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Eric Clapton – Backless

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  • You’ll find INCREDIBLE Shootout Winning Triple Plus (A+++) grades on both sides of this early British pressing – exceptionally quiet vinyl too
  • Here are just a few of the things we had to say about this amazing copy in our notes: “deep, rich bass”…”vox breathy and open”…”jumping out of the speakers”…”big and open”
  • Rich, smooth, clear sound throughout – listen to the grungy guitars on “Walk Out In The Rain” – that’s the way they should sound, all right
  • Clapton comes to life on the traditional blues “Early In The Morning” – it also has the best sound on the album
  • “Backless is a seductive record, if you’re attracted to the interplay of Clapton’s dolorous voice and Marcy Levy’s raspy backup vocals, George Terry’s slide guitar and Glyn Johns’ pristine production.” – Rolling Stone

The typical pressing of Backless, much like the typical pressing of Slowhand, is just too thick, dull, compressed and veiled to be much fun.

You need to turn this album up good and loud to get it to do anything.

The copies that are solid and weighty love getting loud; the copies that are thin and bright only get worse as the level goes up, a sign that they leave a lot to be desired. This is supposed to be a rock album after all.

UPDATE 2025

Last time around in 2023 we wrote:

We had top quality copies on both domestic and British vinyl. Both were cut here in L.A. It makes sense that either can be good.

This time around none of our domestic pressings mastered by The Mastering Lab, the ones we used to think could be good, did well in our shootout. They were boxy and hard. We probably won’t be buying them anymore. The better Brits just killed them.

Seems we got this one wrong. Live and learn is our motto, for precisely this reason. When we’re wrong we admit it, and we tell you what we think is true about the record now, reserving the right to change our minds again. All it takes is the right pressing to show us the error of our ways, and we are looking for those all the time.

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Eric Clapton – Unplugged

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  • With incredible Nearly Triple Plus (A++ to A+++) grades on both sides, this copy of Clapton’s latter day masterpiece is practically as good as we have ever heard, right up there with our Shootout Winner – exceptionally quiet vinyl too
  • The sonics of this stunning import are rich, full-bodied, lively, and warm, with solid bass and breathy, clear vocals
  • There are a number of records that Eric Clapton has made over the years that are Must Own titles, and we would have no problem putting this album on that list
  • Consistency has never been the man’s strong suit, but you will simply not be able to find a bad track on this live album from 1992
  • 4 1/2 stars: “Unplugged is the concert and album that established the MTV program as a classy, tony showcase for artists eager to redefine themselves via reexamination of their catalogs, which is what Clapton cannily did here.”
  • If you’re a Clapton fan, this unplugged album from 1992 surely belongs in your collection.

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Blind Faith – Self-Titled

More Eric Clapton / More Steve Winwood

  • The band’s debut LP is back on the site, here with killer Nearly Triple Plus (A++ to A+++) grades throughout this original UK Polydor pressing – just shy of our Shootout Winner
  • From the moment we dropped the needle and heard all that fluffy, correct-sounding tape hiss, we knew we were in for a treat – the sound on both sides is punchy, open, spacious, big, bold, and alive!
  • If you doubt this record can sound as good as you remember from back in the day, assuming you are an old goat like me, this pressing will be a revelation
  • 4 stars: “Blind Faith’s first and last album, more than 30 years old [make that 55 years old] and counting, remains one of the jewels of the Eric Clapton, Steve Winwood, and Ginger Baker catalogs. . . it merges the soulful blues of the former with the heavy riffing and outsized song lengths of the latter for a very compelling sound unique to this band.”
  • If you’re a Classic Rock fan, this band’s debut from 1969 is an absolute Must Own, especially when it sounds as good as this copy does

Here is the Blind Faith you’ve been waiting for: Tubey Magical, transparent, full of life and energy — dear friends, it’s all here. And the vinyl is some of the quietest we’ve ever heard for this album.

Sick of buying one harsh, thin, distorted, veiled, closed-in, smeary LP after another in a vain attempt to find a copy that reminds you of why you LOVED this record so much when it came out back in 1969?

