Polydor

John McLaughlin / Extrapolation – Our Shootout Winner from 2013

INCREDIBLY POWERFUL AND DYNAMIC DEMO QUALITY SOUND THROUGHOUT! If you’re looking for a jazz-fusion guitar album that will wake your system up (and show off its best qualities to boot), this is the hot ticket right here. We had been slowly compiling various pressings for a big shootout for ages, and we finally let it rip recently. This was one of the most impressive pressings, earning an A++ on side one and an A+++ on side two. If you’re a fan of ’70s Miles Davis or the Birds Of Fire album, you probably already know that you need this in your collection!  (more…)

Atlanta Rhythm Section – Champagne Jam

  • You’ll find outstanding Double Plus (A++) sound or close to it on both sides of this wonderful copy of Champagne Jam – exceptionally quiet vinyl too
  • The size, clarity, presence and energy are superb – and talk about Tubey Magic, this pressing is overflowing with it
  • If all you know is the sound of the MoFi release from back in the day – compressed, with their penchant for sucked-out-midrange EQ – this copy will be a revelation
  • “… Champagne Jam is one of the group’s strongest releases: a seamless marriage of Southern rock muscle and uptown blues dress… fans will definitely want to make this the first title they consider from the band’s regular album catalog.”

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Jimi Hendrix – Isle of Wight

  • Outstanding sound throughout for this fun live album, boasting solid Double Plus (A++) grades or BETTER on both sides of this early UK press – exceptionally quiet vinyl too
  • We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
  • Allmusic: “Hendrix’s performances of Foxy Lady, Lover Man, Midnight Lightning, All Along the Watchtower, In from the Storm and Freedom are excellent and made Isle of Wight well worth the price of admission when it first came out in 1971.”

Superb live ROCK ’N ROLL sound. It’s so clean, clear and transparent with deep punchy bass. The guitars here sound excellent. And hey, let’s be honest, if the guitars don’t sound right on a Hendrix record. You’re in trouble!

Fortunately, that ain’t the case here. Everything sounds tonally right on the money. I can’t imagine this record sounding any better. It just sounds right. Just drop the needle on Freedom for a taste of that real Hendrix magic.

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Bryan Ferry / The Bride Stripped Bare – A Personal Favorite

More of the Music of Roxy Music

  • A strong copy, with a Double Plus (A++) side two and a side one that’s nearly as good
  • These two sides show us just what a monster rocker this album can be when it’s mastered and pressed right
  • I’m a big fan of the record – it’s as original and as moving as practically anything the man ever did
  • Bryan Ferry owned the 70s as much as David Bowie did; they’re both artistic giants in my book
  • The Bride Stripped Bare is a personal favorite of yours truly
  • It’s a well recorded album of excellent music, one that we think should be more popular with audiophiles

UPDATE 2024:

Our last shootout was 2016 as I recall. The album, like most of Ferry’s solo outings, does not sell well and so we have no plans to offer it to our customers in the short term, but you never know when we might chance upon a great souding copy and decide to give it another shot.

Our notes from 2016:

It’s been years since I last played this album, and I’m happy, ecstatic even, to report that it sounds way better than I remember it. In the old days, I recall it sounding dry, flat and transistory. Now it’s BIG and BOLD, revealing a band that’s on fire in the studio.

These two sides show us just what a monster rocker this album can be when it’s mastered and pressed right. The reviews were mixed when the album was released in 1978, but time has been kind to it — after hearing the killer copies I would rank it up at the top with the best of Ferry’s and Roxy’s bodies of work.

We were a bit surprised to find that the domestic copies we played were clearly better sounding than the UK imports. It may be counterintuitive, but these are the kinds of things you find out when doing shootouts. We have little use for intuitions (UK recording, UK pressing) and rules of thumb (original equals better).

Hard data — the kind you get from actually playing the records — trumps them all.

Top Bryan Ferry / Roxy Sound

Let’s face it, we love many of Roxy Music’s and Bryan Ferry’s records, but most of them have their share of problems. Perhaps at a later date we will break them down in more detail, but for now let’s just say that this is one of the strongest sounding of Ferry’s solo output. This and the first three albums are all very well-recorded. The first three are clearly better on import, but the next two, In Your Mind and this one, both recorded by Steve Nye, are best on domestic vinyl in our experience.

In Your Mind is another personal favorite, but the sound is not quite up to Hot Stamper standards. As good as the music is, we were forced to abandon our attempt at a shootout years ago and haven’t heard a good enough sounding copy since to change our minds.

It doesn’t happen very often — today’s modern cleaning technologies have made many shootouts possible that had previously failed badly — but in some cases, even a dozen carefully cleaned LPs are not able to get even a single pressing over the finish line.

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John Mayall – Empty Rooms

More British Blues and Blues Rock

With only keyboards, guitars, saxes and flutes — the absence of a drummer is especially noteworthy — the group creates a mystical, low-key atmosphere in the studio within which JM tells his stories. In other words, it’s different. When it comes to John Mayall’s recorded works, that’s not a bad thing. 

We’ve auditioned a good dozen or more of his albums over the years, most of which we found interesting but not especially compelling (not at our prices anyway). He averaged about two albums a year through the ’60s and ’70s and on most of the ones we’ve played it seems that he struggled to come up with material good enough to fill them all.

That said, we took a liking to this one and proudly offer it here for the first time.

Side One

Excellent energy and vocal presence. Clear and full, with good lots of studio space.

The second and third tracks tended to sound better to us than the first by the way.

Side Two

Natural and balanced, with rich and tubey 1970 sound. The second track is especially Tubey Magical and smooth in the right way. (more…)

Bee Gees – 2 Years On

  • The Bee Gee’s 1970 release makes its Hot Stamper debut with outstanding Double Plus (A++) sound throughout
  • Tubey Magical, with strong midrange presence, the sound here is worlds away from the dubby domestic pressings sitting in the bins at your local record store
  • This album marked the musical reunion of the Gibb brothers, and the band returned with this “surprisingly hard-edged… more progressive” sound
  • 4 stars: “…[with 2 Years On] the Bee Gees suddenly found themselves right back in the thick of popular music, and as close to the cutting edge of pop/rock as they’d ever been.”

Why does no one ever mention that the song Lonely Days that starts off side two, which is surely one of the best tracks these boys ever recorded, had its arrangement, structure and harmonies stolen and reworked by Jeff Lynne throughout the entire time he was fronting ELO? That’s his sound, but the BeeGees had it first! (more…)