
Hot Stamper Classical and Orchestral Pressings Available Now
UPDATE 2026
This review is from way back in 2008, from the olden days before we were doing regular shootouts for all the albums we sell, so take it for what it’s worth. (If you like the music of Delibes, our favorite recording of Coppelia can be found here.)
In 2008 we had been seriously into collecting the highest quality record pressings for more than thirty years, yet it was obvious that we still had a lot to learn.
In 2004 we started selling vintage vinyl with Hot Stampers, and practically every shootout we did taught us something new and interesting about records.
Much of that information ended up here, on a blog we’ve dedicated to teaching audiophiles how they can find better sounding pressings the way we did.
We wanted to share what we’ve discovered about the highest quality vinyl and, even more importantly, we wamted to prove that experimenting with records under rigorously controlled conditions is the only way to learn anything of value about them.
DEMO DISC QUALITY SOUND. This record was thoroughly enjoyed by its previous owner and I know why: it’s great!
This title is also extremely rare for some reason. It’s one of the top five Vics.
Look for a clean one on the Plum label;. You won’t be disappointed.
This is an older classical/orchestral review.
Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we developed in the early 2000s and have since turned into a full-time practice for our staff of ten.
We found the records you see in these older listings by cleaning and playing a pressing or two of the album, which we then described and priced based on how good the sound and surfaces were. (For Hot Stamper listings, the sonic grades and vinyl playgrades are listed separately.)
We were often wrong back in those days, something we freely admit.
There is no reason to hide the fact that we know a great deal more now than we used to. Audio equipment and record cleaning technologies have come a long way since those darker days, a subject we discuss here.
100% of the records we offer on our site have been cleaned, then auditioned head to head against a number of other pressings under rigorously controlled conditions. We award the copies in the shootout sonic grades for each of their sides, and then condition check the best sounding ones for surface noise before listing them on the site.
As you may imagine, this approach requires a great deal of time, effort and skill, which requires a highly trained staff. No individual or business without the aid of such a committed group could possibly dig as deep into the sound of records as we have, and it is unlikely that anyone besides us could ever do the work we do, not at scale anyway.
The term “Hot Stampers” gets thrown around a lot these days, but to us it means only one thing: a record that has been through the shootout process and found to be of audiophile quality.
The result of our labor is the hundreds of titles seen here, every one of which is unique and guaranteed to be the best sounding copy of the album you have ever heard, or you get your money back.
