1963-best

Charlie Byrd – Mr. Guitar

More Charlie Byrd

More Jazz Guitar

  • Mr. Guitar makes its Hot Stamper debut here with KILLER Shootout Winning Triple Plus (A+++) sound on both sides
  • Big, rich and lively, this trio is having a blast and we think you will too
  • Features Keter Betts joining Byrd on bass and Bertell Knox’s “deft touch” on drums
  • 4 1/2 stars: “A delightful trio outing with an adroit and light feel… Byrd’s playing combines jazz swing with influences from both Spanish guitar and classical music on a session comprised of both Byrd originals and covers, usually of Gershwin and Ellington

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Sibelius – Symphony No. 2 / Barbirolli

More of the music of Jean Sibelius (1865-1957)

  • An outstanding copy of the best Sibelius Second Symphony on vinyl we know of – solid Double Plus (A++) sound or BETTER from start to finish
  • One listen to this famous Wilkinson recording and you’ll see why it’s one of the most lauded RDG titles in all of their illustrious canon
  • “The Second Symphony has retained an extraordinary popularity for its individualistic tonal language, dark wind coloring, muted string writing, simple folk-like themes, and distinctly “national” flavor that are all Sibelian to the core.”

A truly extraordinary recording mastered beautifully but pressed on vinyl that has never been known for its quiescence (if I can get by with that ten-cent word).

The strings are clear and textured, yet rich and full-bodied. The bottom is big and weighty. The horns are tubey and full-bodied and never screech through even the most difficult passages. (more…)

Strauss / Tales of Old Vienna / Boskovsky

Decca and London Hot Stamper Pressings Available Now

This BETTER than Super Hot Side one has shockingly good sound, some of the best we have ever heard for lovely marches, polkas and waltzes such as these (the Radetsky March being the most famous).

The hall is HUGE, the strings so rich, with the kind of wall to wall sound that makes the stereo and speakers utterly disappear. The sound of this London Whiteback pressing is just right for this music — so natural and real. Boskovsky of course was a master of these forms and displays consummate skill with each of the famous works here, bringing them to life as only he and the Vienna Phil. can.

If only side two were as good! But of course, when one side is killer, the chances that the second side will be as good or better are well below average.

Side One

Slight smear and slight edge keep this side from three pluses, but it’s close!

Side Two

Listen for the uncannily realistic whistle at the start of the first piece — it’s DEMO DISC material.

A step down to be sure but still big and rich, just the way we like our Londons.

Coleman Hawkins and Clark Terry – Back In Bean’s Bag

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  • With two nearly Triple Plus (A++ to A+++) sides, this copy is close to the BEST we have ever heard, right up there with our Shootout Winner
  • All Tube, Live in the Studio Columbia Sound from 1962 – sound like this makes a mockery of most jazz recordings, and don’t get me started on the sham Heavy Vinyl LPs flooding the market with one mediocrity after another
  • What a swingin’ group – there is simply not a false step to be found anywhere on either side of this wonderful record
  • “Hawkins teamed up with the personable trumpeter Clark Terry for this upbeat set of-of solid swing. Terry, in particular, is in exuberant form on “Feedin’ the Bean”… but Hawkins’s playing (particularly on the trumpeter’s ballad “Michelle”) is also in fine form.”

These Nearly White Hot Stamper pressings have top-quality sound that’s often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers (“relative” meaning relative considering the kinds of prices we charge). We feel you get what you pay for here at Better Records, and if ever you don’t agree, please feel free to return the record for a full refund, no questions asked.

*NOTE: On side two, a mark makes 20 moderate to light ticks and pops one-half inch into Track 2.

For those of you who appreciate the remarkable sound quality that Columbia’s engineers were able to achieve in the ’50s and ’60s, this LP is a Must-Own.

This vintage “360 Sound” Columbia Stereo has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Bola Sete – Tour De Force

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More Jazz Recordings Featuring the Guitar

  • Bola Sete’s superb 1963 release makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound from first note to last
  • Exceptionally spacious and three-dimensional, as well as relaxed and full-bodied sound that blew away every other copy we played
  • A distinguished member of the Better Records Jazz Hall of Fame and my favorite Latin jazz guitar record of all time
  • 4 1/2 stars: “[Tour de Force] tilts a little to the mellower, more sentimental side than more driving sessions such as the one he did the previous year for Bossa Nova. It’s still quality by-the-fire jazz bossa nova music, Sete’s playing a lesson in both skill and discreet economy.”

This pressing is tonally correct from top to bottom. As the old saying goes, it wasn’t broke so don’t try to fix it. Aficionados of the guitar or Latin music will find this record very satisfying in all respects.

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Nat “King” Cole – Where Did Everyone Go?

