Blues Rock, British

British Blues Rock

Cream – Wheels Of Fire

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  • Cream rocks on these vintage UK import pressings with excellent Double Plus (A++) sound or BETTER on all FOUR sides – exceptionally quiet vinyl too
  • These sides have close to the best condition grade we give out, Mint Minus – there may not be another record on the site with vinyl that quiet!
  • The power and energy of these live sides is off the charts — punchy, open, and spacious with bass and whomp you have never experienced for this music, guaranteed
  • Everything you’d want sonically from a live Cream recording is present on this copy – big-time presence, tons of life, tonal correctness, and loads of Tubey Magic
  • 4 stars: “…[Eric] Clapton is at a peak here, whether he’s tearing off solos on a 17-minute “Spoonful” or goosing “White Room” toward the heights of madness. But it’s the architect of “White Room,” bassist Jack Bruce, who, along with his collaborator Peter Brown, reaches a peak as a songwriter…. [I]n many ways Wheels of Fire is indeed filled with Cream’s very best work,
  • If you’re a fan of Clapton and the band, this RSO UK import from 1968 belongs in your collection.

It’s exceptionally difficult to find even decent sounding copies of this album. We’ve played SCORES of original domestic copies, original imports, and all kinds of reissues over the years, and it’s very rare to find a copy that sounds this good on all four sides. (more…)

Eric Clapton – Backless

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More British Blues Rock

  • Backless returns to the site with KILLER Shootout Winning Triple Plus (A+++) grades or close to them on both sides of this early British pressing
  • Rich, smooth, clear sound throughout – listen to the grungy guitars on “Walk Out In The Rain” – that’s the way they should sound all right
  • Clapton comes to life on the traditional blues “Early In The Morning” – it also has the best sound on the album
  • “Backless is a seductive record, if you’re attracted to the interplay of Clapton’s dolorous voice and Marcy Levy’s raspy backup vocals, George Terry’s slide guitar and Glyn Johns’ pristine production.” – Rolling Stone

The typical pressing of Backless, much like the typical pressing of Slowhand, is just too thick, dull, compressed and veiled to be much fun. You need to turn this album up good and loud to get it to do anything.

The copies that are solid and weighty love getting loud; the copies that are thin and bright only get worse as the level goes up, a sign that they leave a lot to be desired. This is a rock album after all.

We had top quality copies on both domestic and British vinyl. Both were cut here in L.A. It makes sense that either can be good.

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Cream / Fresh Cream on British Vinyl

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More British Blues Rock

  • Fresh Cream returns to the site with excellent Double Plus (A++) sound on both sides of this UK reissue
  • The band’s debut album has much better sound than most of those that followed – it’s surprisingly Tubey Magical, with tons of studio space and lovely vocal presence
  • If all you know is the DCC pressing, or any other Heavy Vinyl pressing, you are in for quite a treat with this Hot Stamper import (here is our review)
  • 4 1/2 Stars: “Fresh Cream represents so many different firsts, it’s difficult to keep count. Cream, of course, was the first supergroup, but their first album not only gave birth to the power trio, it also was instrumental in the birth of heavy metal and the birth of jam rock…”
  • If you’re a fan of the band, this title from 1966 is clearly one of their best, and one of their best sounding

We recently finished a shootout for this band’s hard-rockin’ debut album and were once again delighted to hear how good this music can sound when you get a pressing that sounds as good as this one does. Nothing the band did in the studio was as well-recorded as their first album.

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Black Sabbath / Self-Titled

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Reviews and Commentaries for Black Sabbath

  • With solid Double Plus (A++) sound throughout, this excellent copy ROCKS like nothing you’ve heard
  • MASSIVE, powerful and spacious throughout – this original pressing is big, rich and solid like you won’t believe
  • This is one of the few copies we’ve found in a long time that has no bad repeating marks – many of the copies we buy are close to unlistenable on a modern audiophile turntable
  • The best copies are stunning Demo Discs – crank it up good and loud and if you have the right system for it you can be sure your audiophile friends will never forget it
  • 4 1/2 stars on Allmusic and one of the best sounding hard rock recordings from the era, or, to be honest, from any era
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life.
  • If you’re a Sludgy Rock fan, this debut album from 1970 is surely a Must Own
  • We think this is the band’s best sounding album. Roughly 150 other listings for the Best Sounding Album by an Artist or Group can be found here.

