Warner – Green Label Winners

These titles sound their best on the Warner Bros. Green Label. We know that because the best Green Label pressings always win the shootouts for these titles.

Van Morrison – Saint Dominic’s Preview

More of the Music of Van Morrison

  • With solid Double Plus (A++) grades or close to them from top to bottom, you’ll have a hard time finding a copy that sounds remotely as good as this vintage Green Label pressing
  • It’s unusual (to say the least) to find copies of Moondance or Astral Weeks that sound anything like the better copies of Saint Dominic’s Preview (or His Band and Street Choir, an equally good recording)
  • One of the better sounding Van Morrison albums, thanks to the superb engineering skills of Donn Landee at Wally Heider’s and elsewhere
  • 5 stars in Rolling Stone: “The coexistence of two styles on the same record turns out to be very refreshing; they complement each other by underscoring the remarkable versatility of Van’s musical imagination… the best-produced, most ambitious Van Morrison record yet released.”

We’ve been huge fans of this album for ages and don’t understand why it doesn’t get more respect. This is the album that comes right after Tupelo Honey and His Band And The Street Choir, so that should tell you something.

The piano has real weight, the bottom end is solid, and the brass sounds lively and rich, never squawky. (more…)

Van Morrison – Moondance

More of the Music of Van Morrison

  • An early Green Label pressing that was doing just about everything right, with both sides earning solid Double Plus (A++) grades or BETTER – exceptionally quiet vinyl too
  • Drop the needle anywhere on the album for a taste of early-70s Tubey Magical analog sound, not to mention the kind of blue-eyed soul that will remind some of you just how good music on vinyl used to be
  • A tough title to find in clean condition these days – most are covered in repeating marks – but not this one!
  • “An album worthy of an Irish R&B singer who wrote a teen hit called ‘Mystic Eyes’ (not to mention a Brill Building smash called ‘Brown Eyed Girl’), adding punchy brass (including pennywhistles and foghorn) and a solid backbeat (including congas) to his folk-jazz swing, and a pop-wise formal control to his Gaelic poetry.” Christgau – A+ (a grade he does not give out often)

Musically the record Moondance most reminds me of is After The Gold Rush. Neil Young set out to make a commercial album that had nothing but strong songs built around catchy melodies, using the highest quality production values. What better describes Moondance?

Every song is good, you can sing practically every one of them from memory, and in fact you’ll probably feel like singing along with every one of them as you are playing this very copy.

Van Morrison never made another album as good as this one, and After the Gold Rush is still Neil’s Masterpiece (along with Zuma, of course). If there are two records on the planet that belong in everybody’s collection, it’s these two.

Finding good sounding LPs of both of them is a tricky proposition — unless, of course, you are a customer of Better Records, where superb sounding pressings of Classic Rock Albums can be found all day every day.

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Grateful Dead – Self-Titled “Skull and Roses”

More of the Music of The Grateful Dead

  • These early Green Label pressings of the band’s 2-LP “Skull & Roses” live album boast solid Double Plus (A++) grades or BETTER on all FOUR sides
  • They are clean, clear and open with an abundance of bottom end weight and plenty of Tubey Magic
  • We guarantee there is dramatically more space, richness, presence, and performance energy on this copy than others you’ve heard or you get your money back – it’s as simple as that
  • 4 stars: “Coming off of the quantum-leap success of the studio country-rock efforts Workingman’s Dead (1969) and American Beauty, Grateful Dead offers up a pair of new Jerry Garcia/Robert Hunter compositions – ‘Bertha’ and ‘Wharf Rat’ – both of which garnered a permanent place within the band’s live catalog. However, ‘The Other One’ – joined in progress just as Billy Kreutzmann fires up a blazing percussion solo – sprawls as the album’s centerpiece.
  • If you’re a fan of the band, this classic from 1971 belongs in your collection.

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The Faces – Long Player

More British Blues Rock

  • An original Green Label pressing of the Face’s sophomore LP with outstanding Double Plus (A++) sound or BETTER from start to finish
  • Amazing live-in-the-studio sound that conveys completely the raw power of one of the hardest rockin’ bands of all time
  • Click here to see more of our favorite Rock and Pop records with relatively unprocessed sound
  • 5 stars in Allmusic and probably the Faces’ Best Album, for sound and music – “Maybe I’m Amazed”? Hell yeah!
  • “…a ferocious rock & roll band who, on their best day, could wrestle the title of greatest rock & roll band away from the Stones.”
  • This is our pick for The Face’s best sounding album. Roughly 150 other listings for the best sounding album by an artist or group can be found here on the blog.

