Top Artists – Nat “King” Cole

Nat “King” Cole’s Love Is The Thing – The Breatkthrough We Were Waiting For

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Another in our series of Home Audio Exercises with advice on what you should be listening for when critically evaluating your copy (or ours) of the album.

Love Is The Thing has long been one of the best sounding Nat “King” Cole recordings we had auditioned over the years. With a large variety of copies to play, including some interesting “finds” among them, we now know it actually is The Best. We have never heard the man sound better than he does on the hottest copies of this very album.

Of course we’re always on the lookout for Nat King Cole albums with good sound. In our experience that is not nearly as easy as one might expect. Far too many of his recordings are drenched in bad reverb and can’t be taken seriously. At least one we know of has his voice out of phase with the orchestra on most of the copies we played, putting a quick end to that shootout.  (more…)

Nat King Cole Sings / George Shearing Plays

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  • You’ll find outstanding Double Plus (A++) grades or BETTER on both sides of this wonderful collaboration from 1962 
  • Two masters come together here to create a compilation of timeless arrangements still appreciated by both music lovers and audiophiles to this day
  • It’s tough to find top quality sound for Nat King Cole – here’s your chance to hear just how good he sounded on this All Tube Recording from the early ’60s
  • “Cole is in prime form on such songs as “September Song,” “Pick Yourself Up,” and “Serenata.” Shearing’s accompaniment is tasteful and lightly swinging, and the string arrangements help to accentuate the romantic moods.”

The better pressings of this unique collaboration between Nat King Cole and George Shearing put Cole’s voice right up front with lovely breath and natural texture. On the better copies such as this one, the Nat’s vocals are full-bodied, the piano has real weight, and the soundfield is open and transparent. If you want a great sounding male vocal LP in your collection, this one will do the trick nicely. (more…)

Nat King Cole – Just One Of Those Things on S&P Heavy Vinyl

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Sonic Grade: C+

S+P’s 180g reissue has some nice qualities, but it isn’t especially natural, nor is it Tubey Magical the way the real Capitol pressings are. Ambience and instrumental textures are sorely lacking, although to be honest, considering how bad most Capitol pressings are, it’s still a step up from the average copy sitting in your local store’s used record bins.

Our commentary for the DCC Nick of Time lays out in more detail some of the same sonic shortcomings we heard with Just One of Those Things. 

Check out our Heavy Vinyl Scorecard to read all about the latest winners and losers.

Our most recent Hot Stamper commentary follows.

ONE OF THE MOST TUBEY MAGICAL MALE VOCAL RECORDS WE’VE EVER HAD THE PLEASURE OF PLAYING! We shot this out against similar copies, earlier pressings, and a 180g reissue, and nothing was quite in a league with this one. Turn up the volume, turn down the lights, and let Nat serenade you from right between your speakers — he’ll be IN THE ROOM with you!

Side one rates A++ and side two may be even better! The immediacy of the vocals is startling. The bass has the typical “tubby” sound so common to this kind of album, but it’s tighter here than on any other copy we played.

Nat’s voice is PERFECTION — full-bodied and breathy with loads of texture. The overall sound is three-dimensional, with Nat up front and the orchestra behind. The brass sounds wonderful, with just the right amount of bite and more breath than we heard elsewhere.

I was pleasantly surprised to find that this record is not one of those “cry in your beer” Sinatra rip offs. The songs are actually fairly lively: mid-tempo and even up-tempo. Maybe it’s the influence of Billy May, the arranger for these sessions. His arrangements keep lifting the spirits of the down in the dumps Nat King Cole (see cover), which is fine by me.


 

 

 

1958 – A Great Year for Recorded Music (Especially for Nat “King” Cole)

 

  • This early pressing on the rainbow label earned excellent Double Plus (A++) grades for its wonderful sound
  • Both sides here are BIG, rich and Tubey Magical, yet clear and not the least bit thick or opaque
  • Turn down the lights and drop the needle to hear a living breathing Nat King Cole singing right in your very own listening room
  • “Highlights include “The Very Thought of You,” “But Beautiful,” “This Is All I Ask,” “For All We Know,” and “The More I See You”.

See all of our Nat King Cole albums in stock

We are HUGE fans of the album at Better Records, but it’s taken us a long time to pull together enough clean copies to make the shootout happen. Boy, was it worth all the trouble.

The presence and immediacy here of Nat King Cole’s vocals are ’50s Capitol Recording Magic at its best. Set the volume right and Nat is right between your speakers, putting on the performance of a lifetime. The selection of material and the contributions of all involved are hard to fault.

The sound is big, open, rich and full, with loads of Tubey Magic. The highs are extended and silky sweet. The bass is tight and punchy.

Midrange Magic to Die For

This Rainbow Label Capitol LP also has the MIDRANGE MAGIC that’s missing from the DCC reissue (and no doubt any others that will be coming down the pike). As good as some think that pressing is, this one is dramatically more REAL sounding. (more…)