Genre – Rock – British Blues Rock

Black Sabbath / Self-Titled – Can’t Keep ‘Em in Stock

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Reviews and Commentaries for Black Sabbath

  • With solid Double Plus (A++) sound throughout, this excellent copy ROCKS like nothing you’ve heard
  • MASSIVE, powerful and spacious throughout – this original pressing is big, rich and solid like you won’t believe
  • This is one of the few copies we’ve found in a long time that has no bad repeating marks – many of the copies we buy are close to unlistenable on a modern audiophile turntable
  • The best copies are stunning Demo Discs – crank it up good and loud and if you have the right system for it you can be sure your audiophile friends will never forget it
  • 4 1/2 stars on Allmusic and one of the best sounding hard rock recordings from the era, or, to be honest, from any era
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. Red Clay is a good example of a record most audiophiles may not know well but should.
  • If you’re a Sludgy Rock fan, this debut album from 1970 is surely a Must Own
  • The complete list of titles from 1970 that we’ve reviewed to date can be found here
  • We think this is the band’s best sounding album. Roughly 150 other listings for the Best Sounding Album by an Artist or Group (sounds like a Grammy Awards category, doesn’t it?) can be found here.

Top 100

Back in 2018 we wrote:

This title will surely make the cut next time we update our Top 100 Rock and Pop List. I would go so far as to say that the best copies of this album have sound as good or better than anything I’ve heard all year, and that’s an awful lot of great sounding records, hundreds and hundreds of them.

It did in fact make the Top 100, but to what end? We never have this title in stock! They are just too hard to find in audiophile playing condition.

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Jeff Beck – Truth

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More Rod Stewart

  • An excellent reissue LP with Double Plus (A++) grades or close to them from start to finish – exceptionally quiet vinyl too
  • Easily – and by a wide margin – the best sounding record Jeff Beck ever made – thanks Ken Scott!
  • This pressing embodies the Big Rock Sound that we go crazy for here at Better Records (particularly on side two)
  • Really fun music – it’s a blast to hear Rod Stewart fronting such a heavy rock band
  • 5 stars: “…almost as groundbreaking and influential a record as the first Beatles, Rolling Stones, or Who albums.”

Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.


This is a SHOCKINGLY good sounding pressing of Truth, Beck’s As-Heavy-As-I-Can-Make-It Rock debut, the kind of record that would define Classic Rock for the next forty plus years.

The soundstage is absolutely HUGE, while the presence and transparency of this copy go way beyond most pressings. Great rock and roll energy too of course — without that you have nothing on this album.

Note how spacious, big, full-bodied and DYNAMIC both sides are. That’s why they’re Super Hot. I am pleased to report that the whomp factor on these sides was nothing short of MASSIVE. With tons of bass these sides have what it takes to make the music ROCK. (more…)

Led Zeppelin – In Through The Out Door

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  • You’ll find solid excellent sound on both sides of this outstanding copy of Zep’s final release
  • It’s all here: huge amounts of rock-solid bass, grungy guitars, breathy, natural vocals, and jump out of the speakers presence and energy
  • Fool In The Rain and All My Love are two of the best, and best sounding, tracks on the album
  • “The album’s opening number, ‘In the Evening,’ with its stomping rhythms and heavy, staggered riffs, suggests that Zeppelin haven’t deviated from their course, but by the time the rolling shuffle of ‘South Bound Suarez’ kicks into gear, it’s apparent that they’ve regained their sense of humor.”
  • If you’re a Zep fan, this title from 1979 is surely a Must Own
  • The complete list of titles from 1980 that we’ve reviewed to date can be found here.

This may not be Zep’s best album, but there are some great songs here, and the music really works when the sound is this good. (more…)

Bad Company – Straight Shooter

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  • If you’re playing this one good and loud, you’ll feel like you’re in the room with the boys as they kick out these classic riff-driven jams
  • Take it from us, it is not easy to find a copy that’s as right as this one, with the weight, balance and energy this music needs to rock
  • 4 stars: “Vocalist and songwriter Paul Rodgers wrote two acoustic-based rock ballads that would live on forever in the annals of great rock history: ‘Shooting Star’ and the Grammy-winning ‘Feel Like Makin’ Love.'”

