Top Artists – The Doobie Brothers

The Doobie Brothers Minute By Minute – Nautilus Reviewed

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Sonic Grade: D

A Hall of Shame pressing and another Half Speed debunked.

You may remember reading on the site that we used to like the Nautilus Half-Speed of this title. Playing our Nautilus copy against the better domestic pressings made us wonder what the hell we must have been smoking. The Nautilus was awful — veiled and compressed, with a lightweight bottom end. (The Nautilus of Threshold of a Dream is another one we used to like and boy does that record sound awful these days.)

Maybe we had played a better copy years ago, or maybe we had played some really bad domestics back then, who can say? A lot of water has gone under the bridge since then. All we can say for now is that our Hot Stampers are going to blow that audiophile piece of junk — and any other pressing of the album that might exist — right out of the water. (Or your money back.)

And the gold CD too of course. I have never in my life heard a CD sound like this record does, and I don’t think anyone else has either. CDs do some things reasonably well, but few of them have the kind of richness, sweetness and tubey magic that the best vinyl copies of this album do, cleaned right and played on a proper stereo of course. (more…)

The Doobie Brothers – Stampede

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

The average copy of this album is compressed and congested, recessed and veiled, grainy and thin; in other words, it sounds like an old Doobie Brothers album. It takes a copy like this to show you just how good the Master Tape must really be. Most copies don’t even hint at the sound you will hear on this record. And if we hadn’t had plenty of copies to play with, we would never have known, now would we?  (more…)

The Doobie Brothers – Takin’ It To The Streets – MoFi Reviewed

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Sonic Grade: B

Another MoFi LP reviewed.

This is an IMMACULATE Mobile Fidelity LP with EXCELLENT SOUND. I’m surprised how good this copy is. The mids and highs are close to Right On The Money (ROTM). The bass is not as deep and well defined as it should be, but that’s the fault of Half-Speed mastering, not MOFI. One of their best titles. And quite rare to boot.

The Doobie Brothers – The Captain and Me – Our Shootout Winner from 2009

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

OH BABY! This is the HOTTEST copy of The Captain And Me to ever hit the site, bar none. The sound is nothing short of PHENOMENAL from the first cut to the last. Side two earned our top A+++ grade while side one clocked in just half a plus behind. You can’t even begin to imagine what we’ve gone through trying to find Hot Stampers for this album. Here’s the copy that proves it was all worth it. 

We had TWICE tried to shootout this album and gave up both times with little to show for it. The one great sounding, reasonably quiet copy we found had a nasty edge warp that obliterated the first track on both sides. So we knew that great copies of this album must be out there, but where? We had OVER THIRTY COPIES of this record on our shelves and none of them were worth listing. The warped copy sounded so much better than any of the rest, and we felt it was wrong to call even the best of the rest a Hot Stamper. (more…)

The Doobie Bros. – Takin’ It To The Streets – Our Shootout Winner from 2009

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

SUPERB SOUND on this A++ / A+++ White Hot Stamper — who in his right mind thought this record could sound this good? Not us! We’ve been buying pressings for years with virtually nothing to show for it; that’s why you haven’t seen a Hot Stamper hit the site since 2007. The typical copy of this album has no real top or bottom; that’s what separates the men from the boys on Takin’ It to the Streets. That shrunken, flat, two-dimensional, lifeless, compressed, midrangy sound you’re so used to hearing on Doobies Brothers albums (to this day I still haven’t found a good Minute by Minute!) is the rule, and this pressing the exception.  

Why go to all the trouble? Because we love the album! This is the first album featuring Michael McDonald’s infusion of white soul, and that is the Doobie Brothers sound we love here at Better Records.

But the average copy of this record is such a letdown, it’s hard to imagine many audiophiles taking it seriously over the years. They should; the band cooks on practically every track, and the songwriting is some of their best, with top tracks like Losin’ End and It Keeps You Runnin’.

What do the Hot Stampers give you? The Big Sound for starters — wall to wall, lots of depth, all that sort of thing. Next: transparency — you hear into the soundfield, with space and air around all the instruments. Then: presence and immediacy. The vocals aren’t back there somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would have put them. Extend the top and bottom and voila, you have The Real Thing — a White Hot Stamper.

Side one earned an A++ and side two received top A+++ honors. Both sides are lively, rich, full-bodied, natural, and transparent. Side two has a wonderful three-dimesional quality and some of the tightest, punchiest bass we’ve ever heard on this album, hence the extra plus. (more…)

The Doobie Brothers – Toulouse Street – Templeman, Barncard and Landee Work Their Magic

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Two of our favorite engineers worked their magic on this one: STEPHEN BARNCARD and DONN LANDEE. This copy surely has all the Tubey Magic one could ask for, but it’s the size, space and clarity here that really shocked us.

