Top Artists – Talking Heads

Talking Heads – Stop Making Sense

More of the Music of Talking Heads

 

  • A vintage Sire pressing with STUNNING Shootout Winning Triple Plus (A+++) sound or close to it from start to finish – exceptionally quiet vinyl too
  • Every five years, like clockwork, we do a shootout for this superb title — our last was in 2021
  • Both of these sides are big, bold and dynamic, with the kind of energy that you rarely find outside of the live event
  • “. . . ‘A bona fide classic,’ opined Neil Jeffries in a five-star review of the reissue for Empire, ‘a perfectly measured snapshot of a widely loved and respected band playing at the height of their powers … No other band could do this. No other music movie soundtrack sounds this good.'” -Wikipedia

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Talking Heads / Remain In Light

More of the Music of Talking Heads

  • Here is a vintage Sire pressing with solid Double Plus (A++) grades from start to finish – exceptionally quiet vinyl too
  • Everything we were hoping for from this music is here and more — richness, sweetness, great energy, big time presence, weight down low, punchy drum sound and so on
  • Both of these sides are also open and transparent with lots of space around the different parts
  • The sonics have extraordinarily high-resolution, which lets you hear all the detail and texture of the crazy synths
  • 5 stars: “Even without a single, Remain in Light was a hit, indicating that Talking Heads were connecting with an audience ready to follow their musical evolution, and the album was so inventive and influential, it was no wonder.”

It takes an exceptional pressing to get all the elements correct — the funky bottom end; the processed, multi-tracked vocals; the Brian Eno production weirdness and so on.

This is a brilliant album but a typically problematic record. Most copies get some things right but fail in other areas. There are smeary copies that can’t deliver the punchy bottom you need, grainy copies that make the vocals painful to listen to, and plenty of copies that are just too dark or flat sounding for anyone to enjoy. Note that the first track on both sides will sound the worst. The sound gets better, though, as you get further into the album.

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Remain In Light Is One Tough Title to Reproduce

Hot Stamper Pressings of the Music of Talking Heads Available Now

Remain in Light is a record that’s going to demand a lot from the listener, and we want to make sure that you feel you’re up to the challenge. If you don’t mind putting in a little hard work, here’s a record that will reward your time and effort many times over, and probably teach you a thing or two about tweaking your gear in the process (especially your VTA adjustment, just to pick an obvious area most audiophiles neglect).

A word of caution: Unless your system is firing on all cylinders, even our hottest Hot Stamper copies — the Super Hot and White Hot pressings with the biggest, most dynamic, clearest, and least distorted sound — can have problems . Your system should be thoroughly warmed up, your electricity should be clean and cooking, you’ve got to be using the right room treatments, and we also highly recommend using a demagnetizer such as the Walker Talisman on the record, your cables (power, interconnect and speaker) as well as the individual drivers of your speakers.

This recording ranks high on our difficulty of reproduction scale. Do not attempt to play it using any but the best equipment.

It took a long time to get to the point where we could clean the record properly, twenty years or so, and about the same amount of time to get the stereo to the level it needed to be.

It’s not easy to find a pressing with the low end whomp factor, midrange energy and overall dynamic power that this music needs, and it takes one helluva stereo to play one too.

As we’ve said before about these kinds of recordings — Ambrosia; Blood, Sweat and Tears; The Yes Album; Dark Side of the Moon, Led Zeppelin II — they are designed to bring an audio system to its knees.

If you have the kind of big system that a record like this demands, when you drop the needle on the best of our Hot Stamper pressings, you are going to hear some amazing sound .

Want to find your own killer copy?

Consider taking our moderately helpful advice concerning the pressings that tend to win our shootouts.

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What It Took to Find Hot Stamper Pressings of Two Very Tough Titles

Hot Stamper Pressings of the Music of Talking Heads Available Now

[Emphasis added.]

Hey Tom, 

Just got my Super Hot Stampers of Remain In Light and Station To Station. I was very much looking forward to the arrival of these LPs… I was not disappointed. Verily, I was completely floored!

