KILLER sound throughout for this later Blue Note pressing with Shootout Winning Triple Plus (A+++) sound on the second side and solid Double Plus (A++) sound on the first
Exceptionally quiet vinyl throughout — Mint Minus to Mint Minus Minus
“One can sense that Byrd wanted to break through the boundaries and rules of hard bop but had not yet decided on his future directions… Byrd and Red in particular are in excellent form throughout the date.” – All Music
Incredible Triple Plus (A+++) sound or close to it on both sides, this early stereo copy blew the competition away with its size, Tubey Magical richness and vibrant jazz energy
Once again Oliver Nelson’s Big Band arrangements take the music to another level – the guy’s a genius
“…it’s a classic big-band album, with smart charts by Nelson and stolen moments of Montgomery’s guitar grandeur and romantic truth scattered throughout.”
This White Hot Stamper Shootout Winner has the REAL Wes Montgomery/ Creed Taylor/ Rudy Van Gelder MAGIC in its grooves. You will not believe how big, rich and full-bodied this pressing is on both sides. Since this is one of Wes’s better albums, hearing these sides was a THRILL for us and we’re hoping it will be as big a thrill for you too.
Everything that’s good about this era of RVG’s recordings, Wes’s music and those glorious Oliver Nelson arrangements is here. For my part let me just say that this is clearly the best sound I have ever heard for Goin’ Out of My Head.(more…)
You’ll find outstanding Double Plus (A++) sound or BETTER on both sides of this vintage Blue Note pressing
With its presence, clarity, space and timbral accuracy, this is guaranteed to be one of the best sounding jazz records you’ve heard in a very long time
One of our very favorite Blue Note recordings for both music and sound, a Dexter Gordon Classic of soulful hard bop
Turn it up good and loud and it’s as if you are right up front at one of the best ’60s jazz concerts imaginable
Both the sax and the trumpet sound unbelievably good — airy and breathy with lots of body and clearly audible leading edge transients.
It’s hard to find a Blue Note where the horns aren’t either too smooth or too edgy, but here they have just the right amount of bite. The overall sound is open, spacious, tonally correct from top to bottom and totally free from distortion.(more…)