The sophomore jinx is nowhere to be found on this album. In fact, you could make a pretty good case that this is actually a better album than their debut. The best pressings of this Bad Company classic have ROCK ENERGY that cannot be beat. (more…)

Deep Purple – Made In Japan

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More Recordings Engineered by Martin Birch

  • Get ready to rumble! This UK copy boasts INCREDIBLE Shootout Winning Triple Plus (A+++) sound or close to it on all FOUR SIDES – remarkably quiet vinyl too
  • A phenomenally well-recorded album that’s a true Demo Disc on an exceptional pressing such as this
  • Turn it up and you will hear sound that is incredibly powerful and natural with amazing presence, energy and weight down low
  • Marks in the vinyl are sometimes the nature of the beast with these Classic Rock records – there simply is no way around them if the superior sound of vintage analog is important to you
  • Rolling Stone: “They’ve done countless shows since in countless permutations, but they’ve never sounded quite this perfect.”.
  • If you’re a fan of the band, this title from 1972 is clearly one of their best
  • The complete list of titles from 1972 that we’ve reviewed to date can be found here.

Having just played a stack of copies of Made In Japan, I’d put the album right up there with the best recorded live albums of all time. In terms of Tubey Magic, richness and naturalness — qualities that are usually in very short supply on live albums — I would have to say that the shootout winning copies of Made In Japan would be very likely to take Top Honors for Best Sounding Live Album of All Time.

Yes, the sound is that good.

Machine Head Live? That would not be far off, and the fact they brought Martin Birch along with them all the way to Japan in order to engineer a live album that was only supposed to sell to the Japanese market (!) could not have been more fortuitous for us audiophiles.

Machine Head is clearly one of the best sounding hard rock records ever made, and Made In Japan, its successor, sounds more like a top quality studio production than any live album I’ve ever heard. It’s shocking how clean and undistorted the sound is. Equally shocking is the fact that it’s every bit as big and lively as a Hard Rockin’ Live Album should be.

This is a combination the likes of which we have never heard.

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The Fleetwood Mac You Don’t Know – The Self-Titled First Album & English Rose

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Reviews and Commentaries for the Music of Fleetwood Mac

You just can’t write better songs than Love That Burns or Black Magic Woman, both of which can be found here. And Albatross, the mellow instrumental that closes out side four, was a Number One hit in the UK in 1969, can you believe it? It was backed on some releases by Need Your Love So Bad, another one of our all time favorite Fleetwood Mac covers. The band was on fire back when Peter Green was at the helm. These two LPs are proof enough.

The material found on this American-only compilation is tough to come by on vinyl; their early albums barely charted in the states and are anything but plentiful. The Peter-Green-led blues band that performed this music was huge in England however, and for me, personally, I would take Fleetwood Mac as a blues band over any other blues band from the period.

Keep in mind that some of these recordings are engineered to sound like old blues songs from the thirties and forties. Don’t expect audiophile sound on those tracks because it’s just not on the master tapes that way.

But it’s easy enough to tell when the material sounds right, and that’s all we are after here — the right sound.

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Joe Cocker – Joe Cocker!

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  • This copy of Cocker’s sophomore release boasts excellent Double Plus (A++) sound throughout – exceptionally quiet vinyl too
  • It’s the impossibly rare copy with sides that play this quiet, and the first ever to hit the site with our condition grade of Mint Minus to Mint Minus Minus
  • Consistently stronger material than his debut – did Cocker ever release an album with more good songs than this one?
  • Take a gander at this track listing: “Dear Landlord,” “Bird on the Wire,” “She Came in Through the Bathroom Window,” “Something,” “Delta Lady,” “Darling Be Home Soon” – and there’s plenty more where those came from
  • Records like these are getting awfully hard to find these days in audiophile playing condition, which explains why you so rarely see them on the site
  • 4 stars: “Cocker mixed elements of late-’60s English blues revival recordings (John Mayall, et al.) with the more contemporary sounds of soul and pop; a sound fused in no small part by producer and arranger Leon Russell, whose gumbo mix figures prominently on this eponymous release and the infamous Mad Dogs & Englishmen live set.”

