Debut Albums

Terence Trent D’Arby – Introducing the Hardline According To…

More Soul, Blues, and R&B

  • D’Arby’s debut LP (one of only a handful of copies to ever hit the site), here with very good Hot Stamper sound from first note to last – exceptionally quiet vinyl too
  • We guarantee there is more space, richness, presence, and performance energy on this copy than others you’ve heard or you get your money back 
  • 4 stars: “Although the production is quite modern, d’Arby shows his roots in the work of older artists, borrowing a page or two from Michael Jackson and Stevie Wonder, while James Brown appears to have had the strongest influence on d’Arby’s stage presence.”

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Brewer & Shipley / Down In L.A.

More Brewer and Shipley

  • Brewer & Shipley’s debut LP is back on the site for only the second time in years, here with solid Double Plus (A++) grades or close to them throughout this vintage A&M pressing
  • Fairly quiet vinyl too – we can hardly believe that we found one that plays like a normal rock and pop record after finding one stitchy, ticky, groove-damaged pressing after another for the last ten years
  • Side one has the smooth sweet analog sound we were listening for – it’s rich and tubey, with clarity and freedom from smear that make it the best of both worlds, and side two is not far behind in all those areas
  • “Of all the many folkys to make a transition to electric folk-rock in the 1960s, Brewer & Shipley retained more of the wholesome qualities of early-60s folk revival harmonizing than almost anyone.”

Brewer and Shipley’s first and only release for A&M has long been a Desert Island Disc in my world. I consider it one of the top debuts of all time, although it’s doubtful many will agree with me about that since I have yet to meet anyone who has ever even heard of this album, let alone felt as passionate as I do about it.

To me this is a classic of Hippie Folk Rock, along the lines of The Grateful Dead circa American Beauty, surely a touchstone for the genre. It’s overflowing with carefully-crafted (B and S apparently were obsessive perfectionists in the studio) inspired material and beautifully harmonized voices backed by (mostly) acoustic guitars. The Beatles pulled it off masterfully on Help and Rubber Soul.

All three are built on the same folk pop sensibilities. Tarkio, album number three, is clearly the duo’s masterpiece, but this record comes next in my book, followed by Weeds, their second album and first for Kama Sutra. After Tarkio it’s all downhill.

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Joan Baez – Self-Titled in Mono

More Pure Folk Recordings

  • Excellent sound for Baez’s debut album, with both sides of this early MONO Vanguard pressing earning Double Plus (A++) grades
  • Both of these sides boast glorious All Tube chain recording quality that will be very hard to beat
  • One of Joan Baez’s best sounding albums in our experience, shockingly free of artificiality – play it against your favorite female vocal album to hear the difference
  • A TAS list Super Disc that actually deserves to be on a Super Disc list, how about that
  • Problems in the vinyl are sometimes the nature of the beast with these early pressings, but once you hear just how superb sounding this copy is, you might be inclined, as we were, to stop counting ticks and pops and just be swept away by the music
  • 140 weeks on the charts and Five Stars on AMG: “…a brace of traditional songs (most notably ‘East Virginia’ and ‘Mary Hamilton’) with an urgency and sincerity that makes the listener feel as though they were being sung for the first time…”

This former member of the TAS list is the kind of recording that has everything going for it: Golden Age equipment in a live acoustic with a simple arrangement for voice and guitar (or two).

The voice and the material come together nicely. If I were to recommend only one Joan Baez record it would surely have to be this one. Diamonds and Rust is a nice pop album but I think if you go back and play it today you will find that it sounds somewhat dated. Good folk tunes like the ones found on this album, however, never seem to go out of style.

