Debut Albums

Julie London – Julie Is Her Name

More Pop and Jazz Vocal Albums

  • Julie’s debut finally arrives on the site with Shootout Winning Triple Plus (A+++) sound from start to finish
  • The vocal naturalness and immediacy of this early Liberty pressing will put Julie in the room with you – more than anything else, it lets her performance come to life
  • The naturalness of the presentation puts this album right at the top of best-sounding female vocal albums of all time
  • 4 stars: “Her debut is her best, a set of fairly basic interpretations of standards in which she is accompanied tastefully by guitarist Barney Kessel and bassist Ray Leatherwood.”

Listen to how rich the bottom end is on Barney Kessel’s guitar. The Tubey Magic here is off the charts. Some copies can be dry, but that is clearly not a problem on this one.

To take nothing away from her performance, which got better with every copy we played. Julie’s rendition of Cry Me a River may be definitive.

If only Ella Fitzgerald on Clap Hands got this kind of sound! As good as the best copies of that album are, this record takes the concept of intimate female vocals to an entirely new level.

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Supertramp – Self-Titled

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  • Supertramp’s self-titled debut finally arrives on the site with Shootout Winning Triple Plus (A+++) sound or close to it throughout
  • It’s even more Tubey Magical than an album like ’Crime Of The Century,’ which is more about slam and presence than a record like this, which has amazingly sweet, natural sounding acoustic guitars
  • Condition was the problem with these original British pressings – none of the best sounding copies did not have issues, hence the exceptionally low price for our Shootout Winner here
  • “Harmonious in themes but varied in tones, alternating short and lengthy pieces with a sophisticated sound and classy arrangement, it features all the distinctive elements of prog rock. And as with any prog album, it only makes full sense when listened to in its entirety.”

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Marianne Faithfull – Go Away From My World

  • This is an amazing sounding copy of Faithfull’s debut album in the states
  • If you know just how good a top copy of Aftermath can sound, you know what to expect on this side one
  • Huge space, Tubey Magic, breathy vocals and “baroque arrangements” – a real audiophile treat
  • Top talents such as Andrew Loog Oldham, Gus Dudgeon and Jon Mark lend a hand

This is a Big Production Demo Disc, complete with harpsichords, string players and gorgeous guitars. If you know the sound of 1965 Tubey Magical Pop Reverb, you know what’s in store for you on some of these tracks.

Perhaps Parsley, Sage, Rosemary, and Thyme is the better comparison — that record sounds amazing and so does this one. (more…)

Son Seals – The Son Seals Blues Band

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  • An excellent Electric Blues record with exceptionally big, clear, lively sound that earned Double Plus (A++) grades on both sides
  • This copy will shame most Blues albums for sound and music – it’s quite a bit better than any other Son Seals album we have played as well
  • 4 stars: “The Chicago mainstay’s debut album was a rough, gruff, no-nonsense affair typified by the decidedly unsentimental track ‘Your Love Is like a Cancer.’ Seals wasn’t all that far removed from his southern roots at this point, and his slashing guitar work sports a strikingly raw feel on his originals ‘Look Now, Baby,’ ‘Cotton Picking Blues,’ and ‘Hot Sauce’ (the latter a blistering instrumental that sounds a bit like the theme from Batman played sideways).

Son Seals’ 1973 debut album has the kind of Live-in-the-Studio sound that most Blues albums (and every other kind of album) strive for but rarely if ever achieve. If you turn this one up good and loud, the Son Seals Band will be right there in the room with you. If there’s any overdubbing on this record, you sure can’t hear it.

If you’ve been suffering with one bad sounding Stevie Ray Vaughan album after another, this record should come as a godsend. This album will show you just how dynamic and energetic Electric Blues recordings can be.

You can’t see this guy live anymore, he’s dead, RIP, but you can still hear him perform live in your listening room if you have a killer system and a Hot Stamper copy of this album — and you can hear him as often as you want to, too. Play this one for all your friends who love Stevie Ray. Son Seals has the chops to go head to head with him, with recording quality that’s night and day better than Stevie’s non-posthumous albums in every way. Your friends’ minds will surely be blown (and if they aren’t, turn up the volume a click or two and try again. Live music is loud). (more…)

Crowded House – Self-Titled

Reviews and Commentaries for Crowded House

  • A stunning sounding copy with Shootout Winning Triple Plus (A+++) sound from start to finish
  • Both sides here are super punchy, musical, clean and clear with a solid bottom end – what album from 1986 sounds as good as this one?
  • The best sounding Crowded House album ever recorded? It gets our vote!
  • Great songs like Don’t Dream It’s Over, Something So Strong and World Where You Live
  • “… the record was blessed by good timing, and the majestic ballad “Don’t Dream It’s Over” became an international hit, while its follow-up, the breezy “Something So Strong,” also turned into a hit. Both revealed different sides of Finn’s talents, with the first being lyrical and the second being effervescent…” – All Music

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Our Last Shootout for Alone Together? Way Back in 2021

Hot Stamper Pressings of the Music of Dave Mason Available Now

Listen to how big and rich the dynamic chorus gets on the first track, Only You Know and I Know – what a thrill to hear it like that.

