Top Artists – Buffalo Springfield

Buffalo Springfield / Retrospective – Our 2021 Shootout Winner

More of the Music of Buffalo Springfield

  • With STUNNING Shootout Winning Triple Plus (A+++) grades on both sides, this original Atco pressing is certainly as good a copy as we have ever heard
  • Big, full-bodied, clear and present, the Tubey Magical richness of the best pressings is a joy to hear on modern high resolution equipment
  • “Kind Woman” and “I Am A Child” are just two of the best sounding songs – listen to all that space around the voices and instruments
  • And the Pysch stuff – “On the Way Home,” “Broken Arrow” and “Expecting to Fly” – is guaranteed to be dramatically more three-dimensional than you’ve ever heard it
  • 5 stars on Allmusic – this is Must Own Music from one of the most groundbreaking and accomplished groups of the late-60s (even though they never cracked the Top 40 Album chart)

Midrange Magic Is Key

Extracting all the Midrange Magic from a legendary album and Desert Island Disc like this should be the goal of every right-thinking audiophile. Who cares what’s on the TAS Super Disc list? I want to play the music that I love, not because it sounds good, but because I love it. And if the only way to find good-sounding clean copies of typically poorly-mastered, beat-to-death records like this is to go through a big pile of them, well then, I guess that’s what we will have to do.

It takes us years to find enough good clean copies to shoot out. You folks who don’t live in big cities with lots of used record stores are really out of luck when it comes to albums like these. We must look at twenty for every one we buy.

As I’m sure you know, it’s exceedingly difficult to find good sound for this band anywhere. Great copies of the second album, Buffalo Springfield Again, are out there and sound amazing, but we don’t have much luck finding them in clean condition.

Our last shootout was about four years ago, which to my mind is just a sin. We need to find more copies so we can regularly shootout the album, it’s such a classic. Most of the copies we see are beat to death and no amount of cleaning can bring them back to life.

We’ve never heard a copy of this album that truly qualifies as a Demo Disc, but some of the songs can sound superb — “Kind Woman” and “I Am A Child” come immediately to mind. The recording, like so many from the 60s, may not be perfect, but it’s so full of Midrange Magic, ambience and sweetness that the musical values inherent in these heartfelt songs are nevertheless communicated completely — if you have a copy that sounds as good as this one does.

Those are pretty darn hard to find, and quiet ones are even harder to find. There was a lot of bad mastering and bad vinyl going around when this record and thousands just like it were made. If you don’t believe us just pick up a few (for cheap, otherwise forget it) and see for yourself.

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You Too Can Get an Old Buffalo Springfield Record to Sound This Good

More of the Music of Buffalo Springfield

This commentary is from 2005 or thereabouts.

Not long ago we found a White Hot Stamper pressing of Last Time Around that really blew our minds. We were surprised to hear some of the breathiest, silkiest vocals we’ve ever heard on ANY Buffalo Springfield album, with startling presence and immediacy to boot! Side two had BY FAR the most energy and life of any side of any copy we’ve ever played. Man, does it ROCK.

Even as recently as 2010 we would not have expected to find that kind of sound on a vintage ’60s pop/rock album. We know better now.

When you get hold of the right copy and know how to clean it and play it right, these vintage pressings (well, the White Hot ones anyway) are a damn sight better than the vast majority of audiophiles think they are. How is such apparently never-before-possible sound being heard now, 45 years after the record came out? Our answer can be found below. 

The kind of MIDRANGE MAGIC found on this pressing let us hear into the music in a way we (and you too I’m guessing) never imagined was possible.

Most copies have no bass, no real top, and are compressed so badly they sound more like cardboard than vinyl. But not this copy — it breaks the mold, revealing to the world (well, our world anyway, the world at Better Records) that those badly recorded Buffalo Springfield records from the ’60s weren’t so badly recorded after all. (more…)

Buffalo Springfield – Finally, a Pressing with Some Highs and Lows

Hot Stamper Pressings of Country and Country Rock Available Now

Note to customers: We rarely have Hot Stamper pressings of Buffalo Springfield available on the site, so albums with Stephen Stills or Neil Young playing on them are about the best we can do these days. We regret we must go many years between shootouts for this seminal band’s albums, two of which are personal favorites and have been since they were released, 1968’s (Again) and 1969’s (Last Time Around).

The following review was written many years ago.


This is the first White Hot Stamper pressing of Buffalo Springfield’s self-titled LP to ever hit the site, and folks, you are in for shock if you know the album well at all. Although for the most part this is no Demo Disc, this pressing is SO MUCH BETTER than any other version we know of that it just blows our minds. I had my mind blown about ten years ago when I found my first one, and nothing has changed. It’s still the best pressing ever.

Side One

A+++, and my notes say that this is the only side one that actually has any frequency extension on either end. For whatever reason, the mastering engineers who cut this first album rarely managed to put any real top or bottom on the record. Why I can’t imagine. Highs and lows are on the tape; this copy proves it.

Again, notes for this side say it’s by far the best, with Tubey Magic, richness, bottom end, presence and freedom from distortion that no other copy could touch. You will not believe it, and the more copies you have tried in the past, the more astonishing the sound of this copy will be to you.

Side Two

A+++, yes, it won both sides in our shootout, and there actually is Demo Disc sound on this side. Track three, Do I Have to Come Right Out and Say It, is AMAZING sounding here, probably because the arrangement is so simple that not much studio trickery was needed. (Kind Woman on the third album is that way too — Demonstration Quality on the best pressings.)

So rich and Tubey-Magical, yet clear and very high-rez, this version of the album changes everything. There is simply nothing like it, and when you hear it you will know that that is no hype.

Want to find your own killer copy?

Consider taking our moderately helpful advice concerning the pressings that tend to win our shootouts.

As of 2025, this record should sound its best this way:

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