This is a surprisingly good recording. Cocker and his band — with more than a little help from Leon Russell — run through a collection of songs from the likes of Bob Dylan, Leonard Cohen and the Beatles, and when you hear it on a White Hot Stamper copy it’s hard to deny the appeal of this timeless music.

This album is a ton of fun, with Cocker and his band putting their spin on some of the best songs of the era. You need energy, space and full, rich, Tubey Magical sound if this music is going to sound right, and on those counts these copies deliver. (more…)

Deep Purple – Fireball

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More British Blues Rock

  • Fireball returns to the site on this KILLER original Harvest UK import with Shootout Winning Triple Plus (A+++) sound or close to it from start to finish
  • This LP was simply bigger, richer and clearer, with more Tubey Magic, less smear and less congestion than the other vintage pressings we played
  • One of Ian Gillian’s favorite albums, “… it was really the beginning of tremendous possibilities of expression.”
  • 4 1/2 stars: “One of Deep Purple’s four indispensable albums (the others being In Rock, Machine Head, and Burn), 1971’s Fireball saw the band broadening out from the no-holds-barred hard rock direction of the previous year’s cacophonous In Rock.”

This vintage Harvest pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Led Zeppelin – The Song Remains The Same

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  • Superb sound for this soundtrack album with outstanding Double Plus (A++) sound or close to it on all four sides
  • Clean, clear and open with a strong bass foundation and plenty of live rock and roll energy
  • An incredibly tough album to find with the right sound and surfaces
  • Packed with Zep classics, including The Song Remains The Same, Dazed and Confused, Stairway to Heaven, and more

It’s exceedingly rare that we come across a copy that sounds this good. Most we’ve played sound like bad, second-generation bootleg cassettes. We still pick them up every time we see them — hey, it’s Zep, man — but we weren’t sure we’d ever hear a decent copy. We dropped the needle on this one and were blown away by how hard it rocked.

It’s got the big sound that you look for on a Zep LP — great bass, huge drums, and immediacy to the vocals. The sound is silky up top, punchy down low, and very transparent.

Turn this one way up and you might just find yourself right in the middle of a killer live Zep concert.

The only song here that didn’t totally blow our minds was the version of “Dazed and Confused,” which sounded a bit compressed during the big jam. Other than that, all the big hits (“Rock And Roll,” “The Rain Song,” “No Quarter,” “Stairway,” etc.) sound Right On The Money.

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Jethro Tull – Big Speakers, Loud Levels and Plenty of Bass Work Their Magic

More of the Music of Jethro Tull

Hot Stamper Pressings of British Blues Rock

It’s common for pressings of Stand Up to lack bass or highs, and more often than not the copies that we play in our shootouts, shootouts which are strictly limited to import pressings on Island or Chrysalis, lack both.

The bass-shy ones tend to be more transparent and open sounding — of course, that’s the sound you get when you take out the bass.

90 plus percent of all the audiophile stereos I’ve ever heard were bass shy, no doubt for precisely that very reason: less bass equals more detail, more openness and more transparency. Go to any stereo store or audiophile show and notice how bright the sound is. (Yet another good reason not to go to those shows. We stopped decades ago.)

Just what good is a British Classic Rock Record that lacks bass? It won’t rock, and if it don’t rock, who needs it? You might as well be playing the CD. (The average CD of Stand Up — I have a couple of them — is terrible, but the MoFi Gold CD is superb in all respects.)

The copies that lack extreme highs are often dull and thick, and usually have a smeary, blurry quality to their sound. When you can’t hear into the music, the music itself quickly becomes boring. Most Island pressings suffer from these shortcomings.

If I had to choose, I would take a copy that’s a little dull on top as long as it had a meaty, powerful, full-bodied sound over something that’s thinner and more leaned out. There are many audiophiles who can put up with that sound — I might go so far as to say the vast majority can — but I am not one of them.

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