801_live

801 – 801 Live

More Brian Eno

More Live Recordings of Interest

  • 801 Live IS BACK and rocks harder than ever on this early Island import copy with excellent Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
  • We shot out a number of other imports and this one had the presence, bass, and dynamics that were missing from most of the other copies we played, not to mention that LIVE ROCK and ROLL ENERGY that old records have and new records don’t
  • Recorded at Queen Elisabeth Hall in September 1976 – one of only three gigs the group (a side project of Roxy Music’s Phil Manzanera) did over a two-month period
  • 4 1/2 stars: “This album marks probably one of the last times that Eno rocked out in such an un-self-consciously fun fashion, but that’s not the only reason to buy it: 801 Live is a cohesive document of an unlikely crew who had fun and took chances. Listeners will never know what else they might have done if their schedules had been less crowded, but this album’s a good reminder.”

801 Live ranks near the top of the list of my All Time Favorite Albums — a Desert Island Disc if ever there was one.

I stumbled across it decades ago and have loved it ever since. (It started when a college buddy played me the wildly original “Tomorrow Never Knows” from the album and asked me to name the tune. Eno’s take is so different from The Beatles version that I confess it took me an embarrassingly long while to catch on.)

What’s especially interesting about this copy is that we went crazy for it even though it did not have the best bass of the copies we played, which, as you will see below, clearly contradicts what we had previously written. We thought that the copies with the best bass had the best everything else too, but that was not what we heard this time around.

THIS copy got the music to work its magic, and it did it with most, but not all, of the bass of the best. Not sure how to explain it. Rules were made to be broken maybe?

(more…)

801 / Live – When Clarity Obscures the Point

Some audiophiles get worked up listening for details in their favorite recordings. Is that where the music is – in the details? Lots of details come out when one copy is brighter than another.

Brighter ain’t necessarily better. Most of the time it’s just brighter. 

This album isn’t about clarity. It’s about the sound of a live Rock and Roll concert. It’s about the raw power of one of the most phenomenal rhythm sections ever to be captured in performance.

Next time you try out some audiophile wire or a new tweak, play this record to make sure you haven’t lost the essential weight and power of the sound. This album doesn’t care about your love of detail. It wants you to feel those bass notes going right through you. If the new wire can’t get that right, it’s got to go.

Our Hot Stamper Commentary for 801 Live Circa 2007

This is a one of my All Time Favorite records — a Desert Island Disc if there ever was one. I treasure this album. And I just now finally figured out how to tell the good ones from the not-so-good ones. I confess I was listening for the wrong things in the shootouts I was doing over the last few years, and in that I have the feeling I was not alone. I think this is a fairly common Major Audiophile Pitfall that we all get stuck in on occasion.

In this case I was trying to find a more transparent copy, one with more shimmer to the cymbals and air around the instruments. The first track is a little opaque and I wanted to be able to hear into the music better. I tried many import and domestic copies, but none of them seemed to have the particular qualities I was looking for. They all sounded different, but I could not for the life of me find one that sounded clearly better. (more…)

801 Live – It’s All About the Bass (Except for that One Time When It Wasn’t)

What’s especially interesting about this copy is that we went crazy for it even though it did not have the best bass of the copies we played, which, as you will see below, clearly contradicts what we had previously written. We thought that the copies with the best bass had the best everything else too, but that was not what we heard this time around.

THIS copy got the music to work its magic, and it did it with most, but not all, of the bass of the best. Not sure how to explain it. Rules were made to be broken maybe?  (more…)