The record sounds like a live demo session because that is exactly what it is:

In 1983 Baez described the making of the album to Rolling Stone’s Kurt Loder:”…It took four days. We recorded it in the ballroom of some hotel in New York, way up by the river. We could use the room every day except Tuesday, because they played Bingo there on Tuesdays. It was just me on this filthy rug. There were two microphones, one for the voice and one for the guitar. I just did my set. It was probably all I knew how to do at that point. I did ‘Mary Hamilton’ once and that was it…That’s the way we made ’em in the old days. As long as a dog didn’t run through the room or something, you had it…”

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Roxy Music / Self-Titled

More of the Music of Roxy Music

  • This vintage UK pressing of Roxy’s amazing debut LP (one of only a handful of copies to hit the site in twenty-two months) boasts KILLER Shootout Winning Triple Plus (A+++) grades or close to them throughout – this is some of the most dynamic sound the band achieved
  • Andy Hendriksen’s engineering (over the course of a week!) is superb in all respects – we think the best pressings of this first album reveal a recording that is superior to any other by the band
  • A Top 100 album, Roxy’s masterpiece, and a Must Own desert island disc of glamorous Arty Rock
  • 4 1/2 stars: “Falling halfway between musical primitivism and art rock ambition, Roxy Music’s eponymous debut remains a startling redefinition of rock’s boundaries. Simultaneously embracing kitschy glamour and avant-pop, Roxy Music shimmers with seductive style and pulsates with disturbing synthetic textures.”
  • When it comes to rock and pop music in 1972, our picks for the best of the best, numbering at the moment a mere 21 titles, can be found here
  • This link will take you to the Hot Stamper pressings of our hardest rockin’ albums currently available
  • Here are the titles that have earned a place on our none rocks harder list

Folks, this is a true Demo Disc in the world of Art Rock. It’s rare to find a recording of popular music with dynamics like these. The guitar solo at the end of “Ladytron” rocks like you will not believe.

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The Eagles – Self-Titled

More Eagles

  • You will be floored by the huge, rich, Tubey Magical guitars exploding out from your speakers on “Take It Easy” on this  side one – it will make a fantastic Demo Disc to blow your audiophile friends’ minds
  • These early pressings are extremely hard to find in audiophile playing condition, and one that sounds as good as this one might take you quite a few years to track down
  • This is exactly the kind of record that makes virtually any audiophile pressing pale in comparison – just about everything you could ask for as an audiophile is here, and more
  • One of the best sounding rock records ever made, a member of our Top Ten and without a doubt Glyn Johns‘s engineering (and producing) Masterpiece
  • A Top 100 Tubey Magical Demo Disc that is guaranteed to blow your mind on a pressing that sounds as good as this one does

It will not take the lucky owner of this record long to recognize what we’ve known for years: the Eagles first album is clearly and inarguably one of the best sounding rock records ever made. Almost all the qualities we look for on this album can be found on this very copy.

We’ve been up on our soapbox for years telling people how amazing this record can be, and here’s a copy that backs up our position from start to finish. (more…)

Creedence Clearwater Revival – Self-Titled

More Creedence Clearwater Revival

  • With excellent Double Plus (A++) grades from top to bottom, this copy of the band’s debut album will be very hard to beat
  • These sides are amazingly low-distortion, solid, dynamic, with the neutral tonality completely missing from the vast majority of reissues
  • Featuring classics such as “I Put a Spell on You,” the extended-length jam “Susie Q” (8:34, perfect for Underground Radio), “The Working Man,” “Porterville,” and more
  • 4 stars: “CCR’s self-titled debut album was gloriously out-of-step with the times, teeming with John Fogerty’s Americana fascinations. … the band’s sound is vibrant, with gutsy arrangements that borrow equally from Sun, Stax, and the swamp.”

It’s unlikely you will be demonstrating your system with this record, but you may find yourself enjoying the hell out of it for what it is — an early example of Roots Rock that still holds up today.

This is an album that’s nearly impossible to find with excellent sound and clean surfaces. This is one of the best copies we’ve managed to come across. (more…)

Shawn Colvin – Steady On

More Women Who Rock

  • Colvin’s debut release returns to the site after a thirteen month hiatus, here with INSANELY GOOD Shootout Winning Triple Plus (A+++) sound throughout this original Columbia pressing
  • These are just a few of the things we had to say about this amazing copy in our notes: “huge and weighty and full”…”jumping out of the speakers”…”very full and lovely vox, breathy”…”fully extended from top to bottom”
  • We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
  • 4 stars: “Steady On is a triumph … there are the songs that flow so effortlessly into one another that to remove even one would seemingly upset the entire balance of the cosmos as we know it.”

