processed-sound

The albums linked here have sound that is, to our ear, very heavily processed.

That does not make them good or bad sounding. It simply describes the approach the engineers chose for the sound of the album.

Magical Mystery Tour and Crime of the Century are amazing recordings, but natural and unprocessed they are not.

The Pretenders – Get Close

More of the Music of The Pretenders

  • With two INSANELY GOOD Shootout Winning Triple Plus (A+++) sides, you’ll have a hard time finding a copy that sounds remotely as good as this vintage import pressing – fairly quiet vinyl too
  • These sides are energetic, clear and full-bodied, with Chrissie Hynde’s vocals front and center where they belong
  • If all you know are audiophile or domestic pressings, you should be prepared for a mind-blowing experience with this copy
  • However, the sound of the album is more aggressive than some audiophiles might like, so fair warning: you will not be demonstrating your stereo with this one, no matter how much better sounding than other copies it may be
  • “Hynde’s voice is in great form throughout, and when she gets her dander up, she still has plenty to say and good ways to say it; ‘How Much Did You Get for Your Soul?’ is a gleefully venomous attack on the musically unscrupulous; ‘Don’t Get Me Wrong’ is a superb pop tune and a deserved hit single; and the Motown-flavored ‘I Remember You’ and the moody ‘Chill Factor’ suggest she’d been learning a lot from her old soul singles.”

Get Close has long been a personal favorite of mine. Side one starts off with a bang with “My Baby,” one of the best tracks this band ever recorded. Of course at this point it’s hard to call The Pretenders a band as it is pretty much Chrissie Hynde’s show. She continues to mature as a songwriter, and the arrangements and production value are excellent as well, with heavy hitters such as Steve Lillywhite, Bob Clearmountain and Jimmy Iovine involved.

We have a category on the site entitled women who rock. No other woman on earth can rock the way Chrissie Hynde can, and this album, along with Learning to Crawl, is all the proof anyone needs.

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Dire Straits – Love Over Gold

More of the Music of Dire Straits

  • A Love Over Gold like you’ve never heard, with solid Double Plus (A++) grades from top to bottom
  • Quiet vinyl for this album too – owing to the fact that there are so many quiet passages, it is the rare vintage pressing that can play quiet enough to earn even our Mint Minus Minus grade
  • The open, spacious soundstage, full-bodied tonality and Tubey Magic here are obvious for all to hear on these TAS-approved sides – huge, punchy, lively and rockin’ throughout
  • This Hot Stamper is far more natural than any other pressing you’ve heard – we guarantee it
  • “Certainly a quantum leap from the organic R&B impressionism of the band’s early LPs and the gripping short stories of Making Movies, Love Over Gold is an ambitious, sometimes difficult record that is exhilarating in its successes and, at the very least, fascinating in its indulgences.” – Rolling Stone

This modern album (from 1982, which makes it 40+ years old, but that’s modern in our world) can sound surprisingly good on the right pressing. On most copies, the highs are slightly grainy and can be harsh, not exactly the kind of sound that inspires you to turn your system up good and loud and really get involved in the music. I’m happy to report that both sides here have no such problem – they rock and they sound great loud.

We pick up every clean copy we see of this album, domestic or import, because we know from experience just how good the best pressings can sound. What do the best copies have? REAL dynamics for one. And with those dynamics, you need rock solid bass. Otherwise, the loud portions simply become irritating. (more…)

The Cars – Heartbeat City

More of the Music of The Cars

  • You’ll find very good Hot Stamper sound on both sides of this vintage Elektra pressing – exceptionally quiet vinyl too
  • We guarantee there is more space, richness, presence, and performance energy on this copy than others you’ve heard or you get your money back – it’s as simple as that
  • 5 stars: “… a gleaming pop masterpiece. The producer’s golden touch, the strength of the songs Ric Ocasek wrote, and the stunning vocal performance both he and Benjamin Orr deliver make the album one of the best of the 80s and something that still sounds perfect many years later.”

