Masterpieces of Rock & Pop

Rock and Pop Masterpieces

Janis Joplin – Pearl

More Women Who Rock

  • An outstanding vintage Columbia pressing with solid Double Plus (A++) sound on both sides
  • Janis’s vocals sound tonally right on the money – smooth enough to let you crank this one up good and loud without the sound getting hard and edgy
  • 5 stars: “Janis Joplin’s second masterpiece (after Cheap Thrills), Pearl was designed as a showcase for her powerhouse vocals, stripping down the arrangements that had often previously cluttered her music or threatened to drown her out.”
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. Pearl is a good example of a record many audiophiles may not know well but should try to get to know better.

Most everything that we look for in a Hot Stamper Pearl is happening on this copy: presence to the vocals; weight to the piano; texture and definition to the bass; a Tubey Magical midrange; freedom from grit and grain and so forth.

It’s not a perfect record — no copy of Pearl will ever be — but it’s better in all the ways that make the music really work. That’s what a Hot Stamper is all about!

None of this is to say that you’ll put this one on your top shelf with your Ajas and your Tea for the Tillermans, but this copy has the kind of sound you’d never guess was possible if all you know is the average copy. (Which is simply to say, if you didn’t go through five or ten copies to find the one you now own, you are likely to have an average copy.)

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Leonard Cohen – Songs Of Leonard Cohen

More of the Music of Leonard Cohen

  • With incredible Nearly Triple Plus (A++ to A+++) grades on both sides, this Stereo 360 copy of Cohen’s debut LP is practically as good as we have ever heard, right up there with our Shootout Winner
  • Intimate, breathy vocals are key to the better copies such as this one, and that of course goes for practically every singer-songwriter album we offer
  • Some of the man’s most memorable songs, including “Suzanne,” “Sisters of Mercy,” “So Long, Marianne” and “Hey, That’s No Way to Say Goodbye”
  • Problems in the vinyl are sometimes the nature of the beast with these vintage LPs, but once you hear just how superb sounding this copy is, you might be inclined, as we were, to stop counting ticks and pops and just be swept away by the music
  • 5 stars: “The ten songs on Songs of Leonard Cohen were certainly beautifully constructed, artful in a way few (if any) other lyricists would approach for some time, but what’s most striking about these songs isn’t Cohen’s technique, superb as it is, so much as his portraits of a world dominated by love and lust, rage and need, compassion and betrayal…few musicians have ever created a more remarkable or enduring debut.”

Get ready for some serious goosebumps! If this copy of Songs Of Leonard Cohen doesn’t give you chills, I don’t know what will.

We’ve played a ton of 360s and Red Labels, and copies that sound as good as this one are clearly the exception and not the rule.

The Red Label pressings from the 70s can be quite good if you know which are the good stampers and which to avoid, information that the average audiophile record lover would have a hard time coming by on his own.

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The Moody Blues – Days of Future Passed

More of the Music of The Moody Blues

  • With two solid Double Plus (A++) sides or close to them, you’ll have a hard time finding a copy that sounds remotely as good as this vintage UK import
  • The sonics are huge, rich and lively throughout (particularly on side one) – you need this kind of space for the orchestral parts to work their Moody Magic
  • An album experience beyond practically anything that had come before (Sgt. Pepper excluded)
  • 4 1/2 stars: “Days of Future Passed became one of the defining documents of the blossoming psychedelic era, and one of the most enduringly popular albums of its era.”
  • If you’re a fan of the Moodies, this vintage UK pressing from 1967 surely belongs in your collection
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with the accent on the joy these amazing audiophile-quality recordings can bring to your life

This album is more than 50 years old, for god’s sake! In those 50+ years I’d forgotten how good it is.

“Tuesday Afternoon” is the Perfect Pop Song, with the whole of side two flowing effortlessly from it as each song (each day) is linked by means of the surrounding orchestrations until it reaches its zenith with the climax of “Nights in White Satin.”

