Hot Stamper Pressings of the Music of Simply Red Available Now
This commentary was written about 15 years ago.
I actually used to demo my stereo with “Sad Old Red.”
At one point the sound really explodes, an effect which has always held a great deal of appeal for me.
That’s what live music can do, so that’s what I want my stereo to do.
For thirty [now 45+] years I’ve avoided little boxes and screens and gone straight for the big dynamic speaker systems that can really show you the life that’s hiding in your recordings.
That’s what the revolutionary changes in audio commentary is about — unlocking all the energy and excitement that a good LP has to offer.
“Holding Back the Years” also boasts superb sound. It may be the best track the band ever recorded, and it’s probably the one most everyone knows, but there are many here that are nearly as good. The cover of The Talking Heads’ “Heaven” (from Fear of Music) is out of this world.
I still remember standing in a record store — I think it was Tower; I lived in San Diego at the time and went there often — when I heard a song I knew but could not quite place.
Eventually I realized it was “Heaven” from Fear of Music, an album I knew well, being a big Talking Heads fan at this time. This is the mid-80s, long after I had been knocked out by More Songs About Buildings and Food in 1979. But it wasn’t The Talking Heads singing it.
I bought the album, one I knew next to nothing about, on the spot. Any band that wants to cover The Talking Heads is a band with taste, and once I got the album home I knew this band had plenty of talent too.
Of course it would be many years until I managed to find a clean, early import pressing of the album — back then you had to luck into such things in used record stores, there was no Ebay or Discogs to make it possible.
The domestic pressings can be good, but the best imports will always be better. (I’m not even sure we buy the domestics anymore.)
Big Speakers Wanted
This is a big speaker record. It requires a pair of speakers that can move air with authority below 250 cycles and play at loud levels. If you don’t own speakers that can do that, this record will never really sound the way it should.
It demands to be played LOUD. It simply cannot come to life the way the producers, engineers and artists involved intended for it to if you play it at moderate levels.
For the longest time our motto has been “Records for Audiophiles, Not Audiophile Records,” and we see no reason to change it. If anything, the current spate of manufacturers of Heavy Vinyl pressings are making records that get worse sounding by the day. Many of the most egregious offenders can be found here.
Want to find your own killer copy?
Consider taking our moderately helpful advice concerning the pressings that tend to win our shootouts.
As of 2024, shootouts for this album should be carried out:
How else can you expect to hear this record at its best?
Based on our experience, Picture Book sounds better:
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