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Peter Gabriel Names a Third Record After Himself

More of the Music of Peter Gabriel

  • You’ll find solid Double Plus (A++) sound or close to it on both sides of this vintage UK copy – fairly quiet vinyl too
  • Finding clean, quiet, early pressings of this album has been especially difficult for some time now and it doesn’t seem to be getting any easier
  • A Must Own for Gabriel fans, this album is widely considered his breakthrough work as a solo artist
  • Listen closely and you’ll recognize Phil Collins’ now-signature (but at the time revolutionary) drum sound on several of the tracks, including “Intruder,” one of the best tracks on the album
  • 5 stars: “Generally regarded as Peter Gabriel’s finest record, his third eponymous album finds him coming into his own, crafting an album that’s artier, stronger, more song oriented than before.”
  • If you’re a fan, this is a Peter Gabriel classic from 1980 that belongs in your collection.

With this, his third release, Gabriel established himself as a true force in the rock world. (more…)

Weather Report – Heavy Weather

More of the Music of Weather Report

  • Both sides of this vintage copy have excellent sound for the band’s 1977 Masterpiece, earning top grades
  • “Birdland” on this pressing has some of the most dynamic, wall-to-wall, floor-to-ceiling, jam-packed sound ever committed to vinyl
  • Joe Zawinul and Jaco Pastorius are both here and at the absolute peak of their creative powers – this is a work of genius
  • 5 stars: “‘Birdland’ is a remarkable bit of record-making, a unified, ever-developing piece of music that evokes, without in any way imitating, a joyous evening on 52nd St. with a big band.”
  • We’ve compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with the accent on the joy these amazing audiophile-quality recordings can bring to your life. Weather Report’s seventh (!) album is a good example of a record many audiophiles may not know all that well but do well to find the time to get to know better.
  • As is sometimes the case, there is one and only one set of stampers that consistently wins our shootouts for Heavy Weather.  Click on this link to see other titles with one set of stamper numbers that always come out on top

The hottest of the hot stamper pressings demonstrate that this is a truly amazing recording, with some of the most dynamic, wall-to-wall, floor-to-ceiling jam-packed sound ever committed to vinyl. The grit, grain and grunge of most pressings is nowhere to be found on these killer sides, and that alone puts them in a very special league indeed. (more…)

Bonnie Raitt – Nick Of Time

  • Incredible sound for Bonnie’s 1989 Masterpiece, with both sides of this original copy earning Nearly Triple Plus (A++ to A+++) grades – just shy of our Shootout Winner
  • There was a time when these Capitol pressings were sitting in the bins all over town, but those days are gone, my friend
  • Some of the sweetest, richest, most analog sound we’ve heard from any record Don Was produced – “Have A Heart” is a Demo Disc quality track
  • 4 1/2 stars: “Producer Don Was used Raitt’s classic early-70s records as a blueprint, choosing to update the sound with a smooth, professional production and a batch of excellent contemporary songs. In this context, Raitt flourishes; she never rocks too hard, but there is grit to her singing and playing, even when the surfaces are clean and inviting. A great comeback album that made for a great story.”
  • Yes, the sound is heavily processed, with the kind of gloss that we’ve come to expect from Don Was, but these qualities take nothing away from the consistently high quality of the songwriting and production
  • If you like the vintage smooth sound of this album, there are plenty of Hot Stamper pressings currently available that offer it

The sound here is powerfully big and bold, with meaty, deep bass (such a big part of the rockers here, “Thing Called Love” being a prime example).

When you hear it like this — something probably pretty close to what he heard during the control room playback for the final mix — it actually makes sense. It works. It’s not exactly “natural,” but natural is not what they were going for, now is it?

We play albums like this very loud. I’ve seen Bonnie Raitt live a number of times, and although I can’t begin to get her to play as loud in my listening room as she did on stage, I can try. To do less is to do her music a profound disservice.

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Michael Jackson / Thriller – A Rock, Pop and Soul Masterpiece

More of the Music of Michael Jackson

  • With solid Double Plus (A++) grades from top to bottom, we guarantee you’ve never heard Michael Jackson’s Masterpiece of hard rockin’ funky pop sound this good – exceptionally quiet vinyl too
  • The sound is huge – big, wide, deep, and open, with a punchy bottom end and rhythmic energy to spare, as well as cleaner, smoother, sweeter upper mids and a more extended top
  • Top 100 title and 5 stars on AMG: “This was a record that had something for everybody, building on the basic blueprint of Off the Wall by adding harder funk, hard rock, softer ballads, and smoother soul — expanding the approach to have something for every audience.”
  • In our estimation, there are about 40 Must Own rock, pop and soul records from the 80s, and if there’s any album that belongs on that list, it’s Thriller
  • There is a version cut at Half-Speed by Mobile Fidelity, and as you can imagine, we did not much care for it

This is some of the best High-Production-Value rock/pop/soul music of the 80s. The amount of effort that went into the recording of Thriller is comparable to that expended by the engineers and producers of bands like Supertramp, The Who, Jethro Tull, Ambrosia, Pink Floyd and far too many others of our favorites to list. It seems that no effort or cost was spared in making the home listening experience as compelling as the recording technology of the day permitted.

