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Hot Stamper Sharing Can’t Get Off the Ground, I Wonder Why?

In 2014 somebody on the Hoffman forum tried to get a Hot Stamper thread going under this heading:

Cheap_Hot_Stampers – Revealed

If you have a “hot stamper” record – one that smokes and takes no prisoners, I mean a BADASS pressing, show it here with matrix info, label or other identifying features so we can all hunt with a bit of a head-start.

I know these records are out there, just looking for a place to show off their analog glory.

Here is a recent find that fits the bill and then some: Traffic: Best Of Traffic UK. Matrix # ILPS 9112 A-1/B-1

We know the record well. If it sounds the way the copies we played over the years have sounded, we would say it can be good, not great, and if it qualified for Hot Stamper status, it might — might — earn a plus and a half or so.

We don’t even bother to pick them up for cheap nowadays, if that tells you anything.

He got very little support in his endeavor. The thread closed after a while with practically nothing in it.

Could it be that the folks on the Hoffman forum have a poor grasp of the amount of effort, time and money it takes to find Hot Stampers and, having committed to neither the effort, the time nor the money, find that they have nothing of any value to contribute to this list?  

Yes, that could be. That definitely could be. Thank god it doesn’t keep them from criticizing those of us who, working in concert with a staff of ten or so, have devoted ourselves to the task and found them by the thousands.

By the way, we know that Traffic title ver well. The Pink Label original is by far the best pressing in our experience. No copy we have ever heard on the label promoted by this poster would qualify as much more than a bargain Hot Stamper in comparison to the Pink Label and Pink Rim label pressings that we sell, although of course not having heard his copy we can’t say it’s not fabulous.  It’s just not very likely to be fabulous. If you want fabulous click on these two links:

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“This BBC film on audiophiles in 1959 is a masterpiece”

Here is the article

Here is a link to the video itself.

“Do they like music? Or are they in love with equipment?”

The excellent BBC Archive account on Twitter has unearthed an audio gem.

A 1959 film called ‘Hi-Fi-Fo-Fum’ purports to reveal the burgeoning audiophile scene, with more than a little tongue-in-cheek humour for good measure.

“There is a man in Wimbledon who will go on adding to his equipment until he can hear the sigh of the conductor as the piccolo misses its entry,” says the introduction. He sounds like our kind of man.

“Is it a religion or a disease? An American psychiatrist calls it ‘audiophilia'”, reveals the voiceover, as men – and it’s largely men – shuffle in and out of hi-fi shops before rushing home for earnest listening sessions. It was ever thus.

“Do they like music? Or are they in love with equipment?”, wonders our narrator, as one excited punter buys a new tweeter for “6 pound 4 pence”.

And while much has changed – you don’t see many shops with individual listening booths nowadays – much has stayed the same. “A dream of perfection… of machines more sensitive than the ears they play to,” reminds us that arguments about audio frequencies that the human ear can’t hear are nothing new.

The video also shows the early music critic. “With a dozen different recordings of every work, how do we find the best?” wonders the voiceover. “Rely on the critic, nothing escapes him,” comes the reply.

His verdict? “Comparisons are odious but inevitable…” Well, quite.

Now the Story Can Be Told!

There is an active thread on Audiogon discussing Hot Stampers:

Better Records’ White Hot Stampers: Now the Story Can Be Told!

A few customers made the case for some of the Hot Stamper pressings they own
and, this time, for the first time in the history of the world wide web, none of them
were mercilessly attacked for their iconoclasm. (more…)

Classic Tracks: “She’s Not There”

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Classic Tracks: “She’s Not There, The Zombies

If one of the defining characteristics of a Classic Track is its immediate recognition, then The Zombies’ “She’s Not There” is as classic as it comes. One of its atypical characteristics, the distinctive opening bass notes and subsequent line that continues throughout the track, surely helped the band win the 1964 Hert’s Beat Competition, which earned them a recording contract with Decca Records. On the map and on their way.

The band had gotten together when they were 15-year-old schoolmates in 1961 in their hometown of St. Albans, England. Keyboardist Rod Argent recruited some of the members, as lead vocalist Colin Blunstone remembers, based on the alphabet. “We sat in class in alphabetical order, and I had a guitar,” Blunstone recalls.

Then after they won the competition, according to Blunstone, and just two weeks prior to their big recording session, producer Ken Jones said, “You could always try to write something.” (more…)

Wired Investigates the World of Hot Stampers

Check out our Wired Article.

If you have time, go to the comments section and read the 300 plus postings of how preposterous the very idea of Hot Stampers is, along with analog vinyl itself and the ridiculously expensive audiophile equipment used to play it, as if you didn’t know already!

The Very Best Sounding Records – One Customer’s Defense of Hot Stampers

There is an active thread on Audiogon inviting members to list what they believe are the

Very best sounding vinyl records

in their collection.

One of my customers made the case for some of his Hot Stamper pressings
and, as you can imagine, it was as well received as the proverbial turd in the punchbowl.

Please to enjoy!

Comments or questions? Please send them to tom@better-records.com

Classic Tracks: “How Sweet It Is (to Be Loved by You)”

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Mixonline Classic Tracks

BY ROBYN FLANS

How sweet it is! The James Taylor track of that name with Carly Simon vocals and a David Sanborn sax solo went to Number 5 on the Billboard 100 in 1975, dominating radio and adding a sweet voice to the din of the turbulent mid-1970s.

The Russ Titelman/Lenny Waronker production of “How Sweet It Is (To Be Loved By You)” became the most successful version of the Holland-Dozier composition, originally recorded by Marvin Gaye in 1964. (more…)