This 360 Label pressing has a SUPERB A+++ SIDE ONE backed with a strong A++ side two. We had a big stack of 360s and Red Labels with good stampers to compare, and this copy had a side one that could not be beat. It’s got big time immediacy, tons of energy, loads of tubey magic and exceptional clarity. The bottom end is punchy with real weight and the soundfield is open, spacious and so transparent.
Side two has amazing clarity and transparency as well. Compared to side one it’s just a bit dry — those of you with tubey systems will probably go crazy for this sound. This was the best side two we heard this time around, but since side one was clearly more impressive we topped off the grade for the second side at A++.(more…)
We played a bunch of these this week and only a very small handful of sides had enough magic to be considered Hot Stampers. The typical pressing loses its steam in (at least) one of two ways: honky mids and veiled vocals. The copies with the honk can be nearly unlistenable when Dylan starts blowing his harmonica, and the copies with veiled vocals and no real immediacy bored us to tears.
This copy has the magic on side two. The sound is full-bodied, natural, and rich with excellent presence and real depth to the soundfield.(more…)
An outstanding copy with nearly Triple Plus (A++ to A+++) sound on sides one and four and Double Plus (A++) sound on the other two sides – exceptionally quiet vinyl too
Dylan and The Band team up for exuberant versions of many classics from each of their repertoires – a copy like this lets you appreciate just how wonderful the performances are
“Dylan reworks, rearranges, reinterprets these songs in ways that are still disarming, years after its initial release… “
“Without qualification, this is the craziest and strongest rock and roll ever recorded. All analogous live albums fall flat.”
One of the great Live Classic Rock albums of all time in Hot Stamper form! We played a ton of these and found that most copies bored us to death. Some lacked energy, even more never opened up, and most of them were too thin-sounding. We had to play a HUGE stack of copies to come up with a few good ones, and on a double album like this, that’s a TON of work.(more…)
AMAZING A+++ SOUND on the first three sides, giving you killer Master Tape Sound for every song except Sad Eyed Lady Of The Lowlands! We just finished a huge Blonde on Blonde shootout and this copy murdered the competition on sides one, two and three, earning our top grade for each. The sound is SUPERB — I don’t think I’ve ever heard this album sound any better! It’s rich, full-bodied, warm, natural and has the energy of live music in a way no other copy we played could compare to. The presence and immediacy are OFF THE CHARTS. (more…)
An outstanding MONO copy of Bob Dylan’s self-titled debut (recorded in mono) with Double Plus (A++) sound from start to finish
Both sides here have the immediacy, the warmth and the studio space the reissues fail to reproduce
“… a sterling effort, outclassing most, if not all, of what came before it…”
This is a true solo album — Dylan himself plays the guitar and harmonica — and it’s a lot of fun to hear a young (20!) Bob playing the way he might have played in the coffee shops and folk clubs of Greenwich Village.
This is clearly a recording that sounds best in mono. The stereo copies put the vocal, guitar and harmonica — you know, the sounds that the one skinny kid in the middle of the room is making all by himself — in separate locations widely spaced in the soundfield. This sound may have been cool when playing on the old consoles of the day, but on a modern system it’s just plain ludicrous.(more…)
This is one of the better sounding Dylan records from the ’80s. It’s not exactly Blood on the Tracks, the only Dylan album we think is qualified to be on our Top 100 Rock and Pop List, but it sounds good for a record from this era.
Here are some things we specifically listen for on a record by Mr Bob Dylan – whether from 1963 or 1983, makes no difference to us.(more…)
This Columbia Double LP pressing has some of the very best sound we’ve heard for this album, with all four sides finishing strongly in a recent shootout. Of course, given the nature of these recordings, you don’t get stunning sonics along the line of, say, Magical Mystery Tour or Dark Side Of The Moon, but at least you get to hear these great songs sound the way they were intended to, without the complications of bad mastering and pressing getting in the way. (more…)
A superb 360 Stereo pressing of Dylan’s 1965 release with Nearly Triple Plus (A++ to A+++) sound on both sides, right up there with our Shootout Winner
Live-in-Your-Listening-Room sound throughout – guaranteed miles beyond any copy you’ve ever heard
In the same way Sgt. Pepper changed music a mere two years later, Highway 61 Revisited left all of Dylan’s contemporaries behind, scrambling to keep up with the standard it set
5 stars: “Dylan had not only changed his sound, but his persona, trading the folk troubadour for a streetwise, cynical hipster … it proved that rock & roll needn’t be collegiate and tame in order to be literate, poetic, and complex.”
This amazing Mono pressing is the first Triple Triple copy to ever hit the site! Both A+++ sides are incredibly rich and warm, with dynamics and smoothness to the harmonica you almost never hear. As impressive as the best stereo copies can be, the mono version is our preferred mix for the album. (more…)
This 360 stereo copy has outstanding Double Plus (A++) sound or BETTER on both sides– exceptionally quiet vinyl too
You’ll find this copy surprisingly spacious, full-bodied and natural, with relatively few of the problems that plague most pressings
It’s clear these classic songs have stood the test of time: Blowin’ in the Wind; Girl from the North Country; Masters of War; A Hard Rain’s A-Gonna Fall; Don’t Think Twice, It’s All Right and many more
5 stars: “This is rich, imaginative music, capturing the sound and spirit of America… Dylan, in many ways, recorded music that equaled this, but he never topped it.”
The Freewheelin’ Bob Dylan is clearly our favorite of the early Dylan albums for both music and sound. We’re picking up both mono and stereo copies when we see them clean (which is rare) and both can sound out of this world.
Hearing these great songs sound so intimate and lifelike on a top quality pressing can be a sublime experience. We should know; we enjoyed the hell out of this very copy.(more…)