Demo Spkr – Jazz

Here you will find about 70 jazz recordings that sound absolutely amazing on big speakers at loud levels.

With the right system and a large enough room, the best pressings of these recordings are Demo Discs that are guaranteed to sound more like live music than any other version you’ve heard, or your money back.

Dave Grusin – Discovered Again!

More Direct-to-Disc Recordings

  • Grusin’s jazz Masterpiece from 1976 returns to the site for only the second time in sixteen months, here with INCREDIBLE Shootout Winning Triple Plus (A+++) grades or close to them throughout this original import copy – fairly quiet vinyl too
  • Here are just a few of things we had to say about this killer copy in our notes: “weighty, deep bass and kick”…”3D, rich, and silky”…”excellent detail and size”
  • After critically listening to this record good and loud, and hearing it sound the way this copy sounds, we have to call it One of the All Time Great Direct to Disc Recordings
  • The songs, the players, the arrangements, the sound – this is a record that will reward hundreds of plays for decades to come
  • Side one of this copy is out of polarity and not a copy you should buy if you can’t switch
  • “…makes for the kind of demo material audiophiles are so fond of using to impress friends and neighbors.”

We are on record as being big fans of this album. Unlike most Direct to Disc recordings, Discovered Again actually contains real music worth listening to. During our all-day shootout, the more we played the record, the more we appreciated it. These are top quality players totally in the groove on this material. When it’s played well, and the sound is as good as it is here, there’s nothing dated about this kind of jazz. Hey, what can we say — it works.

(more…)

Weather Report – Heavy Weather

More of the Music of Weather Report

  • Both sides of this vintage copy have excellent sound for the band’s 1977 Masterpiece, earning top grades
  • “Birdland” on this pressing has some of the most dynamic, wall-to-wall, floor-to-ceiling, jam-packed sound ever committed to vinyl
  • Joe Zawinul and Jaco Pastorius are both here and at the absolute peak of their creative powers – this is a work of genius
  • 5 stars: “‘Birdland’ is a remarkable bit of record-making, a unified, ever-developing piece of music that evokes, without in any way imitating, a joyous evening on 52nd St. with a big band.”
  • We’ve compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with the accent on the joy these amazing audiophile-quality recordings can bring to your life. Weather Report’s seventh (!) album is a good example of a record many audiophiles may not know all that well but do well to find the time to get to know better.
  • As is sometimes the case, there is one and only one set of stampers that consistently wins our shootouts for Heavy Weather.  Click on this link to see other titles with one set of stamper numbers that always come out on top

The hottest of the hot stamper pressings demonstrate that this is a truly amazing recording, with some of the most dynamic, wall-to-wall, floor-to-ceiling jam-packed sound ever committed to vinyl. The grit, grain and grunge of most pressings is nowhere to be found on these killer sides, and that alone puts them in a very special league indeed. (more…)

Duke Ellington – The Nutcracker Suite

More of the Music of Duke Ellington

  • This original 6-Eye Stereo pressing is doing practically everything right, with killer Nearly Triple Plus (A++ to A+++) sound from first note to last – just shy of our Shootout Winner
  • Both of these sides are open and spacious with real depth to the soundfield and lots of separation between the various instruments, a very important quality for a large ensemble recording like this one
  • Rich, solid bass; you-are-there immediacy; energy and drive; instruments that are positively jumping out of the speakers – add it all up and you can see that this copy had the sound we were looking for
  • “The melodies flow out of the jazz ensemble with an easy feel for the manner of Tchaikovsky yet in an unmistakable Ellington style. It’s the kind of traditional jazz arrangement that at once makes it appealing to jazz fans as well as to classical-music afficionados.” – Classical Candor.com

This is a wonderful album featuring Duke and his orchestra doing a jazzy interpretation of the famous Nutcracker Suite, and on a copy like this the sound is incredible!

(more…)

Miles Davis / Basic Miles – Here Is the Hot Stamper Sound of Kind of Blue

More of the Music of Miles Davis

  • Demo Disc Jazz sound for this wonderful collection, with both sides earning killer Nearly Triple Plus (A++ to A+++) grades, just shy of our Shootout Winner – fairly quiet vinyl too
  • Opening side two, the 9+ minutes of “On Green Dolphin Street” has some of the coolest jazz you will ever hear, on any record, at any price
  • We’re talking Bill Evans, John Coltrane and Cannonball Adderley in their prime, 1958, with top 1958 sound to match
  • If you want to know what the better copies of Kind of Blue sound like, this pressing will tell you, because it has that sound
  • And that means it is absolutely NOTHING like the MoFi 45 RPM 2 LP set that some audiophiles (and the reviewers who cater to them) seem to like so much, why, we cannot begin to fathom

Want to know how good our Hot Stamper Kind of Blue pressings sound?

