EMI/Harvest

Falla – The Three Cornered Hat / De Burgos

More of the Music of Manuel de Falla

  • With two INCREDIBLE Shootout Winning Triple Plus (A+++) sides, this vintage British EMI import pressing could not be beat
  • Tons of energy, loads of detail and texture, superb transparency and excellent clarity – the very definition of DEMO DISC sound
  • The best sides were always the biggest, clearest and most three-dimensional, assuming they were able to retain the rich, natural, balanced tonality that is inherently key to a good record, or a great one in this case
  • Many of Rafael Frühbeck de Burgos’s releases are exceptionally well recorded, making him an audiophile favorite
  • When you hear how good this record sounds, you may have a hard time believing that it’s a budget reissue from 1975, but that’s precisely what it is. Some budget reissues are so good, they can actually win shootouts

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Kate Bush – Hounds Of Love

More Kate Bush

More Art Rock

  • An original UK import pressing with seriously good sound from start to finish
  • Guaranteed to be a huge improvement over anything you’ve heard, this Brit is big, lively, and full-bodied with excellent presence – Kate’s wonderfully breathy vocals really soar
  • The domestic pressings are clearly made from dubs and should have no business taking up space in any serious audiophile record collection (but you may have noticed that we have a habit of saying that about a lot of records)
  • 4 1/2 stars: “…from the minutiae of each song to the broad sweeping arc of the two suites, all heavily ornamented with layered instrumentation, makes this record wonderfully overpowering as a piece of pop music.”
  • If you’re a fan of the Ms Bush, her Magnum Opus from 1985 belongs in your collection.
  • The complete list of titles from 1985 that we’ve reviewed to date can be found here.

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Mozart / Haydn – The Best Toy Symphony on Vinyl

More of the music of Wolfgang Amadeus Mozart (1756-1791)

More Classical and Orchestral Recordings

  • An early EMI UK import pressing with STUNNING Nearly Triple Plus (A++ to A+++) sound from first note to last – just shy of our Shootout Winner
  • The amazingly well recorded Toy Symphony on side two (which is fairly quiet by the way) is the real reason to own this record – you will be shocked at how realistic the toys sound, and how spaciously they are arrayed in the soundfield
  • These sides are clear, full-bodied and present, with plenty of live venue space around the players, the unmistakable sonic hallmark of the properly mastered, properly pressed vintage analog LP
  • The first pressing of the album I ever played, back in about 1995, was on the Japanese Soundphile Series, and it blew my mind at the time
  • Fast forward 25 plus years and now we know that, as good as the Japanese pressing can be, the real EMI can be even better.  That’s what shootouts are for, right?

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Jazz – Rockin’ Out with Fat Bottomed Girls

Reviews and Commentaries for the Music of Queen

Hot Stamper Albums with Huge Choruses

There is a tendency in the recording to be a little “hot” tonally on the vocals and snare. The better copies like this one keep it under control, with the lesser copies getting much too lean and gritty to play loudly. What good is a raver like Fat Bottomed Girls if you can’t turn it up and really rock out with it? 

Roy Thomas Baker is back on the scene here for Jazz, his first production with the band since 1975’s A Night at the Opera, and the last time he would work with Freddie and the boys.

On side one check out the low harmony vocal on the first track. The big kick drum is also a treat. RTB loves his bass, that’s for sure.

Both sides should have an open, extended top end and a solid, rich bottom. Our best copies were big and clear with plenty of rock bottom end and Whomp Factor.

We Love Dynamic Choruses, and These Are Amazing

This is one of the rare pop/rock albums that dramatically changes levels as it moves from the verses to the choruses of many its songs, especially the anthemic Fat Bottomed Girls. Mustapha, the first track on side one, has a huge finish as well. It can take a record like this to open your ears to how compressed practically every rock album you own is.

The sad fact of the matter is that most mixes for rock and pop recordings are just too safe. The engineers and producers believe that the mixes have to be safe for the average (read: crap) stereo to play the record.

We like it when music gets loud. It gets loud in live performance — why shouldn’t most of that wonderful energy make it to the record?

News of the World is incredibly dynamic and powerful in this respect, our pick for the best recording by the band, but Jazz on its best cuts is not very far behind it.

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Paul McCartney and Wings – Red Rose Speedway

More Paul McCartney / More of The Beatles

  • This early British EMI pressing has excellent Double Plus (A++) sound throughout
  • Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of this wonderful album, a vintage UK pressing like this one is the only way to go
  • 4 stars: “…every bit as insular as the lo-fi records of the early ’90s, but considerably more artful, since it was, after all, designed by one of the great pop composers of the century. …McCartney’s little flourishes are intoxicating — not just the melodies, but the facile production and offhand invention.”
  • If you’re a fan of Paul McCartney’s post-Beatles output, this release from 1973 probably belongs in your collection.

