fusion-best

The Crusaders – Chain Reaction

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  • An outstanding copy of Chain Reaction with solid Double Plus (A++) sound from first note to last
  • The overall sound here is Tubey Magical, lively and funky, with the kind of rich, solid sound that will fill your listening room from wall to wall
  • If you own the Mobile Fidelity remaster, or some Heavy Vinyl LP, you are in for a real treat – this pressing will show you just how good the recording is
  • 4 1/2 stars: “One of the tastiest concoctions of the mid-’70s jazz-fusion era, Chain Reaction finds the Crusaders at the top of their form. The compositions are both accessible and memorable, and the playing is uniformly excellent.”

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Jeff Beck – Blow by Blow

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  • Beck’s 1975 release, here with KILLER Shootout Winning Triple Plus (A+++) sound or close to it from first note to last
  • These are just a few of the things we had to say about this incredible copy in our notes: “bass fully extended down low”…”tubey and 3D”…”great energy”…”jumping out of the speakers”…”focused and transparent and spacious”
  • These sides are doing practically everything right — they’re clean, clear and open with lots of space around the players, and plenty of rich, bottom end weight
  • 4 1/2 stars: “Blow by Blow signaled a new creative peak for Beck, and it proved to be a difficult act to follow. It is a testament to the power of effective collaboration and, given the circumstances, Beck clearly rose to the occasion. In addition to being a personal milestone, Blow by Blow ranks as one of the premiere recordings in the canon of instrumental rock music.”

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Al Di Meola – Casino

  • With incredible Nearly Triple Plus (A++ to A+++) grades throughout, this copy (only the second to hit the site in years) is practically as good as we have ever heard, right up there with our Shootout Winner
  • Both of these sides are open and transparent, with wonderfully full-bodied guitars, solid bass and huge amounts of jazz fusion energy
  • A fusion classic featuring the stunning technique and superb improvisations that keep us on the hunt for great Di Meola pressings like this one
  • 5 stars: “Following up the superb Elegant Gypsy was no mean feat, but Al di Meola gave it his best shot with the similarly styled Casino…. Featuring a core band of Steve Gadd, Anthony Jackson, and Barry Miles (whom di Meola came up with before the guitarist was invited to join Return to Forever), the playing is sharp and fiery, matching the youthful intensity of the leader.”

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Pat Metheny – American Garage

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  • You’ll find superb Double Plus (A++) sound or close to it throughout this original ECM pressing – exceptionally quiet vinyl too
  • This side two is open and transparent throughout, with wonderfully full-bodied guitars, solid bass and huge amounts of swingin’ jazz energy, and side one is not far behind in all those areas
  • 4 1/2 stars: “The arrangements are more structured, the playing often more intense and searching, with a more pronounced rock influence. [T]his is…high-quality jazz-rock for its time.”

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Jeff Beck – Wired

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More Jazz Fusion

  • You’ll find seriously good Double Plus (A++) grades on both sides of this vintage copy of Beck’s sophomore solo effort (one of only a handful to hit the site in eleven months) – exceptionally quiet vinyl too
  • Big and full with a punchy bottom end and driving jazz/rock energy, here are the elements critical to the better sounding copies
  • Wired, the sequel to the hugely successful Blow by Blow, was produced by Sir George Martin and mixed by Geoff Emerick
  • 4 1/2 stars: “Within a two-year span, the twin towers Blow by Blow and Wired set a standard for instrumental rock that even Beck has found difficult to match. On Wired, with first-rate material and collaborators on hand, one of rock’s most compelling guitarists is in top form.”
  • If you’re a Jeff Beck fan, or perhaps more a fan of mid-70s Jazz Fusion, this title from 1976 is surely a Must Own

Copies with the most bass, the richest lower midrange and the most extension up top (to keep the upper midrange from becoming too hard and shrill) did the best in our shootout, assuming they weren’t veiled or smeary of course.