(Assuming you’re as old as I am; we had the 8 track tape that could play in the car and the house — music was so convenient back then. Of course I had the domestic original vinyl – I was 15 years old, I had never seen an import record in my life.)

This is no audiophile made-from-the-master-tape snake oil. This is the real thing. This copy is guaranteed to blow the bad memories of all those other versions you’ve owned right out of your memory banks.

A short list of the pretenders: the MoFi LP and Gold CD, the Simply Vinyl LP, the new Heavy Vinyl version if there is one, and anything else that comes out from here until the end of time.

Face it: It’s all JUNK compared to a record like this.

Why mince words? We’ve played all those records (except for the bad ones that have yet to be pressed of course). (more…)

Eric Clapton – Slowhand

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  • Slowhand is finally back on the site, here with superb Double Plus (A++) grades on both sides of this vintage RSO pressing
  • One of our favorite Clapton albums, but one that is notoriously difficult to find with top quality sound and audiophile quality playing surfaces
  • With Glyn Johns behind the board, you can be sure the sound will be exceptionally rich, smooth, sweet and above all ANALOG
  • 4 1/2 stars: “This is laid-back virtuosity — although Clapton and his band are never flashy, their playing is masterful and assured. That assurance and the album’s eclectic material make Slowhand rank with 461 Ocean Boulevard as one of Eric Clapton’s best albums.”

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Cream / Fresh Cream on British Vinyl

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More British Blues Rock

  • Fresh Cream returns to the site with excellent Double Plus (A++) sound on both sides of this UK reissue
  • The band’s debut album has much better sound than most of those that followed – it’s surprisingly Tubey Magical, with tons of studio space and lovely vocal presence
  • If all you know is the DCC pressing, or any other Heavy Vinyl pressing, you are in for quite a treat with this Hot Stamper import (here is our review)
  • 4 1/2 Stars: “Fresh Cream represents so many different firsts, it’s difficult to keep count. Cream, of course, was the first supergroup, but their first album not only gave birth to the power trio, it also was instrumental in the birth of heavy metal and the birth of jam rock…”
  • If you’re a fan of the band, this title from 1966 is clearly one of their best, and one of their best sounding

We recently finished a shootout for this band’s hard-rockin’ debut album and were once again delighted to hear how good this music can sound when you get a pressing that sounds as good as this one does. Nothing the band did in the studio was as well-recorded as their first album.

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Eric Clapton – There’s One In Every Crowd

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  • This vintage pressing boasts outstanding sound from start to finish
  • Balanced, musical and full-bodied throughout – this pressing is a big step up from many of the other copies we played
  • Bigger and bolder, with more bass, more energy, and more of that “you-are-there-immediacy” of ANALOG that set the best vintage pressings apart from reissues, CDs, and whatever else you care to name
  • The sound and music here are very similar to 461 Ocean Boulevard, so if you’re a fan of that title, you’ll probably find much to like here

It is tough to find copies of There’s One In Every Crowd that aren’t murky, overly smooth and/or lifeless. If you’re a fan of this music and want to hear it come to life, this copy can do it. (more…)

Eric Clapton – Journeyman

More Eric Clapton

More British Blues Rock

  • A superb import copy with Double Plus (A++) sound on both sides
  • Forget the commonly dry-sounding domestic copies – the pressings mastered in Germany and the UK were the only ones good enough for us to put in a shootout
  • Rich, lively, spacious – the right pressings are surprisingly good-sounding for a recording from 1989
  • The big hit was “Pretending,” but “Bad Love” (both went to Number One) won the Grammy for Best Male Rock Vocal
  • 4 1/2 stars: “… a laid-back and thoroughly engaging display of Clapton’s virtuosity. On the whole, it’s the best studio album he’s released since Slowhand.”