First, my apologies. I have been reading your website for over two years, gleaning information to help me find Hot Stampers, or at least good sounding records. I had not made a purchase until this past week. I was starting to feel guilty; you have given me so much great direction and guidance over these years, and I had not supported you in the proper way.

So I made a modest purchase of these two records, to assuage my guilt and support your efforts. You will be getting much more business from this satisfied customer.

I have Remain In Light on LP, CD and even the FLAC file release. My new Hot Stamper truly puts these recordings to shame. No, really, TO SHAME! If this ever gets on the Better Records Testimonials: “People let me tell you…it’s sent a chill up and down my spine…”!

I really can’t believe how well balanced the sound is: great bottom end, mids are pronounced and the shrillness is GONE! No smear anymore! Breathtaking.

My copy of Station to Station is just as wonderful.

I’ve been convinced of “Hot Stamper” recording for quite some time now, thanks to Tom and the BR crew; I’ve found some great recordings after conducting my own modest shoot-outs. Found some real gems. But the best results that I have ever got, and there are only a few, have now been easily matched and outstripped by my first BR purchase!

Rob

Rob,

Thanks for your enthusiastic letter. We’re on the same page. I too get excited when I hear my favorite music sound better than I ever expected it would. (more…)

Talking Heads – Little Creatures

More of the Music of the Talking Heads

  • Little Creatures is back on the site for only the second time in eighteen months, here with solid grades on both sides of this original Sire pressing – this one has the Big Beat sound we love, and fairly quiet vinyl too
  • I ask you, what record from 1985 sounds better than Little Creatures?
  • These sides are rockin’ on tracks like “Stay Up Late,” “Road To Nowhere,” “And She Was,” “Creatures of Love” and more
  • Surprisingly big, punchy and open sound for this 1985 pop classic – a Top 100 album and longtime Better Records favorite
  • We used to think that this album was the best sounding one the band had produced, but recently we came across some phenomenally good sounding pressings of their debut, and they now hold the Talking Heads’ crown for best sound
  • 4 1/2 stars: “Ear Candy …a pop album, and an accomplished one, by a band that knew what it was doing.”

We’re huge fans of Little Creatures, and when you hear a copy like this you’ll know exactly why. Not many records from this era sound as amazingly rich as this one, not in our experience anyway.

On the better copies, the sound is punchy, smooth & so ANALOG, with an especially beefy bottom end, the kind a good Big Beat Pop Album record needs. For a good reference think Get The Knack or Parallel Lines.

Tight, punchy, surprisingly deep note-like bass absolutely makes or breaks the sound on Little Creatures. Without the proper bass foundation this funky beat-crazy Talking Heads album can’t BEGIN to do what it’s trying to do: get your feet tappin’ and your body rockin’ to the music.

The better pressings are surprisingly dynamic, with a sweet, often silky top end. The drums are very well recorded throughout — you can really hear the room around that big kit. You will also find that the higher-rez pressings give David Byrne’s vocals the presence and breathy texture they need. The overall sound will be open, spacious, and sweet — even three-dimensional.

The Last Great Talking Heads Album

This is the Last Great Talking Heads album. The first four and this one give you all the Talking Heads music you’ll ever need. Each of them is brilliant in its own way. One of the ways this one is especially brilliant from our admittedly skewed point of view is that it’s the best sounding record the Talking Heads ever made.

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Remain In Light on Ridiculously Bad Sounding Rhino Vinyl

Hot Stamper Pressings of the Music of Talking Heads Available Now

The Rhino Heavy Vinyl reissue of this album was dead on arrival the minute it hit my turntable.

No top, way too much bottom, dramatically less ambience than the average copy — this one is a disaster on every level.

Rhino Records has really made a mockery of the analog medium. Rhino touts their releases as being pressed on “180 gram High Performance Vinyl.” However, if they are using performance to refer to sound quality, we have found the performance of their vinyl to be quite low, lower than the average copy one might stumble upon in the used record bins. 

Mastered by Kevin Gray, this record has what we would call ”modern” sound, which is to say it’s clean and tonally correct, but it’s missing the analog qualities the better originals have plenty of.

In other words, it sounds like a CD.