Top 100

Back in 2018 we wrote:

This title will surely make the cut next time we update our Top 100 Rock and Pop List. I would go so far as to say that the best copies of this album have sound as good or better than anything I’ve heard all year, and that’s an awful lot of great sounding records, hundreds and hundreds of them.

It did in fact make the Top 100 a while back. The album is hard to find in audiophile playing condition, but we make the effort and this killer Hot Stamper is the result.

Sabbath recorded their set list more or less live in the studio. This give the recording an unprocessed quality that really stands out on the best copies. The best Green Label pressings sound raw and real, with sound that is a perfect match for the band’s powerfully dark music.

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Beware The Green Manalishi with the Two Prong Crown

More of the Music of Fleetwood Mac

Reviews and Commentaries for Fleetwood Mac

Many years ago, more than 20 in fact!, a copy of this record was returned by one of my customers for poor sound quality, so I threw it back on the turntable to see if I had been mistaken in my judgement of its sound.

I confess that hearing the first track again, The Green Manalishi, was painful — it’s the worst sounding song on the album.

But then Oh Well starts up, and it’s full of midrange magic, ambience and is exceptionally transparent.

The sound varies from track to track after that, but if your stereo can’t find the magic on records like this, you seriously need to look into some better equipment.

This record sounds amazing on our system and it ought to at your house too.

The real test for a stereo is to get difficult to reproduce recordings to sound good, not easy to reproduce recordings.

If you want to test your system after doing some tweaking and tuning, these are the kinds of difficult to reproduce records that will allow you to do it.

When these records start sounding better, there’s a good chance that whatever you did to your system to improve it actually worked.

And if you’re up for a challenge and want to buy some records that can sound great but are difficult to reproduce, these Hot Stamper pressings should do the trick.

We Love the Early Fleetwood Mac

This is the first iteration of the band from way back in the day, back when they were playing their unique brand of Blues Rock with Peter Green leading the band — about as far from Rumours as you can get. If you like British Blues Rock I don’t think any other band can hold a candle to the Mac from this period. Clapton may have been considered a god but Green is the better guitar player; this album is proof of that.

The best track that the early F Mac ever did? Oh, it’s here all right: “Need Your Love So Bad.” If that one doesn’t get to you deep in your soul, check your pulse. You may be dead.

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The Faces – Long Player

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More British Blues Rock

  • An original Green Label pressing of the Face’s sophomore LP with outstanding Double Plus (A++) sound or BETTER from start to finish
  • Amazing live-in-the-studio sound that conveys completely the raw power of one of the hardest rockin’ bands of all time
  • Click here to see more of our favorite Rock and Pop records with relatively unprocessed sound
  • 5 stars in Allmusic and probably the Faces’ Best Album, for sound and music – “Maybe I’m Amazed”? Hell yeah!
  • “…a ferocious rock & roll band who, on their best day, could wrestle the title of greatest rock & roll band away from the Stones.”
  • This is our pick for The Face’s best sounding album. Roughly 150 other listings for the best sounding album by an artist or group can be found here on the blog.

We knew this album could sound good, but back in the day we sure didn’t know it could sound like this.

Both musically and sonically I don’t think the group ever recorded a better album than this one.

Take the wonderful song “Bad ‘N’ Ruin” (the opening track on side one) for example. It’s the sound of open mics in a big studio space — nothing more, nothing less. It’s totally free from any phony mastering or bad EQ, and on a Hot Stamper copy like this one, it’s absolute magic.

Martin Birch was the engineer for the first two tracks on side one. You may know him from his work with Fleetwood Mac (1969-1973) and Deep Purple (1969-1977), which include the amazingly well-recorded albums Machine Head and Made In Japan.

