Demo Discs by Genre

Falla – Three Cornered Hat / Ansermet

More of the Music of Manuel de Falla

  • An early London pressing of Falla’s orchestral spectacular with stunning Nearly Triple Plus (A++ to A+++) grades from start to finish, just shy of our Shootout Winner – this copy is a true Demo Disc in the world of vintage classical vinyl
  • It’s also fairly quiet at Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
  • When you play the best pressings of this title it’s almost hard to believe how well recorded it is – even Billboard in 1961 noted the brilliant sound jumped from their speakers
  • “Anyone interested in theatrical music will know that within a few months the work had earned the category of a ‘classic’ and since then has been placed in the annals of great ballets such as Petrushka and Schéhérazade.”
  • If you’re a fan of delightful orchestral showpieces such as these, Decca’s wonderful recording from 1961 belongs in your collection
  • There are about 150 orchestral recordings we think offer the best performances with the highest quality sound. This record is certainly deserving of a place on that list.

This is High Fidelity Audiophile Gold, with bells, drums, voices, trumpets, strings, woodwinds and more, all sounding so real it will take your breath away. The Golden Age tapes have clearly been mastered brilliantly onto this vintage London vinyl.

No doubt you have run into something like this in our classical listings:

This London is energetic, dynamic, spacious, transparent, rich and sweet. James Walker was the producer, Roy Wallace the engineer for these sessions from 1961 in Geneva’s glorious Victoria Hall. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording. 

We were impressed with the fact that this pressing excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, allowing the listener to inhabit the space of the concert hall in an especially engrossing way.
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Orff / Carmina Burana – Amazing on DG Vinyl

More Orchestral Spectaculars

  • A large tulip label copy of this strikingly original work with solid Double Plus (A++) grades from first note to last
  • This spectacular recording is big, clear, rich, dynamic, transparent and energetic – here is the analog sound we love
  • We’ve auditioned quite a number of recordings of the work, and as far as we are concerned, on the right pressing this is the best sounding version that exists on vinyl – the orchestral power on display is positively phenomenal
  • There are some bad marks (as is sometimes the nature of the beast with these vintage pressings) on “Fortuna Imperatrix Mundi,” but once you hear just how superb sounding this copy is, you might be inclined, as we were, to stop counting ticks and just be swept away by the music
  • “With the direction of Eugen Jochum and the bonus of the incomparable rich, powerful voice of baritone Dietrich Fischer-Dieskau, this 1968 performance is a classic, and very probably the best, recording of the opera.” – Amazon Rave Review

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Frank Zappa – Waka/Jawaka

More of the Music of Frank Zappa

  • This vintage copy was doing just about everything right, earning solid Double Plus (A++) grades or close to them on both of these TAS-approved sides – fairly QUIET vinyl too
  • It took whomever is running the TAS Super Disc list about twenty years to catch up to us, but we’re glad they did – this is one of the most amazing sounding records we have the privilege to play, even if it does take us three years to get a shootout going
  • A Top 100 title, and deservedly so – the sound is big, rich, punchy, lively, clear and above all, analog (particularly on side one)
  • This copy will show you the size and power of a big band, Frank Zappa style (also particularly on side one) – there is (almost*) nothing like it
  • Rolling Stone raved that this Jazz Rock Fusion album contains “…some of the best material he’s done in years” and we could not agree more

(*Other than The Grand Wazoo, which can have sound every bit as good but is not the equal of Waka/Jawaka musically.)

What an incredible album. I know of no other like it. It’s not big band, it’s not rock, it’s not jazz, it’s a unique amalgamation of all three with an overlay of some of Zappa’s idiosyncratic compositional predilections (say that three times fast) thrown in for good measure.

In our opinion it’s nothing less than Zappa’s masterpiece, the summation of his talents, and a record that belongs in every right-thinking audiophile’s collection. (We say that about a lot of records audiophiles don’t know well, but we’ve been doing it for most of our 30+ years in this business and don’t see much reason to stop now.)