The sound is very much a part of the entire experience. The strings of the orchestra sound as sweet as any Decca, the soundstage wide and deep as a symphony. For those of you who still think Mobile Fidelity is the king on this one, here’s a record that demonstrates what a real orchestra sounds like.

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Warren Zevon – Excitable Boy

More of the Music of Warren Zevon

  • Excitable Boy is back on the site after a three year hiatus, here with solid Double Plus (A++) grades or BETTER on both sides of this vintage Asylum pressing
  • The sound is anchored by an exceptionally fat, rich, punchy low end, and this copy delivers on that promise big time
  • Much like The Pretender, this is a superb recording with the kind of Tubey Magical Analog Richness we go crazy for here
  • 4 stars: “Excitable Boy was an actual hit, scoring one major hit single, ‘Werewolves of London,’ and a trio of turntable hits (‘Roland the Headless Thompson Gunner,’ ‘Lawyers, Guns and Money,’ and the title track).”
  • If you’re a fan of Warren’s, this has to be seen as a Top Title from 1976 that surely belongs in your collection
  • It’s without a doubt his best sounding album, and, to our way of thinking, his only essential one

Just listen to ‘Excitable Boy’ and ‘Werewolves Of London’ to hear how full-bodied the sound of this album can be — the louder you play it the better it gets!

That’s the “big speaker quality” we live for around here. You turn it up and it starts to really rock.

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The Faces – Long Player

More British Blues Rock

  • An original Green Label pressing of the Face’s sophomore LP with outstanding Double Plus (A++) sound or BETTER from start to finish
  • Amazing live-in-the-studio sound that conveys completely the raw power of one of the hardest rockin’ bands of all time
  • Click here to see more of our favorite Rock and Pop records with relatively unprocessed sound
  • 5 stars in Allmusic and probably the Faces’ Best Album, for sound and music – “Maybe I’m Amazed”? Hell yeah!
  • “…a ferocious rock & roll band who, on their best day, could wrestle the title of greatest rock & roll band away from the Stones.”
  • This is our pick for The Face’s best sounding album. Roughly 150 other listings for the best sounding album by an artist or group can be found here on the blog.

We knew this album could sound good, but back in the day we sure didn’t know it could sound like this.

Both musically and sonically I don’t think the group ever recorded a better album than this one.

Take the wonderful song “Bad ‘N’ Ruin” (the opening track on side one) for example. It’s the sound of open mics in a big studio space — nothing more, nothing less. It’s totally free from any phony mastering or bad EQ, and on a Hot Stamper copy like this one, it’s absolute magic.

Martin Birch was the engineer for the first two tracks on side one. You may know him from his work with Fleetwood Mac (1969-1973) and Deep Purple (1969-1977), which include the amazingly well-recorded albums Machine Head and Made In Japan.

It’s a rare record indeed that can rock with the best of them while keeping its audiophile credentials intact. Like we said about our Hot Stampers for Never A Dull Moment, we sure wish more Rolling Stones records sounded like this.

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Boz Scaggs – Silk Degrees

More Blue-Eyed Soul

  • Solid Double Plus (A++) sound brings Boz’s very well recorded Masterpiece of Soulful Pop to life on this vintage Columbia pressing
  • Both of these sides are punchy, open and clear, with the kind of big bass and rhythmic energy so critical to this music
  • This copy brings out of the mix the solid, weighty piano that’s missing from the CBS Half-Speed and 90% of the reissues
  • 5 stars: “[Scaggs] hit the R&B charts in a big way with the addictive, sly ‘Lowdown’… and expressed his love of smooth soul music almost as well on the appealing ‘What Can I Say.'”