We have not had particularly good luck with the domestic pressings we’ve tried. The Brits are the only ones that, to our ears, seem to be made from the real tape. (more…)

Rachmaninoff – Symphony No. 3 / Previn

More of the music of Sergei Rachmaninoff

  • An outstanding His Master’s Voice pressing with Double Plus (A++) sound on both sides – exceptionally quiet vinyl too
  • Both sides are big, rich, transparent, spacious and dynamic – no Heavy Vinyl pressing can do what this record is doing
  • You will have a very hard time finding a quieter copy — we did, and we had half a dozen to play — and of course the sound with grades like these simply cannot be beat
  • A wonderful 1977 recording by the two Christophers
  • This powerful work is played with feeling – we know of no better performance or any with Rachmaninoff symphony with better sound

This is the first Rachmaninoff Symphony we have ever offered in Hot Stamper form, mostly because the second symphony with Previn that is so highly regarded by audiophiles has never sounded very good to us, and the first and fourth are not that easy to find.

We’ve never cared for The Bells, a TAS List record with music that does nothing for us.

We love the piano concertos of course, and have done shootouts for them all.

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Duran Duran – Seven and the Ragged Tiger

More Duran Duran

  • An incredible sounding copy with Shootout Winning Triple Plus (A+++) sound or close to it on both sides – exceptionally quiet vinyl too 
  • Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – the UK LPs are the only way to fly for Duran Duran
  • Exceptionally quiet vinyl throughout, Mint Minus to Mint Minus to Minus – we had to go through about ten copies to find one this quiet
  • “Duran Duran put three of the album’s singles in the Top Ten, taking it to number one in the U.K… it’s bright, energetic, and effectual. Duran Duran’s new direction eventually gave Seven and the Ragged Tiger double platinum status.”

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Be-Bop Deluxe – Futurama

More Be-Bop Deluxe

More Titles Only Offered on Import Vinyl

  • The band’s sophomore release, Futurama, makes its Hot Stamper debut with Shootout Winning Triple Plus (A+++) sound or close to it from start to finish – exceptionally quiet vinyl too
  • Balanced, musical, present and full-bodied throughout – this early UK pressing was a big step up from every other copy we played
  • “… where other bands lose their musical impetus in fussy artsiness, Be-Bop Deluxe is redeemed by the brilliance of its playing, and particularly Mr. Nelson’s guitar playing. Mr. Nelson’s music and his guitar playing lift Be-Bop Deluxe out of the ordinary. The music sounds something like the febrile eclecticism of Roxy Music and Queen and Mr. Nelson admits the kinship.” — The New York Times

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Be-Bop Deluxe / Axe Victim

If you love the British Tubey Magical, rich (some might even call it overly rich) sound of Ziggy Stardust-era Bowie crossed with Mott the Hoople, Axe Victim just might make a wonderful addition to your collection. We would love to find you some Hot Stampers of Ziggy and All the Young Dudes, but they simply aren’t findable at the prices we can afford to pay, so until then, here is that sound in spades. And the music is good too: clever, well-produced, full of rock and roll energy and guitar pyrotechnics. 

The second song on side two boasts a guitar sound so big and dynamic that it single-handedly turns the track into a demonstration of just how good analog recording technology was in the ’70s. This record has the kind of Audio Excitement that’s almost shocking in a way. We hear dynamics such as these so infrequently that it’s easy to forget records (and guitars) can actually get this loud. What a thrill.

It has been our experience that only the British pressings of Be Bop Deluxe’s albums sound like they are made from real master tapes. The domestic pressings we’ve played have been flat and dubby.

The copies that were big, rich and tubey did the best in our shootout. No domestic copies seem to have much of those qualities to speak of.

Side One

A+. The sound here is big and lively and while it could use a bit more space and richness, it’s still a nice step up over the average copy.

Side Two

A++ – A+++, almost White Hot! This is the where the real magic is happening folks. It’s big, rich and super high-rez with a HUGE bottom and and TONS of tubey magic. Overall, it’s positively ROCKIN’!

Both sides are quiet too! (more…)

Electric Light Orchestra – ELO 2

  • This British Harvest pressing boasts outstanding Double Plus (A++) sound or BETTER from start to finish
  • Bigger and bolder, with more bass, more energy, and more of the “you-are-there-immediacy” of ANALOG that sets the best vintage pressings apart from reissues, CDs, and whatever else you care to name
  • “It was as personal an effort as Lynne had ever made in music, showcasing his work as singer, songwriter, guitarist, sometime synthesizer player, and producer, and it is more focused than its predecessor but also retains some of the earlier album’s lean textures… the album holds up well, and it and the single [Roll Over Beethoven] did go a long way toward getting them the beginnings of an audience in America.” – All Music

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