A distinguished member of the Better Records Rock and Pop Hall of Fame.
SUPERB SOUND on this A++ / A+++ White Hot Stamper — who in his right mind thought this record could sound this good? Not us! We’ve been buying pressings for years with virtually nothing to show for it; that’s why you haven’t seen a Hot Stamper hit the site since 2007. The typical copy of this album has no real top or bottom; that’s what separates the men from the boys on Takin’ It to the Streets. That shrunken, flat, two-dimensional, lifeless, compressed, midrangy sound you’re so used to hearing on Doobies Brothers albums (to this day I still haven’t found a good Minute by Minute!) is the rule, and this pressing the exception.
Why go to all the trouble? Because we love the album! This is the first album featuring Michael McDonald’s infusion of white soul, and that is the Doobie Brothers sound we love here at Better Records.
But the average copy of this record is such a letdown, it’s hard to imagine many audiophiles taking it seriously over the years. They should; the band cooks on practically every track, and the songwriting is some of their best, with top tracks like Losin’ End and It Keeps You Runnin’.
What do the Hot Stampers give you? The Big Sound for starters — wall to wall, lots of depth, all that sort of thing. Next: transparency — you hear into the soundfield, with space and air around all the instruments. Then: presence and immediacy. The vocals aren’t back there somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would have put them. Extend the top and bottom and voila, you have The Real Thing — a White Hot Stamper.
Side one earned an A++ and side two received top A+++ honors. Both sides are lively, rich, full-bodied, natural, and transparent. Side two has a wonderful three-dimesional quality and some of the tightest, punchiest bass we’ve ever heard on this album, hence the extra plus. (more…)