Singer / Songwriter

Kris Kristofferson – Kristofferson

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  • Boasting KILLER Shootout Winning Triple Plus (A+++) grades or close to them on both sides, this vintage Monument pressing was giving us the sound we were looking for on Kristofferson’s debut LP
  • You won’t believe how rich, Tubey Magical, big, undistorted and present this copy is (until you play it anyway)
  • Both of these sides are full-bodied, natural and clear, with Kristofferson front and center, exactly where he should be
  • Problems in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 5 stars:: “[Kristofferson] brought a conviction to his vocals and a complete understanding of the nuances of the lyrics. The songs were so personal that they seemed to demand a personal interpretation, and established the persona of a poor songwriter struggling against despair.”
  • This is an excellent title from 1970, which just happens to be a great year for Rock and Pop Music, maybe the greatest of them all

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Joni Mitchell – Mingus

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  • This vintage pressing of Joni Mitchell’s brilliant collaboration with Charles Mingus boasts seriously good Double Plus (A++) sound from start to finish
  • If you’re a fan of Joni’s more adventurous work, you’ll find a lot to like here
  • Features “luminaries” including Herbie Hancock and some of Weather Report, who join Mingus in helping Joni bring these jazzy works to life
  • “… Mitchell could not have chosen any finer musicians than the sextet she ultimately incorporated into this work.”

Two of Joni’s more famous late ’70s songs are on here — “God Must Be A Boogie Man” and “The Wolf That Lives In Lindsey.” If you like the more adventurous music that Joni produced at the later stages of her career, this should make a wonderful addition to your collection.

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Randy Newman – 12 Songs

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  • With two nearly Triple Plus (A++ to A+++) sides, this copy of what some consider Randy Newman’s strongest album is close to the BEST we have ever heard, right up there with our Shootout Winner – relatively quiet vinyl too
  • An excellent pressing, with a very strong bottom end, lovely richness and warmth, real space and separation between the instruments and wonderful immediacy throughout
  • The clarity of the piano and guitar perfectly support and complement Randy’s heartfelt vocals
  • 5 stars: “While much of Randy Newman [his first album] was heavily orchestrated, 12 Songs was cut with a small combo (Ry Cooder and Clarence White take turns on guitar), leaving a lot more room for Newman’s Fats Domino-gone-cynical piano and the bluesier side of his vocal style, and Randy sounds far more confident and comfortable in this context.”

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Jackson Browne – His Debut Is Still His Best Album By Far

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  • Balanced, musical, present and full-bodied throughout – this copy was a big step up from most of what we played, particularly on side two
  • “… Jackson Browne’s first album is among the most auspicious debuts in pop music history”
  • 5 stars: “… the album has long since come to seem a timeless collection of reflective ballads touching on still-difficult subjects — suicide (explicitly), depression and drug use (probably), spiritual uncertainty and desperate hope — all in calm, reasoned tones, and all with an amazingly eloquent sense of language.”
  • If you’re a Jackson Browne fan, and what audiophile wouldn’t be?, this title from 1972 is clearly one of his best, and one of his two best sounding, the other one being The Pretender.
  • The complete list of titles from 1972 that we’ve reviewed to date can be found here.

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Gordon Lightfoot – Cold On The Shoulder

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  • With seriously good Double Plus (A++) grades on both sides, this early Reprise pressing is doing just about everything right – exceptionally quiet vinyl too
  • The vocals are wonderfully breathy, smooth and sweet here – this recording is the very definition of Midrange Magic, thanks to the engineering of Lee Herschberg
  • “The strings and/or steel guitars are genteelly laid over the strumming of Lightfoot’s 12-string guitar; the rhythm section churns lightly underneath while the singer pours his winter-brandy voice through original songs depicting an ever lonely, ever rambling rustic.” – Rolling Stone
  • If you’re a fan of Gordon’s, this 1975 release is one that surely belongs in your collection

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John Denver – Poems, Prayers and Promises

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  • This early Orange Label RCA pressing earned Double Plus (A++) grades on both sides
  • We guarantee that it’s fuller, bigger and clearer than any copy you have ever heard or your money back
  • Superb engineering by Ray Hall— the recording is from 1971 but in some ways it sounds as good as if it had been made in 1961 — high praise in these parts!
  • “… this was at the beginning of a golden period for Denver when his songs would dominate the easy listening airwaves, especially his big hit singles.” – All Music

