Reprise/Bizarre

Fleetwood Mac – Future Games

More of the Music of Fleetwood Mac

  • With two STUNNING Shootout Winning Triple Plus (A+++) sides or close to them, this copy is guaranteed to blow the doors off any other Future Games you’ve heard
  • You’ll find huge sound on this copy – it’s big, bold and lively – this is clearly the right sound for Future Games
  • Fleetwood Mac practically invented Space Rock, which reached its apotheosis in 1973 on Mystery to Me (my favorite by the band)
  • A criminally underrated album unlike anything you’ve heard and a Better Records favorite for more than 40 years
  • It’s also a record that has disappeared off the face of the earth – we would love to do more shootouts for the album, but we just never see them anymore (more…)

Frank Sinatra – Trilogy: Past, Present and Future

More of the Music of Frank Sinatra

  • A killer copy of Sinatra’s wonderful 1980 release with Nearly Triple Plus (A++ to A+++) sound on all SIX sides – just shy of out Shootout Winner (side four actually won the shootout)
  • The sonics here are rich and full-bodied with much less grain and much more Tubey Magic than practically all other copies we played in our recent shootout
  • Credit the brilliant engineering of Frank Laico for the excellent sound – this record doesn’t sound like 1980, and that’s a very, very good thing
  • “An audacious, ambitious way to stage a comeback, each of the album’s three records was conceived as an individual work, and each was arranged by one of Sinatra’s major collaborators. . . the best moments are triumphant, proving that the Voice was still vital in his fourth decade of recording.”

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Neil Young – Time Fades Away

More of the Music of Neil Young

  • You’ll find solid Double Plus (A++) front row center sound or BETTER throughout this early Reprise pressing
  • Side two was sonically very close to our Shootout Winner – you will be shocked at how big and powerful the sound is
  • A solid step up from most other copies we played in our most recent shootout – full-bodied, smooth and musical, the classic sound of Neil Young at his performing peak
  • 4 stars: “…sounds very much of a piece with Tonight’s the Night and On the Beach, albums that explored the troubled zeitgeist of America in the mid-70s in a way few rockers had the courage to face. If the performances are often loose and ragged, they’re also brimming with emotional force… Time Fades Away ranks with the bravest and most painfully honest albums of his career… it isn’t for everyone, but you may be surprised by its powerful effects.”

Unlike most “live” albums, this one was made direct to tape, with no fixes or overdubs, and on the best pressings that warts-and-all approach really pays off. There’s good weight, real openness, and the tonality on these better copies is both rich and sweet. This kind of sound can put you right in the front row.

Finding a copy like this is no walk in the park. The stamper numbers are all over the map, providing little if any guidance. Also, since the album didn’t sell all that well and was never released on CD [although it may have been since this was written; we pay very little attention to that sort of thing], there just aren’t that many clean copies floating around.

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Frank Sinatra – The Concert Sinatra

More of the Music of Frank Sinatra

  • Boasting two INSANELY GOOD Shootout Winning Triple Plus (A+++) sides, this copy is certainly as good as we have ever heard
  • Sinatra’s voice on this superb stereo pressing always sounds natural, even at its loudest – there is no strain or hardness, and that makes it a very special copy indeed
  • The 73 musicians you see stretched out across the soundstage at Samuel Goldwyn Studios behind Sinatra will give you some idea of the size and scope of the sound – with 24 mics feeding 8 tracks onto 35MM recording film, this was the sonic equivalent of Gone With the Wind
  • “It’s not exactly the swinging Sinatra of myth and legend, but it does make for a stunning musical experience; the Chairman is in great voice, and he scales the explosive orchestral peaks of Riddle’s arrangements with the confidence of a mountain climber on methedrine. His versions of “Ol’ Man River” and “Soliloquy” are big improvements over his Columbia-era attempts, and “You’ll Never Walk Alone,” “My Heart Stood Still,” and “Lost in the Stars” are positively breathtaking.”

Folks, when we say that clean, good-sounding Sinatra records are hard to come by, we are not kidding. It took us five years to find enough copies of this title to do a proper shootout. In that time an awful lot of bad LPs passed through our hands: the monos (never heard a good one), the reissues (ditto), imports, and, most commonly, original stereo pressings in beat-to-death condition. People loved Sinatra and played his records until the grooves were gone.

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Frank Sinatra and Duke Ellington – Francis A. & Edward K.

More of the Music of Frank Sinatra

More of the Music of Duke Ellington

  • Superb Double Plus (A++) grades bring this wonderful collaboration to life on this original Reprise stereo pressing – exceptionally quiet vinyl too
  • Sinatra is both natural and present – he actually sounds like he is standing on the same stage as Ellington’s band, and maybe he is!
  • The highs are extended and silky sweet, the bass is tight and punchy – this copy gives you more life and energy than most by a long shot
  • “Recorded on Sinatra’s birthday in 1967, this collaboration between America’s most popular singing icon and pre-eminent jazz composer still endures as one of Sinatra’s most enjoyable Reprise-era albums.” – Amazon

Recorded one year after the remarkable Sinatra-Jobim record that we treasure here at Better Records, Sinatra takes the opportunity to work with one of the greatest bandleaders in the history of jazz, the Duke himself. We had good luck with the stereo originals on the lovely Blue and Green Reprise labels — they can be as big, rich and warm as Sinatra’s legendary Capitol recordings when you find the right pressing, and that’s really saying something.