Who can be bothered to play a record that has so few of the qualities audiophiles are looking for on vinyl? Back in 2007 we put the question this way: why own a turntable if you’re going to play mediocrities like these?

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I Ask You: What Album from 1985 Has Better Sound than Little Creatures?

Hot Stamper Pressings of the Music of Talking Heads Available Now

We’re huge fans of Little Creatures here at Better Records. When you hear one of our Hot Stamper copies you’ll know exactly what we love about it.

Not many records from this era sound as amazingly rich as this one, not in our experience anyway. (As I write this there are four Hot Stamper pressings from 1985 on the site, and one of them is Brothers in Arms, hardly anyone’s idea of audiophile quality sound I venture to say.)

[I was being much too harsh to Brothers in Arms above. The best pressings have superb — albeit modern — sound.]

The recording is simply outstanding — punchy, smooth & so ANALOG, with an especially beefy bottom end, the kind a good Big Beat Pop Album record needs. (For a reference think Get The Knack or Parallel Lines.)

The best copies boast the kind of tight, punchy, surprisingly deep note-like bass that absolutely makes or breaks the sound on Little Creatures. Without the proper bass foundation this funky beat-crazy Talking Heads album can’t BEGIN to do what it’s trying to do: get your feet tappin’ and your body rockin’ to the music.

Top Sound from 1985 – Yes, It IS, or WAS, Possible

The best pressings are amazingly dynamic, with a sweet, often silky top end. The drums are very well recorded throughout — you can really hear the room around that big kit.

On the best copies such as this one David Byrne’s vocals have the presence and breathy texture they need. The overall sound is open, spacious, and sweet, even three-dimensional.

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Talking Heads / Speaking in Tongues

More Talking Heads

  • Both sides of this vintage Sire pressing were giving us the big and bold sound we were looking for, earning solid Double Plus (A++ ) grades
  • “Burning Down the House” – our favorite track on the album and one of the band’s best – is really rockin’ right out of the gate!
  • The sound opens up nicely, allowing you to hear into the music and appreciate the more subtle details, details that more often than not get lost on other pressings
  • 4 stars: “… their most popular album yet…” – it also was #54 on Rolling Stone’s list of the “100 best albums of the 1980s”

We recently finished a shootout for Speaking In Tongues, the band’s 1983 release, the last great Talking Heads album, and were pleased as punch to hear a copy or two deliver the kind of magic that we’ve been getting on Little Creatures.

Most copies of Speaking In Tongues are too flat, dry and veiled to get worked up about, but this one will show you that excellent sound for this album is indeed possible, albeit awfully difficult to find.

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Talking Heads – Fear of Music

More Talking Heads

More Brian Eno

  • You’ll find excellent Double Plus (A++) sound throughout this vintage Sire pressing – exceptionally quiet vinyl too
  • I’d be hard-pressed to name another group from the era who put out more groundbreaking yet accessible records than the Talking Heads
  • Producer Brian Eno wasn’t shy about adding multiple layers of effects and processing; the texture of Eno’s synthesizers gives the music depth and character
  • 4 1/2 stars: “…the music is becoming denser and more driving… with lyrics that match the music’s power… its better songs are as good as any Talking Heads ever did”
  • If you’re as big a Talking Heads fan as we are, this is a classic from 1979 that belongs in your collection.

As huge fans of this band, it was a major thrill for us to complete a shootout for this album recently. We found that the best copies had wonderful transparency, meaty bass, Art Rockin’ energy and a refreshing overall freedom from distortion.

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Talking Heads – True Stories

More Talking Heads

  • With two solid Double Plus (A++) sides or close to them, this copy is guaranteed to handily beat any True Stories you’ve heard – exceptionally quiet vinyl too
  • Here’s the Midrange Magic (particularly on side one) that’s surely missing from whatever 180g reissue has been made from the tapes (or, to be clear, a modern digital master copied from who-knows-what-tapes)
  • “…True Stories is not without its charms… ‘Dream Operator’ is one of the most affecting tunes Talking Heads ever recorded; the closing-credits theme ‘City of Dreams’ is similarly touching.”

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