Most copies, especially the WB brown label reissues, are dull and smeary with little in the way of top end extension, failing pretty miserably at getting this music to come to life.

Not long ago we discovered the secret to separating the men from the boys on side one. On the lively, punchy, dynamic copies — which are of course the best ones — you can follow the drumming at the beginning of “Big Swifty” note for note: every beat, every kick of the kick drum, every fill, every roll — it’s all there to be heard and appreciated. If that track on this copy doesn’t make you a huge fan of Aynsley Dunbar, I can’t imagine what would. The guy had a gift.

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Weather Report – Sweetnighter

More Jazz Fusion

  • A Sweetnighter like you’ve never heard, with an INCREDIBLE Shootout Winning Triple Plus (A+++) side two mated to a solid Double Plus (A++) side one
  • Here are just a few of the things we had to say about this killer copy in our notes: “rich and 3D”…”tubey and whomping”…”big bass and energy”…”jumping out of the speakers”…”great space and detail”
  • The sound is huge, spacious, lively, transparent and punchy – this is jazz fusion that really rocks
  • “Boogie Woogie Waltz” was one of the most mindblowing tracks found on any album from 1973
  • 4 stars: ” It is the groove that rules this mesmerizing album, leading off with the irresistible 3/4 marathon deceptively tagged as the ‘Boogie Woogie Waltz’ and proceeding through a variety of Latin-grounded hip-shakers.”
  • If you’re a fan of the adventurous funky Jazz Fusion, this is a Must Own Title from 1973.
  • This is a well recorded jazz album that should be part of any audiophile’s jazz collection

This is our favorite Weather Report album here at Better Records.

Heavy Weather is arguably a more ambitious and more accomplished piece of work, but Sweetnighter is so original and rhythmically compelling that we find ourselves enjoying it more. I don’t know of any other album on the planet like it. We only know of two Must Own Weather Report albums, this one and Heavy Weather. They both belong in your collection if you’re a fan of jazz fusion.

The top end is fully extended here in a way that most copies barely hint at, and the overall sound is amazingly transparent and three-dimensional. The brass is full and rich, the percussion lively and present, and the bass is weighty and defined. All the stuff we look for on a Classic Weather Report album is here.

Note especially that the energy is excellent, and both sides are also very high-rez; the echo trails from all the studio reverb go on for days. (more…)

Nat “King” Cole – The Nat King Cole Story

More Pop and Jazz Vocal Recordings

  • The Nat King Cole Story debuts on the site with KILLER Shootout Winning Triple Plus (A+++) sound on FIVE of the six sides of these vintage Stereo Capitol pressings, and solid Double Plus (A++) sound on the sixth
  • Here is the sound we love at Better Records – full-bodied and Tubey Magical, with especially smooth, present vocals
  • Turn down the lights, gently drop the needle at the start of side one and you will soon find a living breathing Nat “King” Cole standing right in front of you
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – “Darling, Je Vous Aime Beaucoup” is pretty much ruined here – but if you can live without that song, this copy is going to blow your mind
  • 4 stars: “The 36 selections mostly focus on his pop successes of the 1950s, although there are a few wistful looks back at his trio days. [T]he remakes…find Cole in peak form and comprise a highly enjoyable retrospective of his vocal career.” -AllMusic

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Sonny Rollins – Way Out West

More of the Music of Sonny Rollins

  • With two solid Double Plus (A++) sides or close to them, this vintage Contemporary pressing is doing just about everything right
  • This copy has superb 1957 Contemporary stereo sound – big, open and natural throughout
  • One of our favorite Rollins albums – one listen to this copy and you will know exactly why we love the recordings of Roy DuNann
  • This is a Must Own jazz album from 1957 that belongs in every jazz-loving audiophile’s collection
  • 5 stars: “The timeless Way Out West established Sonny Rollins as jazz’s top tenor saxophonist…”
  • Contemporary is one of our favorite jazz labels — once you’ve heard a Hot Stamper pressing of one of their releases, you will surely become as enthusiastic as we are about their phenomenally good recordings from the 50s and 60s
  • Like a lot of the best jazz recordings we know of, these sessions were recorded live in the studio

It’s our favorite jazz label for sonics by a long shot. Roy DuNann always seems to get The Real Sound out of the sessions he recorded — amazingly realistic drums in a big room; full-bodied, breathy horns; Tubey Magical guitar tone; deep, note-like bass; weighty pianos; vocal immediacy, and on and on.