Listen to this very record.

If you play the tracks that were recorded in 1958, the year before Kind of Blue, you will hear practically the same lineup of musicians.

That means Stella By Starlight and Little Melonae on side one, and Green Dolphin Street and Fran-Dance (Put Your Little Foot Right Out) on side two. 

The nine-minute plus Green Dolphin Street that opens side two is nothing short of amazing, some of the coolest jazz you will ever hear. With Fran Dance on the same side, that gives you about 17 minutes of great-sounding jazz by Miles’ classic Kind of Blue lineup.

Side one has the same cats playing for more than 12 minutes. By my calculation, that’s close to another album’s worth of material from the group. The rest of the material on this compilation is best seen as gravy; maybe not essential, but never less than interesting. (more…)

Count Basie – 88 Basie Street

More of the Music of Count Basie

  • Outstanding big band sound for one of Basie’s best records for Pablo, with both sides earning solid Double Plus (A++) grades or close to them – exceptionally quiet vinyl too
  • This is a top Pablo title in every way – musically, sonically, you name it, 88 Basie Street has got it going on!
  • With 18 pieces in the studio, this is a real powerhouse – the sound is is rich, lively, dynamic and huge (particularly on side two)
  • 4 stars: “One of Basie’s final albums, the very appealing title cut seems to sum up his career, a lightly swinging groove with a strong melody.”
  • If you’re a Count Basie fan, and what audiophile wouldn’t be?, this title from 1983 is surely a Must Own

This album can be a real powerhouse — if you have the right copy — and this superb pressing can show you just how lively and dynamic this music can be. It’s a true Demo Disc, no doubt about it.

Both sides here have real strength down low, nice extension up top, and incredible clarity and transparency. Play this one good and loud and put yourself front and center for a rip-roarin’ performance led by the king Bill (The Count) Basie.

We’ve become huge fans of these Basie big band records. Allen Sides knew just how to record this stuff by the time Basie came around to Pablo — on the better pressings you can hear that this is big band music recorded just right. The sound is clean and clear with excellent transparency and the kind of separation between the instruments that lets you appreciate the contributions of each player.

(more…)

Jimmy Smith / Bashin’ – The Unpredictable Jimmy Smith

More of the Music of Jimmy Smith

  • This Big Band Jazz classic led by Jimmy Smith returns to the site for only the second time in four years, here with solid Double Plus (A++) grades from start to finish
  • If you own only one Jimmy Smith album, make it this one – with Oliver Nelson‘s arrangements ferociously blasting away, at good loud levels the first side here has the power to swing like you will not believe
  • 5 stars: “On the first half of the program, Smith was for the first time joined by a big band. Oliver Nelson provided the arrangements, trumpeter Joe Newman and altoist Phil Woods have a solo apiece, and “Walk on the Wild Side” became Smith’s biggest hit up to that point.”
  • It’s hard to imagine that any list of the Best Jazz Albums of 1962 would not have this record on it

This is tube mastering at its finest. Not many vintage tube-mastered records manage to balance all the sonic elements as correctly as this copy does.

(more…)

Ted Heath – Hits I Missed

More Large Group Jazz Recordings

  • Hits I Missed appears on the site for only the second time ever, here with solid Double Plus (A++) grades from start to finish
  • Both of these sides are huge, rich, weighty and dynamic like few records you have ever heard – it sets the Gold Standard for Tubey Magical Big Band sound
  • This pressing is bigger, bolder and richer, as well as more clean, clear and open than most other copies we played in our recent shootout

(more…)

Caldera / Sky Islands

More Jazz Fusion

  • KILLER Shootout Winning Triple Plus (A+++) grades or close to them bring Caldera’s amazing sophomore LP to life on this vintage Capitol pressing
  • Here are just a few of the things we had to say about this killer copy in our notes: “huge and weighty drums and bass”…”fully extended from top to bottom”…”jumping out of the speakers”…”big low end”
  • Demo Disco sound – this copy was just bigger and richer than any other we played, with rock solid energy to beat them all
  • If you like percussion instruments of all size and shape jumping out of your speakers, this is the record for you
  • Not only is this a phenomenally well-recorded album, it’s also one of the best Jazz Fusion albums of all time, and easily takes top honors in the sub-category of Latin Jazz Fusion