Sound that came lumping-out-of-the-speakers coupled with driving rhythmic energy were the hallmarks of the best copies. These qualities really brought this complex music to life, gave it room to breathe, and made it possible for us to enjoy the hell out of it. This is yet another definition of a Hot Stamper — it’s the copy that lets the music work as music. (more…)

Steely Dan – Aja

More of the Music of Steely Dan

  • Incredible sound for Steely Dan’s magnificent Jazzy Pop breakthrough album, with both sides earning Nearly Triple Plus (A++ to A+++) grades – just shy of our Shootout Winner
  • Punchy, full and smooth, with the kind of rhythmic energy that brings out the jazzy funk in the music
  • A Better Records rock and pop Top 100 album and a true Demo Disc on a pressing that sounds as good as this one does
  • If I were to make a list of my favorite rock and pop albums of 1977, this album would definitely be right at the top
  • Considering how dismal the releases by Cisco Music and Mobile Fidelity were, it seems that no one outside of Bernie Grundman has managed to get Aja sounding right on vinyl, and that was 47 years ago
  • The sound is as heavily processed, artificial and overly glossy as practically anything produced in the 70s, which means that its Mid-Fi appeal is all but assured
  • For those of you on the Higher Fidelity end of the spectrum, our best Hot Stampers get everything sounding as right, balanced and natural as Aja can possibly sound
  • Unfortunately for those of you who don’t like paying our prices or doing your own shootouts, Bernie’s new UHQR leaves a lot to be desired. With mediocre-to-bad sound on all four of its sides and a price tag of $150, what else can you call it but another Analogue Productions rip-off?

Folks, there’s not much I can tell you about this copy of Aja that’s going to make you want this record, other than to say this: If you’re in the market for a superb pressing of what’s gotta be the most beloved Steely Dan record they made, look no further. It’s right here. (more…)

Al Stewart – Year Of The Cat

More of the Music of Al Stewart

  • Incredible sound throughout this vintage Janus pressing of Stewart’s 1976 Masterpiece, with both sides earning Shootout Winning Triple Plus (A+++) grades or close to them
  • With engineering by Alan Parsons, the top pressings are every bit the audiophile Demo Discs you remember
  • The best sides have Tubey Magical acoustic guitars, sweet vocals, huge amounts of space, breathtaking transparency, and so much more
  • The sound may be too heavily processed and glossy for some, but we find that on the best copies that sound really works for this music
  • 4 1/2 stars: “A tremendous example of how good self-conscious progressive pop can be, given the right producer and songwriter — and if you’re a fan of either prog or pop and haven’t given Al Stewart much thought, prepare to be enchanted.”

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George Michael – Faith

More of the Music of George Michael

  • Incredible sound for this George Michael classic, with both sides earning Shootout Winning Triple Plus (A+++) grades or close to them
  • Here are just a few of the things we had to say about this stunning copy in our notes: “punchy and solid and weighty”…”deep, rich bass”…”vox focused and breathy”…”present and rich and open”
  • The domestic pressings are a dubby joke next to these original imports; here is the size, clarity and Tubey Magic you’ve always wanted this music to have
  • With six (6!) Top Ten hits, this album is chock full of brilliantly produced and passionately performed material
  • There are some bad marks (as is sometimes the nature of the beast with these vintage LPs) on “Father Figure,” but once you hear just how killer sounding this copy is, you might be inclined, as we were, to stop counting ticks and just be swept away by the music
  • 5 stars: “A superbly crafted mainstream pop/rock masterpiece, Faith made George Michael an international solo star… All of it adds up to one of the finest pop albums of the 80s, setting a high-water mark that Michael was only able to reach in isolated moments afterward.”

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