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Jimi Hendrix – Are You Experienced

More Jimi Hendrix

  • This UK Polydor import pressing will blow you away with INSANELY GOOD Shootout Winning Triple Plus (A+++) grades on both sides – exceptionally quiet vinyl too
  • Here are just a few of the things we had to say about this amazing copy in our notes: “huge and fat and tubey”…”super present and 3D”…”so full and big and weighty”…”great energy”…”HTF [hard to fault]” (side one)…”vox present and breathy”…”rich and lively”
  • The sound is dramatically bigger, cleaner, livelier, richer, tubier, more present and more energetic than you’ll hear on any other copy, or your money back
  • Stunning sound for “Purple Haze,” “Hey Joe,” “The Wind Cries Mary,” “Fire,” “Foxy Lady” and every other song on his brilliant debut
  • No matter what version you’ve been playing, we guarantee you’ll be blown away by the Master Tape Sound found on this import and only this import
  • 5 stars: “One of the most stunning debuts in rock history, and one of the definitive albums of the psychedelic era.”

It is no easy task trying to find good copies of this album (or any Hendrix album, really). This one is absolutely killer. The bottom end is big and weighty, the top is open and transparent, and there’s plenty of rich, full tubey magic. Good luck finding this kind of sound for Are You Experienced on your own — it took us DECADES! (more…)

The Cars – Self-Titled

More of The Cars

Hot Stamper Pressings of New Wave Recordings

  • This original Elektra pressing was giving us the sound we were looking for on The Cars’ debut album
  • You may have heard these songs a million times, but you’ll be shocked at just how much better they sound on this early pressing
  • Despite what you may have read, the Rhino Heavy Vinyl pressing is a joke next to the Hot Stampers we offer
  • A Better Records Top 100 title, the band’s masterpiece, and a New Wave Must Own classic from 1978
  • 5 stars: “Whereas most bands of the late ’70s embraced either punk/new wave or hard rock, the Cars were one of the first bands to do the unthinkable — merge the two styles together. With flawless performances, songwriting, and production (courtesy of Queen alumnus Roy Thomas Baker), the Cars’ debut remains one of rock’s all-time classics.”
  • This is an amazing album from 1978 that belongs in every rock- and pop-loving audiophile’s collection
  • It’s our pick for the band’s best sounding album. Roughly 150 other listings for the Best Recording by an Artist or Group can be found here.

The material is superb — just check out the first three tracks: “Let The Good Times Roll,” “My Best Friend’s Girl,” and “Just What I Needed” — how many albums start off with that kind of a bang? Each of those tracks sounds amazing. If you’ve got big speakers and a front end capable of resolving musical information at the highest levels, put this record on, turn it way up and get ready to hear some serious Demonstration Quality Sound.

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Buffalo Springfield – Self-Titled

More Buffalo Springfield

More Country and Country Rock

  • Boasting two seriously good Double Plus (A++) sides or close to them, this early Atco pressing was giving us the sound we were looking for on Buffalo Springfield’s debut LP
  • True, side one earned a minimal Hot Stamper grade of 1.5+, but we still guarantee that it will beat the pants off any Heavy Vinyl reissue, because every one of those that we played was ridiculously opaque, muddy and thick enough to have us crying “uncle” after five minutes
  • We rarely have this title in stock, mostly because it is purely a matter of luck when we’ve managed to chance upon enough clean copies of the commonly-abused album to get a shootout going
  • Problems in the vinyl are sometimes the nature of the beast with these early pressings, but once you hear just how superb sounding this copy is, you might be inclined, as we were, to stop counting ticks and pops and just be swept away by the music
  • 4 stars: “… this debut sounds pretty great, featuring some of their most melodic and accomplished songwriting and harmonies, delivered with a hard-rocking punch… The entire album bursts with thrilling guitar and vocal interplay, with a bright exuberance that would tone down considerably by their second record.”

For whatever reason, all the mastering engineers who cut this first album rarely managed to put any real top or bottom on the record. Why I can’t imagine. Highs and lows are on the tape; the best pressings prove it.

Listen for Tubey Magic, richness, bottom end, presence and freedom from distortion. The more copies you have tried in the past, the more astonishing the sound of this copy will be to you. (more…)