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  • With two seriously good Double Plus (A++) sides, this early Capitol Rainbow Label stereo pressing will be very hard to beat – fairly quiet vinyl too
  • With especially rich, intimate and natural vocal reproduction, this side one was close to the best we played of Nat’s wonderful “songs of love and loss”
  • If all you know are the weirdly unnatural remixes DCC did (or the dreadful Analogue Productions pressings), this LP will be nothing less than a revelation
  • “His rich and cozy baritone carries the ache of “Am I Blue?” and the slinky “I Keep Goin’ Back to Joe’s” into an understated, almost plaintive blues. Here he perfectly demonstrates a boundless capacity as a melodic interpreter of song.”
  • The early mono pressing we played was crude, gritty and dark, a finding we considered unsurprising since so many of the mono pressings from this era are just awful, so we say skip the mono.
  • (For records that we think sound best in mono, click here.)

Where Did Everyone Go? is the third and final collaboration between Gordon Jenkins and Nat King Cole, and like the first two, we think it belongs in any audiophile record collection worthy of the name. And if you have any horrid Heavy Vinyl LP of Nat King Cole’s music (the only one found passable was the one done on S&P), now is the time to play them against your new Hot Stamper pressing, recognize their manifold shortcomings, and get them out of your collection and into the hands of the Heavy Vinyl True Believers.

One of the key elements we noticed on the best of the best was the relaxed quality of Nat’s performance. He seems to sings so effortlessly (even more effortlessly than usual!) on the better sounding pressings. On other pressings that casual quality is not nearly as evident.

Warmth and sweetness were also important, the distinctive and unmistakable hallmarks of vintage All Tube Analog. These qualities combined to make the music on each of these sides as thoroughly involving and enchanting as practically any album of its kind we have ever offered. (more…)

Ella Fitzgerald / These Are The Blues – Another Top Ella Title

Hot Stamper Pressings of Ella Fitzgerald’s Albums Available Now

Ella Fitzgerald Albums We’ve Reviewed

  • An outstanding early Stereo copy with solid Double Plus (A++) sound from start to finish
  • Only the best vintage pressings like this one offer the kind of Tubey Magic that was on the tapes in 1963
  • Allmusic Users 4 1/2 stars: “Ella Fitzgerald was never thought of as a blues singer but she does a surprisingly effective job on the ten blues songs here, including “See See Rider,” “Trouble in Mind,” “St. Louis Blues,” and Bessie Smith’s “Jailhouse Blues.” She somehow sings more or less in the style of the classic blues vocalists of the 1920s and largely pulls it off. …organist Wild Bill Davis (with assistance from guitarist Herb Ellis, bassist Ray Brown, and drummer Gus Johnson) dominate the ensembles. It’s an interesting set.”blues

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Kenny Burrell and Jimmy Smith – Blue Bash!

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  • This outstanding pressing boasts solid Double Plus (A++) grades from start to finish
  • With richness, clarity, space and timbral accuracy, this is guaranteed to be one of the best sounding bluesy jazz records you’ve heard in a while
  • Val Valentin, Phil Ramone and Rudy Van Gelder engineered, and the results are every bit as good as you would expect from these pros, assuming you have a vintage stereo copy that sounds like this one
  • 5 stars: “Kenny Burrell’s smooth, tasteful guitar greatness and Jimmy Smith’s intense, fire breathing approach on the Hammond B-3 had been complementing in sheer harmony between each other since the two jazz masters first recorded together in 1957, until they decided to record this superb duet album in July of 1963.”

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Wes Montgomery – In The Wee Small Hours (aka Fusion! Wes Montgomery with Strings)

More Wes Montgomery

More Jazz Recordings Featuring the Guitar

  • Montgomery’s wonderful 1963 release finally makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound or close to it throughout
  • Exceptionally spacious and three-dimensional, as well as relaxed and full-bodied, this reissue pressing had better sound than any original
  • As you can imagine, harmonically rich, clear, clean strings (or the lack of them) separated the winners from the losers pretty quickly
  • 4 stars: “As with his later albums, Montgomery’s guitar solos here are brief and melodic but the jazz content is fairly high even if the emphasis is (with the exception of “Tune Up”) on ballads.”

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Smoky Babe – Hottest Brand Goin’

  • Smoky Babe makes his Hot Stamper debut here on this superb pressing, with Shootout Winning Triple Plus (A+++) sound or close to it throughout
  • The mono sound is gloriously ANALOG, so smooth and full-bodied – no other copy in our shootout had this kind of exceptionally realistically relaxed sound
  • 4 stars: “Smoky Babe, aka Robert Brown, laid down a good set of down-home country blues on this 1961 session, with occasional assistance from harmonica players Clyde Causey and Henry Thomas… it’s sung with conviction, and the guitar playing is emphatic and chunkily rhythmic.”

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