Vocals, Female

Peggy Lee – Guitars Ala Lee

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  • This Capitol stereo pressing has superb sound on both sides
  • Tubey Magical with breathy vocals, this is one of the albums that made us big fans of Miss Lee
  • I thought the S&P pressing of Latin a la Lee was killer when it came out in 2003 – little did I know how much I was missing, a situation the average buyer of Heavy Vinyl is in without ever knowing it
  • A ridiculously tough record to find in stereo, in audiophile playing condition, with sound as good as this
  • “Peggy Lee’s alluring tone, distinctive delivery, breadth of material, and ability to write many of her own songs made her one of the most captivating artists of the vocal era…” – All Music Biography

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Ella Fitzgerald – Hello Love

  • Ella’s 1959 release finally arrives on the site with STUNNING Mono sound from first note to last
  • The sound is relaxed, full-bodied and lively, with Tubey Magical richness befitting the 1957 and 1959 recording dates of these sessions
  • Skip the stereo pressing on this title – none of the copies we played could hold a candle to this killer mono LP
  • “The album focuses on well-known songs not included in Fitzgerald’s epic Songbooks project, and several of the songs are tunes that she had recently recorded in duet with Louis Armstrong.”
  • 4 stars: “A fine gem among the diamonds of Ella Fitzgerald’s late-’50s period with Verve… Wrapped in the strings of Frank DeVol’s orchestra, Fitzgerald is a bewitching presence singing these dreamy standards…”

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Ella Fitzgerald – Sings the Johnny Mercer Song Book

  • With superb Nearly Triple Plus (A++ to A+++) sound on both sides of this Verve stereo original LP, we are fairly certain you could not possibly have heard Ella Fitzgerald sound better than she does on this very record
  • The huge, rich orchestral sound captured so beautifully by Val Valentin is always one of the highlights of these songbooks
  • By the time this one came out in 1964 Ella had already recorded 18 LPs of songbooks – this was the last, going out on a high note
  • Some of the Mercer Classics here are Too Marvelous For Words, Day In-Day Out, Laura, Skylark, Midnight Sun, I Remember You
  • Once you hear Ella sing Skylark on this album, you will have a very hard time sitting through Linda Ronstadt’s rendition of it on Lush Life
  • AMG raves “this is one of the best of Ella Fitzgerald’s songbooks. Fitzgerald’s assured and elegant voice is a perfect match for Mercer’s urbane lyrics and Nelson Riddle’s supple arrangements…”

When you are lucky enough to find a album that sounds as good as this one, full of standards from the Great American Songbook, you cannot help but recognize that this era for Ella will never be equaled, by her or anyone else.

The recording is outstanding, with huge amounts of space and midrange richness that might just take your breath away. (more…)

Ella Fitzgerald / Like Someone In Love

  • With two Shootout Winning Triple Plus (A+++) sides, this stereo pressing simply could not be beat
  • Ella’s voice is noticeably breathier, fuller, more relaxed and more musical here than it is on the other copies we played
  • An album that is beyond difficult to find with decent surfaces and undamaged inner grooves – most copies we get in are just trashed
  • “Most of the songs are veteran standards, Stan Getz’s warm tenor helps out on four tunes, and her voice was so strong and appealing during this era that all of her recordings from the mid- to late ’50s are enjoyable and easily recommended.”

Take it from an Ella fan, you can’t go wrong with this one, assuming you can put up with some ticky vinyl. This is about as quiet as we can find them. Like Someone in Love is five times rarer than Clap Hands, and twice as likely to be noisy.

The sound is rich and full-bodied in the best tradition of a classic vintage jazz vocal album. You could easily demonstrate your stereo with a record this good, but what you would really be demonstrating is music that the listener probably hasn’t heard, and that’s the best reason to demonstrate a stereo!

The space is huge and the sound so rich. The vocals have dramatically less hardness and the orchestra — especially on side two — is not brash for once.

Prodigious amounts of Tubey Magic as well, which is key to the best sounding copies. The sound needs weight, warmth and tubes or you might as well be playing a CD. (more…)

Ella Fitzgerald / Rhythm Is My Business – 1962 Was a Great Year for Ella

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More Pop and Jazz Vocals

  • Ella’s first album to come out after Clap Hands finally makes its Hot Stamper debut, with outstanding Double Plus (A++) sound on both sides
  • What took us by surprise was how rich and sweet this original Verve was – so many of Ella’s early albums don’t have the smooth, natural vocals of this pressing
  • We absolutely love the swinging R&B organ Bill Doggett brought to these big band sessions, all backing an exceptionally well recorded First Lady of Song
  • “Ella Fitzgerald is in the spotlight throughout, mostly singing swing-era songs along with a couple of newer pieces… [her] voice was in its prime, and the charts are excellent.”

This copy is about as quiet as any domestic original Verve stereo pressing can be found. The monos of this title — which naturally are five times more common — have that hard, honky sound that so many mono cuttings made from Ella’s stereo recordings are cursed with.

Clap Hands is a notable exception to that rule, and of course any of her albums recorded in mono sound best in mono, when cut right and pressed right.

