1963-best

Johnny Hartman / I Just Dropped By To Say Hello – A Forgotten Vocal Classic

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Reviews and Commentaries for More Male Vocal Albums

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Folks, the later Stereo Impulse pressing of this classic Hartman album we dropped the needle on recently was so Tubey Magical, RICH yet CLEAR, and above all shockingly natural, it would be hard to imagine a Male Vocal record produced in the last thirty years that could hold a candle to it (outside of the Coltrane-Hartman record from the year before of course).

The Bennett-Evans record we love so much here at Better Records would qualify as a contender, but that album was recorded in 1975. And it doesn’t have half the Tubey Magic this Hartman album from 1963 does.

RVG Knocks Another One Out of the Park

Our hats are off to Rudy Van Gelder once again! Here’s an album that justifies his reputation. If only more of them did…

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Ray Charles – Ingredients In A Recipe For Soul

More of the Music of Ray Charles

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  • An outstanding pressing of Charles’ 1963 release, with solid Double Plus (A++) sound from start to finish
  • These sides are doing it all right — richer, fuller, better bass, more Tubey Magic, and the list goes on
  • Ray Charles was a genius and the music on this record is just more proof of the undeniability of that fact
  • 4 stars: “The high points are very high — ‘Busted,’ his hit reworking of a composition by country songwriter Harlan Howard, is jazzy and tough, and one of his best early-’60s singles…”

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Coleman Hawkins – Hawkins! Alive! (Reviewed in 2005)

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More Reviews and Commentaries for Live Jazz Club Recordings

This review was written in 2005. We are not big fans of mono, but we know a good sounding record when we play one.

This Verve T Label Mono pressing DESTROYS the Classic Records reissue. It’s no contest.

Side one is lively, present, and dynamic, but a bit aggressive — the horn can really bite when Hawk pushes it. Side two, however, sounds LOVELY. It’s much smoother and very natural.

This isn’t an easy album to find in such gorgeous condition, and I bet you’d have a really tough time finding one that sounds as good as this one does on side two.

This is an Older Jazz Review.

Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we developed in the early 2000s and have since turned into a fine art.

We found the records you see in these older listings by cleaning and playing a pressing or two of the album, which we then described and priced based on how good the sound and surfaces were. (For out Hot Stamper listings, the Sonic Grades and Vinyl Playgrades are listed separately.)

We were often wrong back in those days, something we have no reason to hide. Audio equipment and record cleaning technologies have come a long way since those darker days, a subject we discuss here.

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Bill Evans – At Shelly’s Manne-Hole

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More Jazz Recordings Featuring the Piano

  • This superb live album makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound or very close to it throughout – exceptionally quiet vinyl too
  • Both sides are Tubey Magical yet clear, with plenty of performance energy and a lovely musical quality that’s noticeably missing from many of the copies we’ve played over the years (and no doubt the Heavy Vinyl pressing)
  • 4 stars: “. . . a 1964 release that finds the entire band in classic form. . . Jazz is rarely as sensitive or as melodic as this. Another classic from Bill Evans and company.”

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Bach / Organ Music Volume 2 / Weinrich

More of the music of Johann Sebastian Bach (1685-1750)

  • Behold: The size and power of a huge organ captured on analog tape using an All Tube Recording Chain and released on Living Stereo in 1963
  • The organ is so effortlessly clear and relaxed you will soon forget you are actually sitting in your listening room, not on a church pew
  • For those of you who know your Living Stereo organ recordings from this era, it’s Volume 2 that has the better sound

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Stan Getz / Luiz Bonfa – Jazz Samba Encore!

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More Bossa Nova

  • This superb collaboration debuts with STUNNING Shootout Winning Triple Plus (A+++) sound from start to finish and ’60s vinyl that’s about as quiet as any we can find
  • Smooth, full-bodied and Tubey Magical, the brilliant Ray Hall engineered this Demo Disc using an All Tube chain back in 1963, and it’s glorious to hear that sound reproduced on modern hi-rez equipment
  • 4 stars: ” Getz relies mostly upon native Brazilians for his backing. Thus, the soft-focused grooves are considerably more attuned to what was actually coming out of Brazil at the time… Two bona fide giants, Antonio Carlos Jobim and Luiz Bonfá (who gets co-billing), provide the guitars and all of the material, and Maria Toledo contributes an occasional throaty vocal.”