After listening to one smeary, veiled mess after another it was a thrill to hear one rock like this.

The vocals have room to breathe, the acoustic guitars are big and up front with extended, correct harmonics, and the bass has more punch and definition than we had any right to expect.

The huge bass on the better copies of this album has to be the handiwork of STEPHEN BARNCARD (American Beauty, Tarkio), although DONN LANDEE (Little Feat, Van Halen), one of the other two engineers here, likes plenty of bass as well.

Back in the day I had no idea this record could sound so punchy in the bass, be this dynamic, yet still have smooth, silky, oh-so-analog vocals.

Some copies have wonky, bloated bass. Others have a bit of a boost at 10k, adding a sparkly unnatural quality to the vocals and cymbals, somewhat like a MoFi pressing.

The best copies have none of those problems. You have never heard ‘Listen To The Music’ sound better. It’s everything a good Ted Templeman produced rock record should be. (more…)

The Doobie Brothers – What Were Once Vices… – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This quiet Palm Tree Label pressing is one of the best sounding copies of this album we’ve ever played! We had a massive shootout for this fun album recently and this was the big winner, earning an A+++ grade for the first side and a strong A++ for the second. Drop the needle anywhere on side one; you won’t believe how open, clear and dynamic the sound is. It’s also big, present and spacious with unusually high resolution. No other side one we played came close. Black Water sounds KILLER here! 

We sure don’t find too many copies like this that sound correct from start to finish and play quietly, but this one sure knocked us out. The sound is strong down low with the kind of three-dimensional imaging that bring the music of the Doobs to life in your listening room!

These songs sound every bit as good now as they did thirty plus years ago when they came out. Better, because we can clean their records and play them so much better than we could back then. I’ll be the first to admit that back in the day I was a bit of a snob when it came to bands like this. Too mainstream. Too radio-friendly. Now I realize that the best of this kind of pop rock has stood the test of time very well. One listen and we think you’ll agree: this is good music that belongs in your collection. (more…)

The Doobie Brothers – Takin’ It To The Streets

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  • You’ll find outstanding Double Plus (A++) sound or close to it on both sides of this 1976 release – exceptionally quiet vinyl too 
  • With the awesome Michael McDonald contributing songs and vocals, this is the kind of Doobies album we can get behind 
  • Credit must go to Donn Landee for the full-bodied, rich, smooth, oh-so-analog sound of the best pressings such as this one 
  • 4 1/2 stars: “…shows off the new interplay and sounds that were to carry the group into the 1980s, with gorgeous playing and singing all around.”

Who in his right mind thought this record could sound this good? We’ve been buying pressings for years, with very little to show for it. Most copies have no real top or bottom; that’s what separates the men from the boys on Takin’ It to the Streets. That shrunken, flat, two-dimensional, lifeless, compressed, midrangy sound you’re so used to hearing on Doobies Brothers albums is the rule, and these sides are the exceptions.

Why go to all the trouble? Because we love the album! This is the first album to feature Michael McDonald’s infusion of white soul into what was otherwise just another radio-friendly boogie rock band, and ’70s soul is precisely the Doobies sound we love here at Better Records.

Most copies of this record are such a letdown, it’s hard to imagine that many audiophiles could be bothered to take it seriously. But they should; the band cooks on practically every song, and the writing is some of their best, with essential Doobies tracks like Losin’ End and It Keeps You Runnin’ and no real dogs in the bunch. (more…)

The Doobie Brothers – The Captain and Me

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  • Excellent sound throughout with both sides rating a solid Double Plus (A++)
  • Natural Thing, China Grove and Long Train Runnin’ all sound great – smooth, rich and full of energy   
  • Credit Donn Landee with the full-bodied, rich, smooth, oh-so-analog sound of these good copies
  • Allmusic 4 1/2 stars: “The Doobie Brothers’ third long-player was the charm, their most substantial and consistent album to date, and one that rode the charts for a year.”

There are some great songs on this album, songs that still get plenty of play on the radio: China Grove, Long Train Running and South City Midnight Lady all come to mind. It’s tough to find great sounding copies, but it’s worth all the trouble when you get one with this kind of rich, full tonality, punchy bottom end and real space and ambience. (more…)

The Doobie Brothers – Best Of The Doobies Volume II – Our Shootout Winner from 2005

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This Warner Brothers LP has exceptionally good sound — you would never know you are listening to a greatest hits compiliation. I bought a promo pressing recently and decided to shoot it out with two copies that had been sitting on the shelf for a long time. The Promo was not particularly impressive; neither was one of the other copies but this one stood head and shoulders above them. It’s full of ambience; the sound is rich and sweet; the vocals are tonally correct and not spitty; and the more you play it, the better you like it — the shortest definition of a Better Record I know of.