There is excellent sound on the better-recorded tracks, which I’m happy to say are most of them. And why not? This band is basically Toto with Boz Scaggs singing lead. David Paich wrote most of the songs and most of the Toto band (which didn’t exist yet, of course) is in the house. (No Lukather, but the guitarists on hand manage to pull it off without him.) Check out the legendary Jeff Porcaro’s twin hi-hats on “Lowdown,” one per channel, energizing the rhythm of the song big time.

One of the main qualities separating the winners from the also-rans on this title is the quality of the bass. This is rhythmic music, first and foremost. David Hungate just kills on this album; he’s giving a master class on rock and roll bass on practically every track.

And, for us audiophiles, the good news is the bass is very well recorded — big, punchy and well upfront in the mix. The bad news is that only the best copies show you the note-like, clear, rich bass that must be on the master tape. Vague and smeary bottom end is the rule, not the exception, and it’s a veritable crime against well-recorded sophisticated pop such as this.

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America – Self-Titled

More of the Music of America

  • One of our favorite Hippie Folk Rock albums – the instruments and voices are so well recorded they will seem to be floating right in front of you
  • The Tubey Magical acoustic guitars on this record are a true test of stereo reproduction – thanks Ken Scott
  • Marks and problems in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 4 stars: “America’s debut album is a folk-pop classic, a stellar collection of memorable songs that would prove influential on such acts as the Eagles and Dan Fogelberg…”
  • If I had to compile a list of my favorite rock and pop albums from 1971, this album would definitely be on it

This is clearly America’s best album. You’ll find the kind of immediacy, richness and harmonic texture that not many records (and even fewer CDs) are capable of reproducing. The version we are offering here has the song “A Horse With No Name.” Some copies without that song can sound very good as well, but with grades this good, this copy is going to be very hard to beat.

Interestingly, “A Horse With No Name” never sounds quite as good as the rest of the album. It was recorded in 1971, after the album had already been released, and subsequently added to newer pressings starting in 1972. Unlike the rest of the album, it was not engineered by Ken Scott at Trident, but by a different engineer at Morgan Studios. The engineer of that song took a different approach to that which Scott had taken, and we leave it to you to decide how well it worked out.

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Cheap Trick – At Budokan

More of the Music of Cheap Trick

  • Very good sound on this true classic from Cheap Trick, with both sides earning Hot Stamper grades – fairly quiet vinyl too
  • We guarantee there is more space, richness, presence, and performance energy on this copy than others you’ve heard or you get your money back – it’s as simple as that
  • One of only two Cheap Trick albums that cuts it for us sonically and musically (the other being Dream Police)
  • 5 stars: “With their ear-shatteringly loud guitars and sweet melodies, Cheap Trick unwittingly paved the way for much of the hard rock of the next decade, as well as a surprising amount of alternative rock of the 1990s, and it was At Budokan that captured the band in all of its power.”

The first pressings of this record come with an OBI strip and a Japanese style lyric and photo booklet, giving the impression that this is a Japanese pressing. But it’s clearly domestic, so kudos have to go to Epic Records for doing a wonderful imitation that would practically fool any record collector.

Most of the copies we have to offer will come with the booklet, while the OBI strips are long gone.

This is probably the only Cheap Trick record most casual fans will ever need. The live versions of ‘Ain’t That A Shame’ and ‘I Want You To Want Me’ are AS GOOD AS IT GETS. Where would Classic Rock Radio be without catchy pop like this? Nowhere man!

A Rock Masterpiece

We consider this Chip Trick album their Masterpiece. Others that belong in that category can be found here.

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The Doobie Brothers – Minute By Minute

More of the Music of The Doobie Brothers

  • A Minute By Minute like you’ve never heard, with superb Double Plus (A++) sound or close to it on both sides of this original Warner Bros. pressing
  • If you could only have one Doobies album, assuming you prefer the Michael McDonald era as we do, wouldn’t it have to be this one?
  • An audiophile quality pop music production as close to perfect as one could possibly wish for, thanks to Ted Templeman and Donn Landee
  • 4 stars: “…this is where the ‘new’ Doobie Brothers really make their debut, with a richly soulful sound throughout and emphasis on horns and Michael McDonald’s piano… It’s still all pretty compelling even if its appeal couldn’t be more different from the group’s earlier work. The public loved it, buying something like three million copies, and the recording establishment gave Minute by Minute four Grammy Awards, propelling the group to its biggest success ever.”