For us audiophiles both the sound and the music here are wonderful. If you’re looking to demonstrate just how good a 1957 All Tube Analog recording can be, this copy will do the trick.

This pressing is super spacious, sweet, and positively dripping with ambience. Talk about Tubey Magic, the liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it.

This IS the sound of Tubey Magic. No recordings will ever be made like this again, and no CD will ever capture what is in the grooves of this record. There is of course a CD of this album, but those of us who possess a working turntable and a good collection of vintage vinyl could care less.

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Hi-Fi a la Espanola / Fennell

More Classical and Orchestral Recordings

  • An original Plum Label Stereo Mercury pressing (the first copy to ever hit the site) with a huge, powerful and tubey Shootout Winning Triple Plus (A+++) side one mated to a solid Double Plus (A++) side two
  • Both of these TAS-approved sides boast an abundance of energy, loads of rich detail and texture, superb transparency and excellent clarity – the very definition of Demo Disc sound
  • Don’t expect to see anything but the real FR pressing when you get this one home — the RFR pressings are not remotely as good and did not even qualify for the lowest Hot Stamper grade on both sides
  • We owe a debt of gratitude to Harry Pearson for championing records such as this one – who is fit to carry his mantle today? (Besides us of course!)
  • We have been working up a shootout for this title for a very long time — after hearing how dubby and veiled the Classic Record pressing of the album was, we knew only the real thing would be worth doing

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Kenny Burrell – Midnight Blue (2024)

More Jazz Recordings Featuring the Guitar

  • Midnight Blue is back on the site for the first time in years, here with incredible Nearly Triple Plus (A++ to A+++) grades on both sides of this vintage 60s pressing – just shy of our Shootout Winner
  • One of our All Time Favorite Blue Note albums for music and sound – is there a better bluesy jazz guitar album?
  • 5 stars on AMG – if there were a Top 100 Jazz List on our site, Midnight Blue would be right up at the top of it
  • It’s taken us at least five years to get this shootout going, and none of the top copies we managed to get hold of did not have condition issues of some kind, so good luck finding one of these on your own, you are going to need it
  • Jazz Improv Magazine puts the album among its Top Five recommended recordings for Burrell, indicating that “[i]f you need to know ‘the Blue Note sound,’ here it is.”
  • Problems in the vinyl are sometimes the nature of the beast with these early pressings, but once you hear just how excellent sounding this copy is, you might be inclined, as we were, to stop counting swooshes and just be swept away by the music

Midnight Blue is our favorite Kenny Burrell album of all time, at least in part because it’s one of the All Time Best Sounding Blue Notes. 

If you already own a copy of Midnight Blue and you don’t consider it one of the best sounding jazz guitar records in your collection, then you surely don’t have a copy that sounds the way this one does! In other words, you don’t know what you’re missing. (And if you own the Classic Records release, or any other Heavy Vinyl pressing from the modern era, then you really don’t know what you are missing.)

Top 100 Jazz?

Don’t think this is just another 60s jazz guitar album. With Stanley Turrentine on sax and Ray Baretto on congas, this music will move you like practically no other. When Turrentine (a shockingly underrated player) rips into his first big solo, you’ll swear he’s right there in the room with you.

And if you do have one of our better Hot Stamper copies and it still isn’t the best sounding jazz guitar album in your collection, then you have one helluva jazz collection. Drop us a line and tell us what record you like the sound of better than Midnight Blue. We’re at a loss to think of what it could possibly be.

