Top Artists – Carly Simon

Letter of the Week – “Wish You Were Here is maybe the best sounding record I’ve ever heard…”

More Letters and Commentaries for Wish You Were Here

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom,  

I want to say a big THANK YOU for the Hot Stampers you sent to me.

Wish You Were Here is maybe the best sounding record I’ve ever heard (as you know I have a lot of Hot Stampers). I’m so amazed and lucky – I can’t describe it. The copy sounds out of this world with soooo well-defined bass, stunning clarity, warmth and richness, immediacy, astonishing transparency…

It murders my old copy.

Another Passenger and Honky Chateau are also Demo Discs of the highest order. 

Erik S.

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Carly Simon – Hotcakes

More Carly Simon

  • A stunning side one, clocking in between Double and Triple Plus
  • Side two is excellent as well, earning One and a Half Pluses for its superb presence and transparency
  • Great sound for Mockingbird and Haven’t Got Time For The Pain
  • All Music Guide gives this Richard Perry production Four Big Stars

The grit and grain that plagues most copies is GONE here, replaced with the kind of space and transparency that really make sense of the recording. The bottom end has real weight and punch, and the whole thing is much richer and more natural than usual.

That Glossy Richard Perry Sound

Many copies of this album suffer from (at least) one of two problems: unnaturally hi-fi-ish sound or an excess of grit and grain. Both are in large part due to the processing-intensive production of Richard Perry.

The best copies make it easy to understand his choices: the sound is lovely. Unfortunately that rich, sweet sound he obviously got on to the master tape didn’t quite make it to the average vinyl pressing of this album. The effects used on Carly’s vocals turn her voice into a gritty, grainy mess on most copies — certainly not the kind of sound that audiophiles want to hear.

As is so often the case, it took a few exceptional copies to make us understand what Simon and Perry were going for. Compare this Hot Stamper to the typical copy and you’ll hear it for yourself right away. (more…)

Carly Simon / Another Passenger – A Personal Favorite

More of the Music of Carly Simon

Reviews and Commentaries for the Music of Carly Simon

This is my personal favorite of all of Carly’s albums. In terms of singing and songwriting it’s her most consistent, highest quality work. Nothing too heavy, just well crafted and enjoyable Singer Songwriter pop. If you like the kind of albums Paul Simon used to make before Graceland, or middle period James Taylor, you should find much to like here.

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Classic Tracks: “How Sweet It Is (to Be Loved by You)”

Mixonline Classic Tracks

BY ROBYN FLANS

How sweet it is! The James Taylor track of that name with Carly Simon vocals and a David Sanborn sax solo went to Number 5 on the Billboard 100 in 1975, dominating radio and adding a sweet voice to the din of the turbulent mid-1970s.

The Russ Titelman/Lenny Waronker production of “How Sweet It Is (To Be Loved By You)” became the most successful version of the Holland-Dozier composition, originally recorded by Marvin Gaye in 1964. (more…)

Carly Simon – What to Listen For

More of the Music of Carly Simon

Reviews and Commentaries for the Music of Carly Simon

There’s one quality in particular that added immensely to our enjoyment of the music — gobs and gobs of Tubey Magic.

The copies that were opaque, dry, flat and “modern” sounding — which pretty much describes practically every Heavy Vinyl record we’ve played in the last five years — bored us to tears, not surprisingly in the very same way that most Heavy Vinyl does.

This is 1976, they were still making good records then. You would hardly know it by playing the average pressing of the album, but when you hear one like this, there is no mistaking the richness, sweetness and freedom from artificiality.

These are qualities for which good tube equipment is rightly revered. (We no longer use tube equipment ourselves, preferring to be guided by the approach of reproducing the Tubey Magic of the records we play, assuming there is some, unadorned.)

Most pressings get Carly’s voice all wrong — gritty, edgy, hard and strained, but not this one. Carly’s singing on this copy is smoother, sweeter, more immediate and clearly more emotionally compelling than we heard on any other copies in our shootout. We call this Master Tape Sound; you hear it on those rare pressings so far beyond the norm that the music seems to come to life right in front of you, right there in your very own listening room. (more…)

Carly Simon – What to Listen For

Too many copies we played erred on the hi-fi-ish side, with not enough warmth. The copies that sound clean and clear just didn’t do much for us. They weren’t able to convey the intimacy and emotion of the music.

I’m sure you’ve had a similar experience playing CDs of some of your old favorites. You keep wondering why you liked the music in the first place.

Don’t blame the music. Blame those crappy CDs.  (more…)