This is undoubtedly the band’s masterpiece, assuming you’re a Michael McDonald fan, and we very much are fans here at Better Records. We can now definitively say that the quality of the sound matches the quality of the music. What a wonderful sounding pop record. This is Donn Landee at his best — tonally correct, spacious, clear and sweet, with big bass and vocal choruses that can really take off when called upon. With Ted Templeman running the show this is an Audiophile Quality Pop Music Production that’s as close to perfect as one has any right to expect.

Musically Speaking

The material on this album is the strongest the group ever recorded, and let’s face it, all the best songs are McDonald’s. He really hit his songwriting stride in 1979; there are almost half a dozen classic Michael McDonald songs on this album alone. His 1982 solo album, a Desert Island Disc for us if there ever was one, has about ten more. The guy was on fire in the late 70s and early 80s.

Engineering Excellence

Credit Donn Landee (and producer Ted Templeman, as well) with the full-bodied, rich, smooth, oh-so-analog sound of the better copies of Minute By Minute. He’s recorded or assisted on many of our favorite albums here at Better Records.

Most of the better sounding Doobies albums are his; all of the good Van Halens, of course; Lowell George’s wonderful Thanks I’ll Eat It Here; Little Feat’s Time Loves a Hero (not their best music but some of their best sound); Carly Simon’s Another Passenger (my favorite of all her albums); and his Masterpiece (in my humble opinion), Captain Beefheart’s mindblowing Clear Spot.

Grammys

  • 1979 Record Of The Year for “What A Fool Believes”
  • 1979 Song Of The Year for “What A Fool Believes”
  • 1979 Best Pop Vocal Performance By A Duo, Group Or Chorus for “Minute By Minute”
  • 1979 Best Arrangement Accompanying Vocals for “What A Fool Believes

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Level 42 – World Machine Is Back

More Records We Only Sell on Import Vinyl

  • An original UK pressing with solid Double Plus (A++) grades from top to bottom – exceptionally quiet vinyl too
  • The sound is huge — far richer, bigger, clearer and more open than most other copies we played
  • A Better Records favorite for more than thirty years, the rare 80s album that holds up today
  • The big hit here is “Something About You” and we guarantee you’ve never heard it with more space, richness, presence, and performance energy than on this very copy
  • 4 stars: “World Machine pushes their newfound radio-friendly sound into the forefront, and the result is one of the finest pop albums of the mid-80s. ‘Something About You’ exemplifies Level 42’s sound at the peak of its success.”

This British Polydor pressing of Level 42’s BEST ALBUM makes a mockery of most of what’s out there — who knew the sound could be this good? Punchy bass, breathy vocals, snappy drums; it’s all here and it reallyl comes JUMPIN’ out of the speakers on this pressing.

What was striking this time around was just how smooth, rich and tubey the sound was on the best copies. It’s been a few years since we last did this shootout and it’s amazing to us how much better this title has gotten in that short span of time.

Of course, the recording very likely got no better at all, but our system, set-up, room, electricity and who-know-what-else sure did.

A Favorite Since 1985

World Machine has been a personal favorite of mine since I first played it way back in 1985. Of course in 1985 I had a domestic pressing, and if you want to hear what happens when you use a dub of the British master tape and then brighten the hell out of it in the mastering process, I heartily recommend you find yourself a copy, there’s one sitting in every record store in town. The grain and the grunge on the domestic LPs is hard to believe — yet somehow I actually used to put up with that sound!

I could listen to it then but I sure couldn’t listen to it now. No doubt you have your share of records like that.

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