Top Artists – Oscar Peterson

Oscar Peterson – We Get Requests

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We Get Requests

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A distinguished member of the Better Records Jazz Hall of Fame.

This is the way it must have sounded inside the RCA Studios in New York way back in 1964, not the club shown on the cover. The legendary RCA engineer BOB SIMPSON was behind the board.  (more…)

Oscar Peterson Trio – The Trio – Live From Chicago

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The Trio – Live From Chicago (2018)

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A distinguished member of the Better Records Jazz Hall of Fame.

Peterson really puts on a great show. He’s made an awful lot of records during his career and most of them aren’t especially noteworthy. This album is clearly an exception to that rule. (“If You Could See Me Now” is another one.)

This pressing was a huge step up from the other copies we played in our recent shootout. This copy has the immediacy that puts you front and center at The London House for a great jazz show. Ray Brown is incredible on the bass. (more…)

Oscar Peterson Trio – West Side Story – His Best Recording? We Think So

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West Side Story

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A distinguished member of the Better Records Jazz Hall of Fame.

I’ve known this was a well-recorded album since I first heard the DCC gold CD back in the ’90s.

It sounded great to me at the time — I had nothing to compare it to — but it sure didn’t sound like this! This album is clearly one of the best jazz piano recordings I’ve ever played. In its own way it’s every bit as good as that other landmark recording, The Three, from 1975.

Both belong in any right thinking audiophile’s jazz collection. Both are phenomenal Demo Discs on the best pressings. (more…)

Ella Fitzgerald and Louis Armstrong – Ella and Louis (2005)

 

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This original Verve Black Label LP plays M-. Top recommendation! One of the greatest duet albums of all time, if not THE GREATEST.    

TRACK LISTING

1. Can’t We Be Friends
2. Isn’t This a Lovely Day
3. Moonlight in Vermont
4. They Can’t Take That Away From Me
5. Under a Blanket of Blue
6. Tenderly
7. A Foggy Day
8. Stars Fell on Alabama
9. Cheek to Cheek
10. The Nearness of You

The Recordings of Oscar Peterson – These Four Didn’t Make the Grade

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These are just some of the recordings by Oscar Peterson that we’ve auditioned recently and found wanting. Without going into specifics we’ll just say these albums suffer from poor performances, poor sound, or both, and therefore do not deserve a place in your collection, and may even belong in our Hall of Shame.

A Free Service provided to the Audiophile Public, courtesy of Better Records.

Oscar Peterson Trio w/ Milt Jackson – Very Tall

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  • An excellent copy which earned Double Plus (A++) grades for sound on both sides – there’s plenty of rich, Tubey Magic from 1962 to be found on this vintage stereo pressing
  • If you made the mistake of buying the atrocious Anadisq pressing MoFi put out in the ’90s, here is your chance to hear what a wonderful recording Val Valentin cooked up with these cats in their prime
  • “This first matchup on records between pianist Oscar Peterson and vibraphonist Milt Jackson was so logical that it is surprising it did not occur five years earlier… this first effort is a particularly strong set.”

For us audiophiles both the sound and the music here are wonderful. If you’re looking to demonstrate just how good 1961-62 All Tube Analog sound can be, this killer copy will do the trick. (more…)

The Recordings of Oscar Peterson – These Four Didn’t Make the Grade

More Oscar Peterson

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These are just some of the recordings by Oscar Peterson that we’ve auditioned recently and found wanting. Without going into specifics we’ll just say these albums suffer from poor performances, poor sound, or both, and therefore do not deserve a place in your collection, and may even belong in our Hall of Shame.

A Free Service provided to the Audiophile Public, courtesy of Better Records.

The Oscar Peterson Trio – The Trio

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  • This vintage Pablo LP boasts Shootout Winning Triple Plus (A+++) sound from first note to last
  • An exceptional pressing of this epic live jazz recording, with a very strong bottom end, lovely richness and warmth, real space and separation between the instruments and wonderful immediacy throughout
  • In collaboration with bassist Niels-Henning Ørsted Pedersen and guitarist Joe Pass, Peterson “brilliantly investigates several jazz styles” with his melodically inventive approach
  • 5 stars: “Peterson really flourished during his years with Norman Granz’s Pablo label, and this was one of his finest recordings of the period.”

(more…)

Oscar Peterson & Nelson Riddle

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  • Peterson and Riddle’s 1963 collaboration finally arrives on the site with stunning Shootout Winning Triple Plus (A+++) sound from first note to last
  • With a lively and present piano, and a smooth, full sounding orchestra, this is just the right sound for this music
  • “From the opening flutes to the last flush of piano and orchestra, this is smooth-swinging jazz par excellence.”
  • 4 stars: “… a quietly strong, rich, fully evocative set of great tracks that emphasize the undercurrent rather than the overflow of emotions.”

Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These vintage Verve pressings are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here. (more…)

Count Basie & Oscar Peterson – The Timekeepers

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A distinguished member of the Better Records Jazz Hall of Fame

Hot Stamper sound on both sides of this Pablo original pressing of the Two Masters in a small group setting. Basie and Peterson recorded five albums together, and this may very well be the best of the bunch, though I have yet to hear one that I didn’t enjoy. I wrote a rave review about this title when I first heard it more than ten years ago. If you like small group piano jazz — here we’re talking two pianists accompanied by Louie Bellson on drums and John Heard on bass — this should be right up your alley. 

Side One

Big, rich pianos. Everything here is clear with no smear, with a fair amount of space. This side is a bit opaque compared to the best we heard, and the bass isn’t quite as deep as it was on the top copies, but overall this side is doing most of what we wanted it to.

Side Two

This side is lively and tonally correct — getting the music right — but lacks extension on both ends. (more…)