We knew this album could sound good, but back in the day we sure didn’t know it could sound like this.

Both musically and sonically I don’t think the group ever recorded a better album than this one.

Take the wonderful song “Bad ‘N’ Ruin” (the opening track on side one) for example. It’s the sound of open mics in a big studio space — nothing more, nothing less. It’s totally free from any phony mastering or bad EQ, and on a Hot Stamper copy like this one, it’s absolute magic.

Martin Birch was the engineer for the first two tracks on side one. You may know him from his work with Fleetwood Mac (1969-1973) and Deep Purple (1969-1977), which include the amazingly well-recorded albums Machine Head and Made In Japan.

It’s a rare record indeed that can rock with the best of them while keeping its audiophile credentials intact. Like we said about our Hot Stampers for Never A Dull Moment, we sure wish more Rolling Stones records sounded like this.

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Van Morrison – His Band And Street Choir

More of the Music of Van Morrison

  • With very good Hot Stamper sound from first note to last, this vintage Green Label pressing of Van’s shockingly underrated album from 1970 will be hard to beat
  • It’s richer, fuller and with more presence than the average copy, and that’s especially true for whatever godawful Heavy Vinyl pressing is currently being foisted on an unsuspecting record buying public
  • The band is swinging, the material top-notch – “Domino,” “Crazy Face,” “Blue Money” and other classics are right here
  • The Best Sounding Van Morrison Album, a classic of 1970 Tubey Magical analog, and his only title to make our Top 100
  • “As ‘Domino’ opens the album with a show of strength, ‘Street Choir’ closes it with a burst of both musical and poetic energy which is not only better than anything else on the album but may well be one of Van’s two or three finest songs.” – Rolling Stone

This is the album that came out between Moondance (in the same year in fact, 1970) and Tupelo Honey, but for some reason, it don’t get no respect. We think that’s insane — the material on this album is stellar and the sound on the best pressings is out of this world!

Here’s a copy that really makes our case for us. Both sides of this vintage Warner Bros. pressing sound AMAZING! We went through a massive stack of copies and let me tell you — most of them sure don’t sound like this! Take this one home for some of the best Van Morrison sound you will ever hear.

For years I thought that Moondance was the best sounding album in the Van Morrison catalog. His Band And Street Choir is even better. One reason for that would have to be that Robert Ludwig mastered it, and he can usually be counted on to do an excellent job.

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Little Feat / Dixie Chicken

More Little Feat

  • Here is a vintage Green Label pressing (only the second copy to hit the site in more years than anyone can remember) that was doing just about everything right, with both sides earning solid Double Plus (A++) grades
  • You get lovely extension up top, good weight down low, as well as remarkable transparency in the midrange, all qualities that were much less evident on the average copy we played
  • It’s the rare copy that’s this lively, solid and rich… drop the needle on any track and you’ll see what we mean
  • No Burbank label copy earned a better grade than 1.5+, and even most of those fell short, not to mention the truly awful later label
  • 5 stars: “It all adds up to a nearly irresistible record, filled with great songwriting, sultry grooves, and virtuosic performances that never are flashy. Little Feat, along with many jam bands that followed, tried to top this album, but they never managed to make a record this understated, appealing and fine.”

Hot Stamper sound on both sides — yes, it is possible, and this very copy is Proof with a capitol “P.” Most copies of this album sound like cardboard, especially the later pressings on the Palm Tree and tan labels. To get the best sound, you need originals of this album, and Warner Brothers Green Label originals are getting pretty darn hard to find as more and more collectors and audiophiles are coming to the realization that the unending stream of Heavy Vinyl reissues flooding the market leaves a lot to be desired. (Our desire for them is at zero, as we no longer bother to order the stuff.)

Folks, this is no Demo Disc by any means, but the later pressings strip away the two qualities that really make this music work and bring it to life: Tubey Magic and big bass. This copy has both in spades.

Listen to how breathy and transparent the chorus is on the first track. Now layer that sound on top of a fat and punchy bottom end and you have the formula for Little Feat Magic at its funky best. This is the sound they heard in the control room, of that I have no doubt, and it is all over this copy.