So many things can go wrong on a record. We know, we heard them all. We’re glad to report this copy was doing just about everything right, hence the high Hot Stamper grades. (more…)

Santana – Welcome

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  • You’ll find outstanding sound throughout this vintage pressing of Santana’s 1973 release
  • Both of these sides are big and rich, yet still wonderfully clean, clear and open with fantastic energy – you will not believe all the space and ambience here
  • An ambitious follow-up to Caravanserai, Welcome continued Carlos Santana’s foray into jazz-rock fusion with music that remains powerful and intriguing even today
  • Problems in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 4 stars: “Welcome was merely ahead of its time as a musical journey and is one of the more enduring recordings the band ever made. This is a record that pushes the envelope even today and is one of the most inspired recordings in the voluminous Santana oeuvre.”

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Ramsey Lewis – For Some Titles We Go 17 Years Between Shootouts

  • Sun Goddess is back and sounds better than ever on this vintage Columbia pressing with incredible Nearly Triple Plus (A++ to A+++) grades from start to finish – just shy of our Shootout Winner
  • The sound is huge, spacious, lively, transparent and punchy – this is jazz fusion that really rocks
  • The last time we reviewed this album was all the way back in 2005!
  • “Sun Goddess is also something of a stealth Earth, Wind & Fire album, as it features most of the key players from that band, and bears echoes of EW&F’s jazzier, more atmospheric side”
  • 4 stars: “Pianist Ramsey Lewis first came to fame as the purveyor of swinging soul-jazz in the mid-’60s [but] Sun Goddess…is miles away from the finger-snapping supper club sounds of “The In Crowd.” Lewis had transformed himself into a jazz fusion funkateer, riffing on electric piano and synthesizer amid arrangements that meld jazz with funk, R&B, and yes, even touches of progressive rock.”

Ramsey Lewis meets Earth Wind and Fire.

This is a bright recording and it’s supposed to sound that way, just like EWF’s recordings. The music is full of energy and lots of fun. This isn’t real jazz; it’s pop jazz. It’s produced by Maurice White and it even has Phillip Bailey on vocals.

You can’t get much more Earth, Wind and Firey than that.

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Donald Byrd – Electric Byrd

  • You’ll find outstanding Double Plus (A++) sound or close to it throughout this vintage Blue Note pressing – exceptionally quiet vinyl too
  • Side two is clean, clear and natural sounding with a lovely bottom end and lots of space around all of the players, and side one is not far behind in all those areas
  • If you want to hear the Tubey Magic, size and energy of this wonderful session from 1970 – recorded by none other than Rudy Van Gelder – this copy will let you do that (particularly on side two)
  • 4 1/2 stars: “Donald Byrd’s transitional sessions from 1969-1971 are actually some of the trumpeter’s most intriguing work, balancing accessible, funky, Davis-style fusion with legitimate jazz improvisation. Electric Byrd, from 1970, is the best of the bunch, as Byrd absorbs the innovations of Bitches Brew and comes up with one of his most consistent fusion sets of any flavor… indisputably challenging, high-quality fusion.”

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Pat Metheny Group – First Circle

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  • This early pressing of Pat Metheny Group’s 1984 release boasts solid Double Plus (A++) grades or close to them on both sides – exceptionally quiet vinyl too
  • The sound is huge, spacious, lively, transparent and punchy (particularly on side two) – this is jazz fusion that really rocks
  • 4 stars: “The ever-restless Metheny…mixes up the music, not quite leaving the Brazilian glide behind but coming up with some fascinating permutations always affixed with his personal stamp.”

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Joni Mitchell – Mingus

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More Charles Mingus

  • This vintage pressing of Joni Mitchell’s brilliant collaboration with Charles Mingus boasts seriously good Double Plus (A++) sound from start to finish
  • If you’re a fan of Joni’s more adventurous work, you’ll find a lot to like here
  • Features “luminaries” including Herbie Hancock and some of Weather Report, who join Mingus in helping Joni bring these jazzy works to life
  • “… Mitchell could not have chosen any finer musicians than the sextet she ultimately incorporated into this work.”

Two of Joni’s more famous late ’70s songs are on here — “God Must Be A Boogie Man” and “The Wolf That Lives In Lindsey.” If you like the more adventurous music that Joni produced at the later stages of her career, this should make a wonderful addition to your collection.

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