the beast with these classic rock records – there simply is no way around them if the superior sound of vintage analog is important to you
  • 4 1/2 stars: “The music and the songs are so vivid and rich with detail that they reflect a whole way of life, and while Stewart would later flesh out this blueprint, it remains a stunningly original vision.“
  • This is a Must Own Rod Stewart Classic from 1969, the first of many
  • The complete list of titles from 1969 that we’ve reviewed to date can be found here.

This vintage British pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)