1962 was a great year for Ella. She released this album early in the year and followed it up with the Grammy winning Ella Swings Brightly with Nelson. Later in the same year Verve released Ella Swings Gently with Nelson, and it’s interesting to note that all three of these classic albums were recorded late in 1961. The woman could do no wrong!

We would have to wait for her first release of 1963, Ella Sings Broadway, before she put out a clunker. But who’s fault is that? The music is fine, it’s the recording that’s bad (as far as we can tell; we have yet to hear one sound good). (more…)

Julie London – Julie (in Mono)

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More Recordings Engineered by Ted Keep

  • This outstanding vintage Liberty MONO pressing boasts outstanding Double Plus (A++) sound from first note to last
  • In-the-room presence, preternaturally breathy vocals, and boatloads of wonderful Tubey Magic
  • This amazing sleeper of a record belongs right up at the top of Ms. London’s oeuvre (25 albums strong) along with Julie Is Her Name – high praise indeed
  • 4 stars: “Usually put into a torch song setting, this release allows London to shed that garment and become jazzy. Instead of being sultry, she becomes dazzling and sparkling. She also becomes more adept at phrasing and timing and takes a risk or two in the tradition of a jazz singer.”

The great Jimmy Rowles plays piano, handled the arrangements and fronts the big group here, taking the music in a wonderfully jazzy direction that suits Julie’s vocal style perfectly.

Having done this for so long, we understand and appreciate that rich, full, solid, Tubey Magical sound is key to the presentation of this primarily vocal music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.). The music is not so much about the details in the recording, but rather in trying to recreate a solid, palpable, real Julie London singing live in your listening room. The best copies have an uncanny way of doing just that.

If you exclusively play modern repressings of older recordings (this one is now more than 63 years old), I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but less than one out of 100 new records do, if our experience with the hundreds we’ve played can serve as a guide. (more…)

Ella Fitzgerald – Ella Loves Cole

  • Ella’s superb 1972 release makes its Hot Stamper debut here with STUNNING Shootout Winning Triple Plus (A+++) sound on both sides
  • This copy is balanced and natural, with the kind of rich, full-bodied sound that no one seems to know how to record anymore
  • Fitzgerald’s second artful collection of Cole Porter masterpieces, arranged by the great Nelson Riddle
  • The legendary engineer Val Valentin put this one on tape, brilliantly – he’s the man behind some of our All Time favorite albums on Verve and Pablo

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Julie London – Around Midnight

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More Pop and Jazz Vocal Albums

  • Julie’s impossibly rare and wonderful 1960 release makes its Hot Stamper debut here with outstanding Double Plus (A++) sound or BETTER on both sides of this original Liberty stereo pressing
  • For whatever reason, this is a record that takes us years to find even one clean stereo copy, ouch
  • Like many of her best Liberty recordings, this one puts Julie right in the room with you thanks to the brilliant engineering of John Kraus (Julie Is Her Name, Calendar Girl, Julie… At Home, etc.)
  • 4 stars: “Her ability to interpret a song was at its strongest in the late ’50s and early ’60s, as is evidenced on the shimmering Around Midnight. While some of her best recordings were in front of small jazz combos, Around Midnight proves that London was just as effective in front of larger orchestras and bands. The drowsy “Black Coffee” and lazy “Lush Life” typify the late-night feel of the album, leading right into “The Wee Small Hours of the Morning.”

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Nancy Wilson / Cannonball Adderley

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More Pop and Jazz Vocal Albums

  • This dynamic collaboration finally makes its Hot Stamper debut with Shootout Winning Triple Plus (A+++) sound on side one and an outstanding Double Plus (A++) side two
  • Here is the sound we love at Better Records – both sides are full-bodied and Tubey Magical, with Wilson’s vocals unusually smooth and present
  • An inspired collection that showcases the versatility of both Wilson and Adderley (who plays five instrumentals)
  • 4 1/2 stars: “Given the play list and the outstanding artists performing it, why any serious jazz collection would be without this classic album is difficult to comprehend.” [Hear hear!]

Another Record We’ve Discovered with (Potentially) Excellent Sound…

and One We Will Probably Never Shootout Again

Some records never justified the time and money required to find Hot Stamper pressings of them in order to make it worth our while to do them again. This is one such album, and the link above will take you to many more.


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Sarah Vaughan – In a Romantic Mood

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  • Sarah Vaughan’s superb In a Romantic Mood album from 1957 finally debuts on the site, and what a copy it is, taking top honors for side two and earning our coveted Triple Plus (A+++) grade
  • No other copy could touch this original Black Label Mono Mercury pressing for warmth, richness, and, most especially, vocal intimacy and in-the-room presence
  • If all you know are the Classic Records and Speakers Corner Heavy Vinyl reissues, our Shootout Winner here should be a sonic treat you have simply never experiences before
  • An original Mercury pressing that has no audible marks and plays as quietly as this one does is a rare find indeed – it seems to be the quietest copy from our shootout, and even better, no other copy earned higher grades

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