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Grateful Dead – Europe ’72

More Grateful Dead

  • Here is a seriously good copy of Europe 72 (one of only a handful to hit the site in three years) with solid Double Plus (A++) sound or close to it on all SIX sides of these vintage Green Label pressings
  • Marks and problems in the vinyl are sometimes the nature of the beast with these vintage LPs, but once you hear just how superb sounding this copy is, you might be inclined, as we were, to stop counting ticks and pops and just be swept away by the music
  • “No record album can replace a live appearance by the Dead – but those who can’t get enough of this exceptional band will be kept busy for a good little while with this one.” – Rolling Stone
  • 4 1/2 stars: “The band mixes a bevy of new material with revisitations of back-catalog favorites. Sadly, this European jaunt would be the last of its kind to include the formidable talents and soul of founding member Ron ‘Pigpen’ McKernan, who was in increasingly fragile health. Although few in number, his contributions to Europe 72 are among the most commanding not only of this release, but of his career.”

*NOTE: There is a mark that plays 10 times at a moderate level at the start of track 1 on side 2, “Jack Straw.”

A bunch of classic Dead songs that never appeared on a studio album are here in their definitive versions, including “He’s Gone,” “Jack Straw,” “Brown-Eyed Woman,” “Ramble On Rose” and “Tennessee Jed.”

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The Grateful Dead – Workingman’s Dead

More Grateful Dead

More Hippie Folk Rock

  • This early Green Label pressing was doing practically everything right, earning KILLER Shootout Winning Triple Plus (A+++) grades or close to them from top to bottom – unusually quiet vinyl too for any record pressed in this era
  • A Top 100 album and a truly superb recording of the Dead at the peak of their creativity (along with American Beauty)
  • We love the amazingly big, rich, weighty bottom end found on the better pressings such as this one
  • 5 stars: “The lilting Uncle John’s Band, their first radio hit, opens the record and perfectly summarizes its subtle, spare beauty; complete with a new focus on more concise songs and tighter arrangements, the approach works brilliantly.”

This original Warner Brothers pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. (more…)

Black Sabbath – Master of Reality

More Black Sabbath

  • Boasting solid Double Plus (A++) grades or close to them from top to bottom, you’ll have a hard time finding a copy that sounds remotely as good as this original Green Label pressing
  • This side one is big and bold with plenty of bass and driving rock energy, and side two is not far behind in all those areas – this is the right sound for this heavy music
  • It is ridiculously tough to find copies of this album that sound this good (particularly on side two) and play this QUIET, tougher even than it is for Paranoid or the first album
  • 5 stars: “Master of Reality essentially creates multiple metal subgenres all by itself, laying the sonic foundations for doom, stoner, and sludge metal, all in the space of just over half an hour.”

This vintage pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

The Grateful Dead – American Beauty

More Grateful Dead

More Hippie Folk Rock

  • The acoustic guitars are magical on this copy, and you won’t believe how wonderfully breathy and sweet these guys’ voices sound
  • American Beauty is one of Stephen Barncard‘s greatest recording achievements – the richness and clarity are really something here
  • A 5 star Top 100 album – “A companion piece to the luminous Workingman’s Dead, American Beauty is an even stronger document of the Grateful Dead’s return to their musical roots. American Beauty remains the Dead’s studio masterpiece.”
  • A permanent resident of our Top 100 rock and pop list — no other album by the band is as well recorded
  • Roughly 100 other listings for the best sounding album by an artist or group can be found here.

This is a longtime Better Records favorite for both music and sound. For those of you who love acoustic guitar-driven folk songs — we call it hippie folk rock — you should find a lot to like about the sound of this album.

Tubey Magical Acoustic Guitar reproduction is superb on the best Hot Stamper pressings. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings).

All the Elements Finally Come Together

All of the elements necessary to take this music to an entirely new level are here, my friends: smooth, sweet vocals; rich, meaty bass; an open and airy top end; top-notch presence and so forth. The sound is so spacious and transparent that you can easily pick out each of the instruments and follow them over the course of the songs.

You could choose any track you wanted to and find lovely sound here, but I’d recommend “Ripple” and “Attics Of My Life” for starters. Most copies suffer from a glaring lack of highs, but just listen to the ride cymbals on this one to find out that the top end is still alive and well here.

The Dead At Their Best

The crowning glory of the Grateful Dead, their MASTERPIECE. Albums like this come along once in a band’s life — if they’re lucky. This is the zenith of the Grateful Dead. Workingman’s Dead is a good album. American Beauty is a great one.

If you don’t have a great-sounding copy yet, it’s time to get on the bus. Stephen Barncard is the recording engineer responsible for this album, Deja Vu, Brewer, and Shipley’s Tarkio, and a host of other amazingly rich, sweet and natural, mostly acoustic recordings that stand head and shoulders above the bulk of their contemporaries. American Beauty is one of them.

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