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Miles Davis – Sketches of Spain on 6-Eye in Stereo

More of the Music of Miles Davis

  • With two solid Double Plus (A++) or BETTER sides, this 6-Eye Stereo pressing is guaranteed to blow the doors off any other Sketches of Spain you’ve heard
  • Side one was sonically very close to our Shootout Winner – you will be amazed at how big and rich and tubey the sound is
  • Reasonably quiet vinyl for an early label pressing, few are this clean, and none come much quieter if our experience with dozens of them over the decades counts for anything
  • The better copies capture the realistic sound of Davis’s horn, the body, the breath and the bite (and the correct amount of squawk as well)
  • Balanced, clear and undistorted, this 30th Street recording shows just how good Columbia’s engineers (lead by the inestimable Fred Plaut) were back then
  • 5 stars: “Sketches of Spain is the most luxuriant and stridently romantic recording Davis ever made. To listen to it in the 21st century is still a spine-tingling experience…”
  • This pressing is clearly a Demo Disc for orchestral size and space

On the better pressings of this masterpiece, the sound is truly magical. (AMG has that dead right in their review.) It is lively but never strained. Davis’s horn has breath and bite, just like the real thing. What more can you ask for?

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The Three on Inner City – By Far the Best Way to Get All Six Tracks

More of the Music of The Three

  • A Demo Disc quality Inner City pressing of this wonderful recording with INCREDIBLE Shootout Winning Triple Plus (A+++) sound or close to it from start to finish
  • The transients are uncannily lifelike – listen for the powerful kinetic energy produced when Shelly whacks the hell out of his cymbals
  • My favorite Piano Trio Jazz Album of All Time; every one of those six tracks is brilliantly arranged and performed
  • 4 stars: “One of Joe Sample’s finest sessions as a leader” – with Shelly Manne and Ray Brown, we would say it’s clearly his finest session, as a leader or simply as the piano player in a killer trio

If you want to hear the full six tunes recorded by The Three at that famous Hollywood session (which ran all day and long into the night, 4 AM to be exact), these 33 RPM pressings are the best way to go. The music is so good that I personally would not want to live without the complete album. The Three is, in fact, my favorite Piano Trio Jazz Album of All Time; every one of those six tracks is brilliantly arranged and performed (if you have the right takes of course; more about that later).

More On The Subject Of Energy

This is a quality no one seems to be writing about, other than us of course, but what could possibly be more important? On this record, the more energetic copies took the players’ performances to a level beyond all expectations. It is positively shocking how lively and dynamic the best copies of this record are. I know of no other recording with this combination of sonic and musical energy. It is sui generis, in a league of its own.

Both sides are so transparent you can hear Shelly Manne vocalizing as he’s playing the drums. The drum solo on side two is killer here. So full of energy and so dynamic. Why aren’t more drum kits recorded this well? Check out the pictures inside the fold-open cover to see all the mics that were used on the drums. That’s where that wall-to-wall, floor-to-ceiling sound comes from.

The transients are uncannily lifelike, conveying the huge amounts of kinetic energy produced when Shelly whacks the hell out of his cymbals.

Ne Plus Ultra Piano Trio

This record is made from the “backup” tape for the session. East Wind released two versions of the famous direct to disc version at 33 RPM, and for those of you who bother to read the commentary, you know that take one of that pressing presents a completely different performance of the music than the one found on the Inner City on offer here.

There was a time when the best copies of a recording like this would go directly into my collection. If I wanted to impress someone, audiophile or otherwise, with the You-Are-There illusion that only Big Speakers in a dedicated room playing a live recording can create, this would be up near the top of the list. There is practically nothing like it on vinyl in my experience.

This is without a doubt my favorite piano trio record of all time. Joe Sample, Shelly Manne, and Ray Brown only made one album together, this one, recorded direct to disc right here in Los Angeles for Eastwind in the Seventies. Joe Sample for once in his life found himself in a real Class A trio, and happily for jazz fans around the world, he rose to the occasion. Actually, it was more like an epiphany, as this is the one piano trio album I put in a class by itself. All three of The Three are giving us the best they’ve got on that November day in 1975.

When it comes to small combo piano jazz, there is none better.

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