davissomed

Miles Davis – Someday My Prince Will Come

More Miles Davis

More Vintage Columbia Hot Stamper Pressings

  • An outstanding copy of this Miles Davis classic, with a KILLER Shootout Winning Triple Plus (A+++) side one mated to a solid Double Plus (A++) side two
  • This original Columbia 6-Eye stereo LP is full-bodied, high-rez and spacious, with Miles’ horn uncannily present, a sound you just cannot find on Heavy Vinyl no matter who makes it
  • If you have the big system and dedicated room a record of this quality demands, you can put Miles right in the room with you with a Hot Stamper pressing as good as this
  • Vintage pressings that play this reasonably quiet and are free of scratches (minor noted issue below notwithstanding) and groove damage are few and far between, but here’s one, perfect for even the most demanding audiophile
  • Another engineering triumph for Fred Plaut at Columbia’s legendary 30th Street Studios – the man is a genius
  • Musically this is one of our very favorite Miles albums, and the sound is Demo Disc Quality on the better copies
  • If you’re a jazz fan, this Must Own Title from 1961 belongs in your collection

(more…)

Miles Davis / Someday My Prince Will Come – We Played a Good Sounding Reissue in 2014

More of the Music of Miles Davis

This Red Label reissue DESTROYED the similar copies we played it against, and was also surprisingly competitive with our Super Hot (and Super Noisy) Six Eye ref copy.

Most of these later pressings have superior clarity (compared to the earlier ones) but lack nearly all of the tubey magic. This one’s amazingly clean and clear, but still delivers on the tubey qualities — it’s richer, warmer, and sweeter than any other Red Label pressing we played.

I think that the very best Six Eye copies are still a step up in class [I don’t have to think it, I know it], but you can be sure that one of those would set you back a lot of bread. If you want to hear this music sound great without spending an arm and a leg, a Hot Red Label copy like this is the ticket. There’s lots of ambience, plenty of tubey magic, and amazing presence. Miles’ trumpet sounds amazing, with lots of breath and just enough bite. The clarity is INCREDIBLE.

(more…)