A distinguished member of the Better Records Jazz Hall of Fame.
This Blue Note reissue LP has SUPERB SOUND AND QUIET VINYL! Freddie’s trumpet sounds Right On The Money — breathy and full-bodied with clearly audible leading edge transients. The overall sound is tonally correct with extended highs and super low distortion. It’s open and spacious and wonderfully dynamic. I don’t think there’s anything you could do to this music to make it sound much better than this!
The reason this copy has such transparency and such an extended top end compared with other copies is due, to some degree, to better cutting equipment. I’ve never heard an original with this kind of resolution, these leading edge transients, this kind of bass definition, and on and on. Collectors pay big bucks for original copies that don’t sound nearly as good as this one.
“Trumpeter Freddie Hubbard teams up on record with James Spaulding (who doubles on alto and flute) for the first time on this excellent set, with the assistance of pianist Herbie Hancock, bassist Reggie Workman, and drummer Clifford Jarvis. The quintet performs four of the trumpeter’s originals (including “Lament for Booker” and the title cut) plus an advanced version of the standard “You’re My Everything.” John Coltrane’s modal music was starting to influence Hubbard’s conception and his own playing was pushing the modern mainstream ahead without really entering the avant-garde.”