_Performers – Rubinstein

Favorite Beethoven Concertos / Heifetz & Rubinstein – Reviewed in 2007

Hot Stamper Pressings Featuring the Violin

This is a very old listing and it is doubtful if we would agree with our rave review for the sound these days. The part about it beating the Classic Records pressing is probably still accurate.

If you see this record in the bins for cheap, give it a try, but don’t pay a high price for it on our say-so.

RCA Red Seal LPs. DEMONSTRATION QUALITY SOUND!

The first LP of this disc is the equivalent of LSC 1992 and sounds AMAZING. The mastering is right on the money.

This compilation was created in 1971. The tapes were still good then, because the transparency of this pressing is top notch. I wish I could say as much for the second record, which, like most of these reissues, is a disaster. It should go without saying that the LP here KILLS the Classic Records reissue.

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Various / Heart of the Piano Concerto / Rubinstein – Reviewed in 2008

More of the music of Sergei Rachmaninoff (1873-1943)

Reviews and Commentaries for Rachmaninoff’s Piano Concertos

This is an EXCEPTIONALLY GOOD SOUNDING Shaded Dog pressing with fairly quiet vinyl. What’s surprising about this pressing is how transparent and low distortion it is.

Just as with Destination Stereo (LSC 2307), the excerpts here frequently sound better than they do on the original complete performances. Rubinstein’s piano is solid and clear sounding, which is rarely the case, especially for his Beethoven concertos. Those almost never sound good, but the excerpt here for Concerto No. 3 is excellent. 

This is an Older Classical/Orchestral Review

Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we started developing in the early 2000s and have since turned into a veritable science.

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Rachmaninoff / Concerto No. 2 – Reviewed in 2008

More of the music of Sergei Rachmaninoff (1873-1943)

Reviews and Commentaries for Rachmaninoff’s Piano Concertos

This is the earlier pressing of LSC 2068, which stretches the Rachmaninoff piece over both sides of the record, resulting in a more dynamic pressing.

The sound is tonally right on the money with the superb, rich, sweetly textured strings we have come to expect from RCA in this period.

The piano has exquisite tone as well.

This is a lovely, lyrical piece of music and the natural sound conveys the qualities of the work perfectly.

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Beethoven / The Five Beethoven Concertos / Rubinstein – Reviewed in 2011

This original Shaded Dog Five Disc Box Set (LSC 6902) contains all five of Beethoven’s Piano Concertos, with sound that’s predictably all over the map, from White Hot to Not-So-Hot and every grade in between. Yes folks, we actually listened to every one of these sides in a shootout with other RCA, London and Mercury pressings of the same music.

The best sound in the set was clearly the Third Piano Concerto, which had sides that were Super Hot and White Hot. (more…)

Chopin / The Chopin Scherzos / Rubinstein – Reviewed in 2008

This is an RCA Living Stereo reissue LP with EXCELLENT SOUND. The strengths of this particular LP are not hard to hear: super quiet vinyl, which no original would have, and super transparent mids and highs, again something that no original (in our experience) has ever had. 

Like most of Rubinstein’s records on RCA, there is no real weight to the piano, but at least on this pressing the smear and noise common to practically every original is GONE!

Lovely music too. 

Beethoven / Piano Concerto No. 3 / Graffman in Living Stereo

This rare RCA Shaded Dog has SUPERB SOUND as well as a top performance. Super Hot Stampers for both sides means that this pressing has the real Living Stereo magic in spades. Unlike most of the RCA concerto recordings (Rubinstein’s come immediately to mind in this regard), the brilliant soloist featured here is not overly spotlighted, hence the more credible “concert hall” sound. The piano is part of the orchestra, allowing all the contributions of the musicians to be heard clearly, with each of the orchestral sections laid out beautifully across an especially huge and deep Orchestra Hall stage.

The spaciousness and three-dimensionality of the recording here is also exceptional. Through the efforts and skill of the RCA engineers, that striking openness in the recording never comes at the expense of a tonally correct and natural sounding piano. The piano is clear, never lost in the space of the huge hall the way it would be on an EMI from the ’70s for example. (All that weird SQ washed-out sound is just not our thing, sorry.) 

There may be other performances of merit, but I know of no recording of this music with better sound. If you are demonstrating naturalistic recorded sound, not bombastic Hi-Fi Spectacularity, this pressing truly qualifies as a DEMO DISC. (more…)