NOTE: The record has a noticeable dishwarp which we had no trouble playing perfectly.  If your rig struggles with dishwarped records, best to pass on this one. (more…)

Gordon Lightfoot – Summertime Dream

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  • With two outstanding Double Plus (A++) sides, this copy is guaranteed to blow the doors off any other Summertime Dream you’ve heard – exceptionally quiet vinyl too
  • Richer, warmer, more natural, more relaxed – this is what vintage analog is all about, that smooth sound that never calls attention to itself and just lets the music flow
  • 4 1/2 stars: “With Summertime Dream, Gordon Lightfoot produced one of his finest albums, and wrapped up a six-year period of popularity… Lightfoot and his band deliver a tasty smorgasbord of intelligent, grown-up music. As for ‘Edmund Fitzgerald,’ its continued popularity more than 20 years after its release attests to the power of a well-told tale and a tasty guitar lick.”
  • If you’re a fan of Gordon Lightfoot, his 1976 release is surely a Must Own
  • The complete list of titles from 1976 that we’ve reviewed to date can be found here

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Joni Mitchell – Song To A Seagull

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Reviews and Commentaries for the Music of Joni Mitchell

  • Song To A Seagull FINALLY returns to the site on this early Reprise pressing with Double Plus (A++) sound or close to it on both sides
  • Our favorite early (pre-Blue) Joni album by far – as good as her others are, this one has a special charm we can find on no other record, by her or anyone else
  • Side one gives you breathy, clear vocals and sound that is rich, full, and Tubey Magical with especially lovely guitar tone
  • Problems in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • “What sets this release apart from those of other confession-style singer/songwriters of the time is the craft, subtlety, and evocative power of Mitchell’s lyrics and harmonic style… “

I loved this album from the minute I first heard it; all of side one is magical in a way that no other Joni album is. Is it the particular guitar tunings she was using? The minor key melodies? Whatever she did, however she did it, the result is an absolutely SUBLIME folk album, as unique in its own way as Leonard Cohen’s debut.

I put this one right up with her best, which are of course the ones we’ve done Hot Stamper shootouts for, of course, and on any given day I would rather play side one of this album than any of the others. (more…)

Cat Stevens – Tea For The Tillerman on the A&M Brown Label

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  • This superb Brown Label A&M pressing of TFTT – The Pinnacle of British Folk Rock from 1970 – earned solid Double Plus (A++) grades on both sides – reasonably quiet vinyl too
  • It was mastered by the same guy who cut the British pressings – Lee Hulko – and we guarantee the sound will hold its own against any copy you’ve ever played
  • The emotional power of the songs is communicated completely – we can assure you the experience will be like playing the album for the first time (so this is your chance!)
  • 5 Stars on Allmusic, a stunning Demo Disc, and a permanent member of the Better Records Top 100

Hearing this Hot Stamper is a PRIVILEGE that affords the listener insight into Cat Stevens’ music that is simply not possible any other way. The emotional power of these songs is communicated so completely through our better copies that we can assure you the experience will be like playing the album for the first time.

This is, I hope it goes without saying, one of the greatest Folk Rock records of all time, the kind of music that belongs in any collection. I’ve been playing this album for 40 years and I can honestly say I’ve never once tired of hearing it. I do get tired of hearing bad copies.

Cat’s mixes are full of subtle elements that may require many listening sessions over the course of years, even decades, to recognize and appreciate. Consider them an extra reward for having played the record so many times. I’ve played hundreds of copies over the last thirty plus years and never tired of it once. As every music lover knows, the best albums only get better with time.

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Janis Ian – Between The Lines

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  • Between the Lines returns to the site with outstanding Double Plus (A++) sound from start to finish
  • We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
  • Ian’s biggest international hit, “At Seventeen,” sounds right on the money on this superb side one
  • 4 1/2 stars: “This is Janis Ian’s second album from her re-emergence in the early to mid-’70s as one of the genre’s most inspired and original singer/songwriters… a recommended starting point for potential enthusiasts, as well as a touchstone to be repeatedly revisited.”
  • The complete list of titles from 1975 that we’ve reviewed to date can be found here

Take this one home and check out how warm and natural the acoustic guitars sound throughout, free from the grain and edge that plague the typical copy. Play At Seventeen and listen to how clear and present Ian’s vocals sound, with the kind of breath and body that you’d hear in a live performance.

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