This White Hot Stamper Caldera album has Demo Disc sound, big and bold, wall to wall and then some! Listen to the monster drum at the opening of “Sky Islands” — it’s not deep like the bass drum in an orchestra, but it’s solid, punchy and way up front in the mix where it really grabs your attention right from the get go. It’s the perfect introduction to a band that wants to get in your face and knock you over with the power and energy of their music. The immediacy of the recording is like standing at the front of the stage where the music is its loudest and clearest, exactly where I like to be.

(more…)

Michel Legrand – Legrand Jazz

More Large Group Jazz Recordings

  • This original 6-Eye Stereo pressing was doing just about everything right, earning solid Double Plus (A++) grades from start to finish
  • Both of these sides are open and spacious with real depth to the soundfield and lots of separation between the various instruments, a very important quality for a recording of a large ensemble recording such as this
  • Rich, solid bass; you-are-there immediacy; energy and drive; instruments that are positively jumping out of the speakers – add it all up and you can see that this copy had the sound we were looking for
  • Legrand rounded up 31 of the greatest jazz players of the 50s, divided them up into three groups, and the result was a landmark 30th Street Studio recording with audiophile sound to die for
  • We’re talking jazz giants: John Coltrane, Miles Davis, Bill Evans, Ben Webster, Herbie Mann, Art Farmer, Donald Byrd, Phil Woods — everybody who was anybody is on this record
  • 4 1/2 stars: “Throughout this superlative album, the arrangements are colorful and unusual, making one wish that Legrand had recorded more jazz albums through the years.”
  • Robert Brook recently played the “award winning” Impex 45 RPM pressing from 2019 (as did we) and wants to know what you think of the sound

This album is more common in mono than stereo, but we found the sound of the mono pressing we played seriously wanting. It’s dramatically smaller and more squawky and crude than even the worst of the stereo pressings we played.

We had a copy we liked years ago, but that was years ago. We don’t have that copy anymore and we don’t have a stereo that sounds the way our old one did either.

The unique voices of each of the jazz giants featured on this landmark recording contributes memorable solos then receeds into the group to provide the structure for the rest of the music. Which is an awkward way of saying everybody does his thing in service to the song and then gets out of the way. “The Jitterbug Waltz,” which opens up side one, is a perfect example: the arrangement is completely original, and within its structure, Miles Davis, Phil Woods, John Coltrane and others solo beautifully, each taking a turn at the melody. If three minutes into this song you don’t like what you’re hearing, jazz is just not for you.

(more…)

Charles Mingus – Pre Bird

More of the Music of Charles Mingus

  • You’ll find solid Double Plus (A++) sound or close to it throughout this original Mercury Stereo LP
  • We used to think the early Limelight pressing was impossible to beat, but this superb original Mercury showed us just how wrong we were – it takes the recording to another level (particularly on side two)
  • This copy sounds like a big room full of musicians (25 in all!) playing live, which is exactly what it was
  • The Tubey Magical richness of this 1960 recording (released in 1961, and again in 1965 as Mingus Revisited) is breathtaking (also particularly on side two) – no modern record can touch it
  • AllMusic gives it 4 stars and we think it’s maybe even a bit better than that
  • Two tracks are contrapuntal arrangements of two swing era pieces, whereby “Take the ‘A’ Train” (left channel) is paired with a simultaneous “Exactly Like You” (right channel), and likewise “Do Nothin’ Till You Hear From Me” with “I Let a Song Go Out of My Heart.”
  • An outstanding member of our Core Jazz Collection of currently available exceptional recordings.

The better copies recreate a live studio space the size of which you will not believe (assuming your room can do a good job of recreating their room). The sound is tonally correct, Tubey Magical and above all natural. The timbre of each and every instrument is right and it doesn’t take a pair of golden ears to hear it — so high-resolution too.

If you love 50s and 60s jazz, you cannot go wrong here. Mingus was a genius and the original music on this record is just one more album’s worth of proof of the undeniability of that fact.

(more…)