It’s a rare record indeed that can rock with the best of them while keeping its audiophile credentials intact. Like we said about our Hot Stampers for Never A Dull Moment, we sure wish more Rolling Stones records sounded like this.

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The Rolling Stones – Undercover

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  • With excellent Double Plus (A++) sound throughout, this vintage pressing will be very hard to beat – exceptionally quiet vinyl too
  • These sides are BIGGER and RICHER and have more of the rock solid energy that’s missing from the average copy
  • If you know Chris Kimsey‘s engineering work from Some Girls, Tattoo You, Frampton Comes Alive and the like, then you should have a good idea of what this album sounds like on the better copies
  • “As the Rolling Stones’ most ambitious album since Some Girls, Undercover is a weird, wild mix of hard rock, new wave pop, reggae, dub, and soul. [A] fascinating record…”

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Fleetwood Mac – The Original Fleetwood Mac

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More British Blues Rock

  • This incredible UK import pressing boasts a Shootout Winning Triple Plus (A+++) side two mated to a seriously good Double Plus (A++) side one
  • Most of the time this album sounds like Fleetwood Mac is playing live in the studio, which they probably were, and on big speakers at loud volumes that is a glorious sound
  • 4 stars: “An undeniably strong collection culled primarily from the band’s first incarnation, featuring John McVie, Mick Fleetwood, Peter Green, and Jeremy Spencer.”
  • If you’re a Fleetwood Mac fan, and what audiophile wouldn’t be?, this Peter Green era title from 1971 is one of their best sounding

The music on this album was recorded when they were still a blues band — tracks left off their early albums for one reason or another.

As is so often the case with unreleased material, these songs do not have that overproduced, too-many-generations-of-tape sound. This sounds like Fleetwood Mac live in the studio most of the time. In other words, awesome.

If the drum sound on the first track isn’t enough to convince you this is an amazing sounding record, I don’t know what would.

These British imports are the only way to go. The domestic copies are definitely made from dub tapes. They can sound good, but they sure never sound this good! (more…)

Fleetwood Mac / Greatest Hits

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More British Blues Rock

  • An excellent vintage British pressing on the original CBS Solid Orange label with Double Plus (A++) sound from first note to last
  • Big, rich, energetic, with tons of Analog Tubey Magic, this original Orange Label UK pressing has exactly the right sound for this music
  • “Oh Well, Parts One and Two,” “Black Magic Woman,” “Man of the World,” and the surprise Number One single “Albatross” are all here and guaranteed to blow your mind
  • Peter Green is hands down our favorite British Blues Guitarist of All Time – play this record and you will surely see why we feel that way
  • We’ve recently compiled a list of records we think every audiophile should get to know, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life.

If you’re a fan of Fleetwood Mac, this copy is guaranteed to blow your mind. Like all the best vintage British pressings, the sound is smooth, rich and full. This is Old School ANALOG, baby. They don’t make ’em like this anymore because they don’t know how to.

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Jethro Tull – Stand Up

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  • A vintage UK import that was doing practically everything right, with both sides earning killer Nearly Triple Plus (A++ to A+++) grades – just shy of our Shootout Winner
  • This is a True Tull Classic – my favorite by the band – and a VERY tough record to come by with this kind of sound and surfaces that play this well
  • Both of these sides give you richness, Tubey Magic, clarity and resolution few copies can touch, including most Pink Label Island pressings, especially the early ones
  • Marks in the vinyl are sometimes the nature of the beast with these classic rock records – there simply is no way around them if the superior sound of vintage analog is important to you
  • “Stand Up! has great textural interest, due, in part, to a more sophisticated recording technique, in part to the organ, mandolin, balalaika, etc., which Anderson plays to enrich each song. The band is able to work with different musical styles, but without a trace of the facile, glib manipulation which strains for attention.”

Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These UK pressings are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here. We must give thanks to the brilliant engineer Andy Johns.

This record is the very definition of Tubey Magic. No recordings will ever be made that sound like this again, and no CD will ever capture what is in the grooves of this record. There is of course a CD of this album, quite a few of them I would guess, but those of us with a good turntable could care less.

If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage All Tube Analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.

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