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The Kinks – Something Else

More of the Music of The Kinks

  • Boasting very good Hot Stamper grades from top to bottom, this original Tri-Color Steamboat label copy will be hard to beat
  • We guarantee there is more space, richness, presence, and performance energy on this copy than others you’ve heard or you get your money back – it’s as simple as that
  • Drop the needle on “No Return” for wonderful sound and music – it’s got a bit of a Jobim vibe
  • 5 stars: “Part of the album’s power lies in its calm music, since it provides an elegant support for [Ray] Davies’s character portraits and vignettes. From the martial stomp of ‘David Watts’ to the lovely, shimmering ‘Waterloo Sunset,’ there’s not a weak song on the record, and several — such as the allegorical ‘Two Sisters,’ the Noël Coward-esque ‘End of the Season,’ the rolling ‘Lazy Old Sun,’ and the wry ‘Situation Vacant’ — are stunners.”
  • It’s hard to conceive of any list of the best rock and pop albums of 1967 that would not have this record on it

I don’t think you’ll be able to find a better sounding Kinks record without going through a bunch of different copies — and they don’t come cheap, no matter where you shop.

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Frank Zappa / Hot Rats

More of the Music of Frank Zappa


  • Here is a vintage Bizarre pressing with two solid Double Plus (A++) sides
  • The overall sound here is musical, natural and balanced with an abundance of Tubey Magic that only the better early pressings can offer
  • If you know the album well – and I know it very well, having played it literally hundreds of times – the Classic Records reissue is positively unlistenable and will never come close to the big, rich analog sonics of the real deal we’re offering here
  • 4 1/2 stars: “Hot Rats still sizzles; few albums originating on the rock side of jazz-rock fusion flowed so freely between both sides of the equation, or achieved such unwavering excitement and energy.”
  • This is a Must Own album from 1969, one that should have a place in any audiophile’s collection

It takes us years to find copies that sound like this one. Bernie’s version for Classic beats a lot of copies out there, but it can’t hold a candle to this one.

I’ve been listening to Hot Rats since I was in high school. It’s still remarkably fresh and original, even now. This is not music for the faint of heart. Audiophiles who prefer a steady diet of Patricia Barber and her like will find little of interest here. But for those of you who want to explore something completely original and a bit “out there,” this should be right up your alley — and be sure to check out Waka Jawaka, too.

Reading in the liner notes today, I see that one of the engineers on this album is Jack Hunt, the famous half-speed mastering engineer who cut records for Mobile Fidelity and Direct Disc Labs. Oh how the mighty have fallen.

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Neil Young – Harvest

More of the Music of Neil Young

  • This vintage Reprise pressing was giving us the sound we were looking for on Neil’s undeniable classic, with both sides earning stunning Nearly Triple Plus (A++ to A+++) grades – just shy of our Shootout Winner
  • It’s practically impossible to find an early pressing with sound this good and vinyl that plays as quietly as this
  • Marks in the vinyl are another matter, though – those on “Out on the Weekend” are especially bad but if you can tough those out, this copy is going to blow your mind
  • A Top 100 album and a sublime recording no audiophile should be without
  • 4 1/2 stars: “…the love songs and the harrowing portrait of a friend’s descent into heroin addiction, ‘The Needle and the Damage Done,’ remain among Young’s most affecting and memorable songs.”
  • If you’re a Neil Young fan, and what audiophile wouldn’t be?, this title from 1972 is clearly a Must Own

When you have this kind of open, extended top end, the grit, grain and edge just disappear, leaving you with a clear, Tubey Magical sound that’s way beyond anything you have ever heard for Harvest (or we will happily give you your money back).

Tubey Magical acoustic guitar reproduction is superb on the better copies of this recording. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings).

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Neil Young – Live Rust

More of the Music of Neil Young

  • You’ll find roughly Shootout Winning Triple (A+++) sound or close to it on all FOUR sides of these vintage Reprise pressings
  • Not many recordings, live or otherwise, give you this kind of unvarnished, front-row experience
  • This killer live set, the ultimate Neil Young acoustic and electric concert collection, combines brilliant early material like “After the Gold Rush” with wonderful later songs such as the amazing “My My, Hey Hey (Out of the Blue)” and “Tonight’s the Night”
  • 4 1/2 stars on AllMusic, just check the tracklisting and get ready to hear these NY classics come to life

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The Kinks – Kinda Kinks in Mono

More of the Music of The Kinks

  • With KILLER Shootout Winning Triple Plus (A+++) grades or close to them on both sides, this copy of The Kinks’ sophomore release is doing practically everything right
  • This Pink and Green Reprise original MONO pressing is lively, balanced and vibrant, with a healthy dose of the Tubey Magical Richness the Kinks’ recordings need in order to sound the way they should
  • “Tired of Waiting For You” is the big hit here, and like most Kinks records from back in the day, they put it at the end of the side, so you had better make sure whatever copy you find has not been played much or it will be full of Inner Groove Distortion
  • 4 1/2 stars: “…this album showcased a much more sophisticated sound… it also put them right in the front of the British Invasion pack for seriousness and complexity, out in front of where the Beatles or almost any of the competition were in early 1965…”

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