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Gerry Mulligan Quartet – Spring Is Sprung

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More Jazz Recordings featuring the Saxophone

  • With shootout-winning Triple Plus (A+++) grades on both sides, it just doesn’t get any better than this copy of Mulligan’s superb sounding and Hard To Find 1963 release on Philips
  • Quincy Jones directed, and Phil Ramone made sure the album would be exceptionally well-recorded, which it is!
  • Big, rich, and Tubey Magical, this pressing let us hear Mulligan’s quartet with the energy and clarity these classic jazz performances deserve
  • 4 Stars: “Mulligan and Brookmeyer always seem to stimulate one another’s playing to a high level, and this album is no exception. The group gets into a swinging groove right away with its updated treatment of a Count Basie favorite, “Jive at Five,” followed by Mulligan’s brisk yet intricate jazz waltz “Four for Three.””

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Canteloube / Songs Of The Auvergne Vol. 2 / De La Roche

This original Vanguard Black Label pressing (VSD-2132) has a side one that’s simply OUT OF THIS WORLD, A Triple Plus all the way.

Why such a high rating? Of all the copies we played, this side one was the perfect blend of Tubey Magical richness coupled with clarity and presence.

Miss Devrath is front and center, live in your living room, as natural a human voice as you will ever hear on record. Of the six sides of this music we are offering today, this was the only Triple Plus side. There is simply nothing to fault; side one on this copy sounds right in a way that no other side we played did. And some of the other sides were quite good; you wouldn’t think the sound was lacking in any way. But after playing this side one it’s clear what the best copies are really capable of — completely natural Demo Disc Sound.

I believe Volume One used to be on the TAS Superdisc List, and for a time the Classic Heavy Vinyl reissue may have been as well. I remember playing the Classic years ago and thinking the sound was not bad, not as awful as most of their stuff, but still far from what it should be.

How anyone can take Classic Records seriously is beyond me, yet HP has many of their records on his Super Disc list and he is certainly not alone in praising their remastered pressings. In our opinion you should be able to hear what’s wrong with their records from another room, a test we would happily submit to.

That dark, hard, smeary, transient- and texture-free sound one hears on all their records is pretty obvious to those of us who listen to vintage vinyl all day. (Vintage vinyl has its own share of problems, just not those.) How the vast majority of audiophile reviewers can be fooled by such second-rate fare is frankly beyond understanding. (more…)

Peggy Lee – Mink Jazz

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More Pop and Jazz Vocal Albums

  • Mink Jazz finally makes its Hot Stamper debut here with outstanding Double Plus (A++) sound on both sides
  • The vocal naturalness and immediacy of this early pressing will put Peggy in the room with you – more than anything else, it lets her performance come to life
  • These sides are exceptionally spacious and three-dimensional, as well as relaxed and full-bodied
  • “Peggy was, of course, in her element on the slow, seductive songs which were her trademark . . . The musicianship throughout the album is masterful, yet always secondary to Peggy’s lovely voice.”

John Krauss engineered this album, and brilliantly. You know him from many of Julie London‘s best recordings, albums such as Julie Is Her Name, Calendar Girl, Julie… At Home and Around Midnight.

This is some awfully good company if you ask me! (more…)

Freddie Hubbard / Hub-Tones

More Freddie Hubbard

More Jazz Recordings Featuring the Trumpet

  • This vintage Blue Note pressing boasts Nearly Triple Plus (A++ to A+++) sound on both sides – just shy of our Shootout Winner
  • Freddie’s trumpet sounds Right On The Money — it’s breathy and full-bodied with clearly audible leading edge transients
  • Credit must go to Rudy Van Gelder once again for the huge space this superbly well-recorded ensemble occupies
  • 4 1/2 stars: “John Coltrane’s modal music was starting to influence Hubbard’s conception and his own playing was pushing the modern mainstream ahead without really entering the avant-garde.”

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