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Cream / Fresh Cream – Yes, It Can Actually Sound Quite Good on Atco

More Cream

More British Blues Rock

  • Fresh Cream returns to the site with excellent Double Plus (A++) sound or very close to it on both sides of this Plum and Tan Atco stereo original
  • The band’s debut album has much better sound than most of those that followed – it’s surprisingly Tubey Magical, with tons of studio space and lovely vocal presence
  • If all you know is the DCC pressing, or any other Heavy Vinyl pressing, you are in for quite a treat with this domestic Hot Stamper (here is our review)
  • The Atco pressings never win our shootouts, but they can still have sound that is quite a bit better than 90% of the pressings audiophiles seem to like
  • 4 1/2 Stars: “Fresh Cream represents so many different firsts, it’s difficult to keep count. Cream, of course, was the first supergroup, but their first album not only gave birth to the power trio, it also was instrumental in the birth of heavy metal and the birth of jam rock…”
  • If you’re a fan of the band, this title from 1966 is clearly one of their best, and one of their best sounding
  • The complete list of titles from 1966 that we’ve reviewed to date can be found here.

Vintage covers for this album are hard to find in exceptionally clean shape. Most of the will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG

We recently finished a shootout for this band’s hard-rockin’ debut album and were once again delighted to hear how good this music can sound when you get a pressing that sounds as good as this one does. Nothing the band did in the studio was as well-recorded as their first album.

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Cream – Live Cream

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  • An outstanding copy of Live Cream, with solid Double Plus (A++) sound throughout – exceptionally quiet vinyl too
  • Super lively and clear with the kind of bass that most pressings simply don’t have in our experience
  • 4 stars: “Foreground and background seem to dissolve as all three musicians take charge, using the full range of their instruments. And where Bruce goes with his bass, especially on ‘Sweet Wine,’ is every bit as rewarding as the places that Clapton’s guitar takes us; and Ginger Baker’s playing is a trip all its own. Performances like this single-handedly raised the stakes of musicianship in rock.”
  • If you’re a Cream fan, this live classic from 1970 belongs in your collection.
  • The complete list of titles from 1970 that we’ve reviewed to date can be found here.

Cream were certainly no slouches in the musicianship department, and this live performance captures them at the peak of their powers.

When you get a good copy of this album you’re sure to hear what we heard — that this is truly one of the great live rock albums (with a bit of studio material on side two as well). This has the Big Rock Sound that we go crazy for at Better Records. The best pressings, the ones that are full-bodied and smooth, let you crank the levels and reproduce the album good and loud the way it was meant to be heard.

When it’s all working, you’re front and center for a fiery Cream concert with these guys delivering one heckuva performance. And where else are you gonna get that these days?

Over the last 18 years that we’ve been doing our Hot Stamper thing we’ve heard scores of Cream albums; we know their music well, and they are hard to beat when playing live. (more…)

John Mayall with Eric Clapton – Blues Breakers

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More Eric Clapton

  • You’ll find outstanding Double Plus (A++) sound on both sides of this superb pressing – exceptionally quiet vinyl too
  • Far more richer, smoother and livelier than most, with Tubey Magic and space you won’t believe
  • The Decca UK vinyl on this superb pressing is as QUIET as we ever expect to find for this album
  • 5 stars: “Bluesbreakers was Eric Clapton’s first fully realized album as a blues guitarist — more than that, it was a seminal blues album of the 1960s, perhaps the best British blues album ever cut, and the best LP ever recorded by John Mayall’s Bluesbreakers.”
  • Want to find your own shootout winner? Scroll to the bottom to see our advice on doing just that.

This copy is guaranteed to be superior to virtually all imports, all domestic pressings, whatever crappy Heavy Vinyl they’re making these days — in short, any version of this music on any format that you’ve ever played. This is it folks. They cut this one right and it doesn’t take a pair of golden ears to know it. Blues Breakers finally sounds the way you always wanted it to sound.

We’ve been searching for copies of Bluesbreakers for years — everyone wants a great copy of this Five Star Classic, the only album John Mayall ever made that we would consider a Must Own. After many, many years of experimentation and dozens of copies purchased we’ve finally discovered the British pressings that deliver the best sound we’ve ever heard for this music.

But they don’t come easy and they sure don’t come cheap, so don’t expect the floodgates to open with White Hot Stamper after White Hot Stamper hitting the site. One was it and it will be a year or two at the very least before we have a big enough stack of copies with which to do a shootout fo find another.

Until then this is a great copy that belongs in your collection, and it’s QUIET. (more…)