A killer Bruce Botnick recording – Tubey Magical Analog, smooth and natural, with the whole production sitting on a rock solid bottom-end foundation.

Before I get too far into the story of the sound, I want to say that this album appears to be criminally underrated as music nowadays, having fallen from favor with the passage of time.

It is a surely a Masterpiece that belongs in any Rock Collection worthy of the name. Every track is good, and most are amazingly good. There’s no filler here.

Finding The Right Sound on Alone Together

We struggled for years with the bad vinyl and the murky sound of this album. Finally, with dozens of advances in playback quality and dramatically better cleaning techniques, we have now managed to overcome the problems which we assumed were baked into the recording. I haven’t heard the master tape, but I have heard scores of pressings made from it over the years. I confess I actually used to like and recommend the Heavy Vinyl MCA pressing. Rest assured that is no longer the case. Nowadays it sounds as opaque, ambience-challenged, lifeless and pointless as the rest of its 180 gram brethren.

This copy managed to find a near-perfect balance of the above four attributes. You want to keep what is good about a Tubey Magical analog recording from The Golden Age of Rock while avoiding the pitfalls so common to them: poor resolution, heavy compression, thickness, opacity, blubber, inadequate frequency extremes, lack of space and lack of presence.

How’s that for a laundry list of all the problems we hear on old rock records (and classical records and jazz records; all records really)? What record doesn’t have at least some of these faults? Not many in our experience.

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Gabor Szabo with Gary McFarland – Gypsy ’66

More Jazz Recordings Featuring the Guitar

Reviews and Commentaries for Gabor Szabo

  • With excellent Double Plus (A++) sound or close to it on both sides, this copy is getting the sound of Gabor Szabo’s music right from first note to last
  • This copy plays on exceptionally quiet Impulse vinyl, Mint Minus to Mint Minus Minus throughout
  • The credit must go to one of, if not THE Greatest Jazz Engineers of all time, Mr. Rudy Van Gelder
  • “Szabo’s original sound, the unusual instrumentation (two or three guitars, Sadao Watanabe on flute, Gary McFarland on marimba, bass, drums and percussion) and McFarland’s clever arrangements uplift the music.”

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Frank Zappa & The Mothers of Invention – Freak Out!

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Reviews and Commentaries for the Music of Frank Zappa

  • Insanely good sound throughout with all four sides earning Shootout Winning Triple Plus (A+++) grades or very close to it
  • The overall sound here is incredibly rich, warm and full-bodied yet still super detailed, spacious and dynamic; the energy level is off the charts too!
  • Most pressings of this double album are just awful, if you can even find one that’s clean enough to bother playing
  • “One of the most ambitious debuts in rock history, Freak Out! was a seminal concept album that somehow foreshadowed both art rock and punk at the same time. Its four LP sides deconstruct rock conventions right and left, eventually pushing into territory inspired by avant-garde classical composers.” – All Music

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The Allman Brothers – The Allman Brothers

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More Southern Rock

  • An excellent copy of the band’s debut, with seriously good Double Plus (A++) grades on both sides and reasonably quiet vinyl, especially on side one
  • Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of this wonderful album, a vintage pressing like this one is the way to go
  • 4 1/2 stars: “This might be the best debut album ever delivered by an American blues band, a bold, powerful, hard-edged, soulful essay in electric blues with a native Southern ambience. There isn’t a bad song here, and only the fact that the group did even better the next time out keeps this from getting the highest possible rating.”

This album has some of the ABB’s very best music and on a copy like this, sonics, but man is it tough to find a good one. We’ve been picking these up for years and the fact that it took us until 2016 to get any copy at all on the site should tell you something.

Here’s a perfect example of an album that’s so mediocre on the average pressing that we had practically given up hope of hearing the record sound good. But we’re not ones to run away from a challenge, so we kept picking up copies, figuring out a few things in the process. Eventually, we made real progress and today we can proudly post a copy that’s beyond worthy of Hot Stamper status. (more…)

David Lee Roth – Eat ‘Em and Smile

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More Van Halen

  • David Lee Roth’s solo debut finally arrives on the site with nearly Triple Plus (A++ to A+++) sound from start to finish – just shy of our Shootout Winner – exceptionally quiet vinyl too
  • The overall sound here is incredibly full-bodied, musical, clear and spacious with tons of energy and a solid bottom end
  • 4 1/2 stars: “Few would argue that David Lee Roth’s first solo EP was a complete comedy send-up, albeit a very successful one that gained him enough favor with the MTV peanut gallery to solidify his potential as a solo artist… arguably Roth’s most legitimate piece of art ever.”

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